Symbolism as a Compositional Method in the Works of Karlheinz Stockhausen PDF Download

Author: Gregg Wager
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 268

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Author: Robin Maconie
Publisher: Rowman & Littlefield
ISBN: 1442272686
Category : Music
Languages : en
Pages : 599

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Book Description
German composer Karlheinz Stockhausen was arguably the most influential figure of the European postwar avant-garde and unquestionably the most elusive and enigmatic musical thinker of a generation that includes Pierre Boulez, John Cage, and Luciano Berio. His radically new electronic and instrumental music converted Igor Stravinsky to serialism in the 1950s and has continued to inspire young composers for more than fifty years. Other Planets: The Complete Works of Karlheinz Stockhausen, 1950–2007 draws on more than fifty years of Maconie’s close study of Stockhausen and functions as a catalogue raisonee of Stockhausen’s complete output. With plentiful citations from the history of radio, film, and sound recording, as well as from contemporary science and technology, the book is laid out in chronological order and contains ample commentary on the composer’s sources of inspiration. Each composition is also fully documented within the text, giving full information of each work’s publisher, catalog number, instrumentation, duration, and authorized compact disc. The updated edition extends the range of the volume’s contents to include the twenty-five works Stockhausen composed between 2004 and his death in 2007. Stockhausen’s status in the history of music in the late twentieth century can now be appreciated with unprecedented clarity. All listeners will benefit from this work, and American music lovers in particular will find it an invaluable guide to the ongoing debate and rivalry over the sources of abstract expressionism and the avant-garde.

Author: Aaron Lefkovitz
Publisher: Rowman & Littlefield
ISBN: 1498567525
Category : Music
Languages : en
Pages : 227

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This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.

Author: Darius Kučinskas
Publisher: Cambridge Scholars Publishing
ISBN: 1443865710
Category : Music
Languages : en
Pages : 160

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Based on the conference held in Kaunas, Lithuania, 2011, Music and Technologies aims to augment discussion within the field of interdisciplinary music research developed currently at such important forums as the CIM and the ISMIR. The book consists of a collection of articles written by musicians and computer scientists, educators and mathematicians from all over the world. The main contemporary ideas in the field of music technologies are explored – estimating the process of automatic cognition, reconstruction and simulation, measurement and re-creation of different aspects of music practice – always with sound and its notation or scoring uppermost in the investigations.

Author: Markus Bandur
Publisher: Springer Science & Business Media
ISBN: 9783764364496
Category : Architecture
Languages : en
Pages : 100

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Book Description
Total serialism as a concept, has progressed beyond the twelve-tone technique of composers Schoenberg and Webern, and since the 1950s it has been constantly developed. Today, it refers to far more than just a technical process for composing, rather it offers one possibility of creatively integrating knowledge on man and nature into works of art. On all levels of artificial, man-made creations - from musical compositions to architectonic designs - it allows properties and dimensions to be systematically organised, with criteria such as mass and proportions playing decisive roles. Markus Bandur (born in 1960) studied science of music, philosophy and history and now teaches at the universities of Freiburg i.Br, Berne and Kassel

Author: William Brooks
Publisher: Leuven University Press
ISBN: 9462702799
Category : Music
Languages : en
Pages : 292

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Book Description
“Truth happens to an idea.” So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of “doing and undergoing.” But what do these ideas have to do with music, or with research conducted in and through music—that is, with “artistic research”? In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience—insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself.

Author: Mary Simoni
Publisher: University of Michigan Press
ISBN: 0472035231
Category : Music
Languages : en
Pages : 265

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Book Description
Algorithmic Composition offers new ways of thinking about the organization of sound that we call music

Author: G. L. Hagberg
Publisher: Cornell University Press
ISBN: 1501726986
Category : Philosophy
Languages : en
Pages : 195

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Book Description
'What is the meaning of a word?' In this thought-provoking book, Hagberg demonstrates how this question—which initiated Wittgenstein's later work in the philosophy of language—is significant for our understanding not only of linguistic meaning but of the meaning of works of art and literature as well.

Author: Alistair Noble
Publisher: Routledge
ISBN: 1317162676
Category : Music
Languages : en
Pages : 228

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Book Description
American composer Morton Feldman is increasingly seen to have been one of the key figures in late-twentieth-century music, with his work exerting a powerful influence into the twenty-first century. At the same time, much about his music remains enigmatic, largely due to long-standing myths about supposedly intuitive or aleatoric working practices. In Composing Ambiguity, Alistair Noble reveals key aspects of Feldman's musical language as it developed during a crucial period in the early 1950s. Drawing models from primary sources, including Feldman's musical sketches, he shows that Feldman worked deliberately within a two-dimensional frame, allowing a focus upon the fundamental materials of sounding pitch in time. Beyond this, Feldman's work is revealed to be essentially concerned with the 12-tone chromatic field, and with the delineation of complexes of simple proportions in 'crystalline' forms. Through close reading of several important works from the early 1950s, Noble shows that there is a remarkable consistency of compositional method, despite the varied experimental notations used by Feldman at this time. Not only are there direct relations to be found between staff-notated works and grid scores, but much of the language developed by Feldman in this period was still in use even in his late works of the 1980s.

Author: Stefan Kostka
Publisher: Routledge
ISBN: 1317346548
Category : Music
Languages : en
Pages : 305

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Book Description
This text provides the most comprehensive analytical approach to post-tonal music available, from Impressionism to recent trends. It covers music from the early 1900s through the present day, with discussion of such movements as Minimalism and the Neoromanticism, and includes chapters on rhythm, form, electronic and computer music, and the roles of chance and choice in post-tonal music. Chapter-end exercises involve drills, analysis, composition, as well as several listening assignments.