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Author: Matilde Battistini Publisher: Getty Publications ISBN: 9780892368181 Category : Allegories Languages : en Pages : 384
Book Description
"The purpose of this volume is to provide today's readers and museum-goers with a tool for orienting themselves in the world of images and learning to read the hidden meanings of certain famous paintings."--Introduction.
Author: Matilde Battistini Publisher: Getty Publications ISBN: 9780892368181 Category : Allegories Languages : en Pages : 384
Book Description
"The purpose of this volume is to provide today's readers and museum-goers with a tool for orienting themselves in the world of images and learning to read the hidden meanings of certain famous paintings."--Introduction.
Author: Matthew Wilson Publisher: National Geographic Books ISBN: 0500295743 Category : Art Languages : en Pages : 0
Book Description
Thoroughly user-friendly and covering a broad historical sweep, this book is a reference guide to fifty of the most frequently occurring symbols in global art history. Iconography, or the study of symbols—be they animals, artifacts, plants, geometric shapes, or gestures—is an essential aspect of interpreting art. One of the most consistent features of human society throughout time has been the use of visual symbols, which often act as substitutions for the written word, crossing dialects and borders and uniting understandings of the world through a shared language. Incorporating and analyzing a wealth of cultures, Symbols in Art serves as a reference guide to fifty of the most frequently occurring symbols in global art history from 2300 BCE to the present day, exploring their subtle implications and covert meanings. Entries devoted to specific symbols expose nuances of meaning and historical use, from easily identifiable symbols across the globe to those used to speak to specific cultural groups. This book exposes such intriguing correspondences as the symbolism of grapevines in a fifteenth-century painting by Giovanni Bellini compared to the images in Yinka Shonibare’s Last Supper. Complete with a user-friendly glossary of symbols and a well-selected array of illustrations, this book illuminates common and thought-provoking symbols in art across history and the globe, functioning as an indispensable tool for interpretation.
Author: Pamela Sachant Publisher: Good Press ISBN: Category : Art Languages : en Pages : 614
Book Description
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Author: Rita M. Simon Publisher: Psychology Press ISBN: 9780415122276 Category : Art therapy Languages : en Pages : 226
Book Description
Combining detailed case material and over 80 examples of patients' work, the author describes how the symbolic image and the style in which it is represented often relate to a particular stage in the integration of painful experiences. As the image and the style change, so does the individual, who discovers previously untapped sources of creativity and inner strength. Drawing on theoretical insights of Jung, Balint, Milner, Winnicott and others, R. M. Simon brings to life the different ways in which patients experience art therapy and the shifting role of the therapist responding to their needs.
Author: Nathalia Brodskaïa Publisher: Parkstone International ISBN: 1783103981 Category : Art Languages : en Pages : 276
Book Description
Symbolism appeared in France and Europe between the 1880s and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the unconscious. The French Gustave Moreau, Odilon Redon, the Belgians Fernand Khnopff and Félicien Rops, the English Edward Burne-Jones and Dante Gabriel Rossetti, and the Dutch Jan Toorop are the most representative artists of the movement.
Author: Archive for Research in Archetypal Symbolism Publisher: Taschen America Llc ISBN: 9783836514484 Category : Art Languages : en Pages : 807
Book Description
Offers photograph illustrations and essays on numerous symbols and symbolic imagery, exploring their archetypal meanings as well as cultural and historical context for how different groups have interpreted them.
Author: Farrin Chwalkowski Publisher: Cambridge Scholars Publishing ISBN: 1443857289 Category : Art Languages : en Pages : 620
Book Description
We are a product of nature. Every single cell of our body is made of, and depends, on nature. Our inner soul is heavily influenced by nature. We feel sad if the sun is not shining for a few days, and feel pleasure when drawn to the wonder of flowers and uplifted by the song of birds. We came from nature; we are part of nature. In short, we are nature. Nature has been an intimate part of the human experience from the earliest times. Different religions and cultures, from all corners of the world, have honoured and worshipped nature in art, ritual and literature in their own unique ways. This book shows how we learn about our own human nature, our own sense of identity and how we fit into the larger scheme of life and spirit when we come to better understand how our human ancestors, through art, symbol and myth, expressed their relationship with the natural world.
Author: Andrei Pop Publisher: MIT Press ISBN: 1942130333 Category : Art Languages : en Pages : 321
Book Description
A groundbreaking reassessment of Symbolist artists and writers that investigates the concerns they shared with scientists of the period—the problem of subjectivity in particular. In A Forest of Symbols, Andrei Pop presents a groundbreaking reassessment of those writers and artists in the late nineteenth century associated with the Symbolist movement. For Pop, “symbolist” denotes an art that is self-conscious about its modes of making meaning, and he argues that these symbolist practices, which sought to provide more direct access to viewers and readers by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but as a revolution in sense and how to conceptualize the world. The concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, who were dissatisfied with the strict empiricism dominant in their disciplines, which made shared knowledge seem unattainable. The problem of subjectivity in particular, of what in one's experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop offers close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell—filling in a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Author: Matilde Battistini
Author: Matilde Battistini
Author: Matthew Wilson
Author: Pamela Sachant
Author: Rita M. Simon
Author: Nathalia Brodskaïa
Author: Lucia Impelluso
Author: Archive for Research in Archetypal Symbolism
Author: Charles Alfred Speed Williams
Author: Farrin Chwalkowski
Author: Andrei Pop