Author: Charles W. Morris
Publisher: John Benjamins Publishing
ISBN: 9027276927
Category : Language Arts & Disciplines
Languages : en
Pages : 158
Book Description
Charles W. Morris' doctoral thesis Symbolism and Reality, written in 1925 at Chicago under George H. Mead, has never before been published. It sets out to prove that thought and mind are not entities, nor even processes involving a psychical substance distinguishable from the rest of reality, but are explicable as the functioning of parts of the experience as symbols to an organism of other parts of experience. Being then the symbolic portion of experience, the psychical or mental can neither be sharply opposed to the rest of experience nor identical with the whole of experience. This edition includes a preface by Achim Eschbach, an extensive bibliography of Morris' works, and indices of names and subjects.
Symbolism
Author: Florian Klaeger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110775948
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Special Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient’s mind. The term ‘omission’ as used in the present study, then, demarcates a common artistic phenomenon: a silence, blank, or absence, introduced against the recipient’s generic or experiential expectations, but which nonetheless frequently encapsulates the tenor of the work as a whole. Such omissions can be employed for their affective potential, when emotions represented or evoked by the text are deemed to be beyond words. They can be employed to raise epistemological questions, as when an omission marks the limits of what can be known. Ethical questions can also be approached by means of omissions, as when a character’s voice is omitted, for instance. Finally, omission always carries within it the potential to reflect on the media and genres on which it is brought to bear: as its efficacy depends on the recipient’s generic expectations, omission is frequently characterized by a high degree of meta-discursiveness. This volume investigates the various strategies with which the phenomenon of omission is employed across a range of textual forms and in different cultures to conclusively argue for its status as a highly effective and near-universal form of artistic signification.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110775948
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Special Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient’s mind. The term ‘omission’ as used in the present study, then, demarcates a common artistic phenomenon: a silence, blank, or absence, introduced against the recipient’s generic or experiential expectations, but which nonetheless frequently encapsulates the tenor of the work as a whole. Such omissions can be employed for their affective potential, when emotions represented or evoked by the text are deemed to be beyond words. They can be employed to raise epistemological questions, as when an omission marks the limits of what can be known. Ethical questions can also be approached by means of omissions, as when a character’s voice is omitted, for instance. Finally, omission always carries within it the potential to reflect on the media and genres on which it is brought to bear: as its efficacy depends on the recipient’s generic expectations, omission is frequently characterized by a high degree of meta-discursiveness. This volume investigates the various strategies with which the phenomenon of omission is employed across a range of textual forms and in different cultures to conclusively argue for its status as a highly effective and near-universal form of artistic signification.
The Symbolism and Sources of Outlander
Author: Valerie Estelle Frankel
Publisher: McFarland
ISBN: 0786499524
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Outlander is much more than a television romance about a World War II nurse and a Jacobite soldier in a fetching kilt. The series--and the massive serial novel on which it is based--has been categorized as a period drama, adventure saga, military history and fantasy epic. Inspired by the Irish legends of Fionn Mac Cumhaill and the prophecies of Brahan Seer, the storyline is filled with mythology and symbolism from around the world, from the Fair Folk and the Loch Ness monster to wendigos, ghosts, zombies and succubae. Literary references abound, from the Bible to the classics, to Shakespeare and the English romantic poets. The series is also rich with its own symbolism: heather and white roses, the dragonfly in amber, Claire's blue vase and wedding gown, her wedding rings and pearl necklace. This book untangles the myriad of myths, legends, symbols and literary references found in the series.
Publisher: McFarland
ISBN: 0786499524
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Outlander is much more than a television romance about a World War II nurse and a Jacobite soldier in a fetching kilt. The series--and the massive serial novel on which it is based--has been categorized as a period drama, adventure saga, military history and fantasy epic. Inspired by the Irish legends of Fionn Mac Cumhaill and the prophecies of Brahan Seer, the storyline is filled with mythology and symbolism from around the world, from the Fair Folk and the Loch Ness monster to wendigos, ghosts, zombies and succubae. Literary references abound, from the Bible to the classics, to Shakespeare and the English romantic poets. The series is also rich with its own symbolism: heather and white roses, the dragonfly in amber, Claire's blue vase and wedding gown, her wedding rings and pearl necklace. This book untangles the myriad of myths, legends, symbols and literary references found in the series.
Sound Symbolism
Author: Leanne Hinton
Publisher: Cambridge University Press
ISBN: 9780521026772
Category : Language Arts & Disciplines
Languages : en
Pages : 396
Book Description
A study of the relationship between the sound of an utterance and its meaning.
Publisher: Cambridge University Press
ISBN: 9780521026772
Category : Language Arts & Disciplines
Languages : en
Pages : 396
Book Description
A study of the relationship between the sound of an utterance and its meaning.
Symbolism 15
Author: Rüdiger Ahrens
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110449072
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
While paratexts – among them headnotes, footnotes, or endnotes – have never been absent from American literature, the last two decades have seen an explosion of the phenomenon, including (mock) scholarly footnotes, to an extent that they seem to take over the text itself. In this Special Focus we shall attempt to find the reasons for this astonishing development. In our first (diachronic) section we shall explore such texts as might have fostered the present boom, from fictions by Edgar Allan Poe to Vladimir Nabokov to Mark Z. Danielewski. The second (synchronic) section, will concentrate on paratexts by David Foster Wallace, perhaps the “father” of the post-postmodern footnote, as well as those to be found in novels by Bennett Sims, Jennifer Egan and Junot Diaz, among others. It appears that, while paratexts definitely point to a high degree of self-reflexivity in the author, they equally draw attention to the textual and authorial functions of the works in which they exist. They can thus cause a reflection on the boundaries between genres like fiction, faction, and autobiography, as well as serving to highlight a host of pedagogical and social concerns that exist in the interstices between fiction and reality.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110449072
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
While paratexts – among them headnotes, footnotes, or endnotes – have never been absent from American literature, the last two decades have seen an explosion of the phenomenon, including (mock) scholarly footnotes, to an extent that they seem to take over the text itself. In this Special Focus we shall attempt to find the reasons for this astonishing development. In our first (diachronic) section we shall explore such texts as might have fostered the present boom, from fictions by Edgar Allan Poe to Vladimir Nabokov to Mark Z. Danielewski. The second (synchronic) section, will concentrate on paratexts by David Foster Wallace, perhaps the “father” of the post-postmodern footnote, as well as those to be found in novels by Bennett Sims, Jennifer Egan and Junot Diaz, among others. It appears that, while paratexts definitely point to a high degree of self-reflexivity in the author, they equally draw attention to the textual and authorial functions of the works in which they exist. They can thus cause a reflection on the boundaries between genres like fiction, faction, and autobiography, as well as serving to highlight a host of pedagogical and social concerns that exist in the interstices between fiction and reality.
The cell of self-knowledge
The Autofictional
Author: Alexandra Effe
Publisher: Springer Nature
ISBN: 3030784401
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of “the autofictional” as a theoretical lens and aesthetic strategy. In three sections on “Approaches,” “Affordances,” and “Forms,” the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge.
Publisher: Springer Nature
ISBN: 3030784401
Category : Literary Criticism
Languages : en
Pages : 343
Book Description
This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of “the autofictional” as a theoretical lens and aesthetic strategy. In three sections on “Approaches,” “Affordances,” and “Forms,” the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge.
The World of Richard Wright
Author: Fabre, Michel
Publisher: Univ. Press of Mississippi
ISBN: 9781617035173
Category :
Languages : en
Pages : 284
Book Description
Wide-ranging essays in which Wright's biographer probes the career, ideology, complex life, and achievements of America's premier black writer. "A major contribution to Wright studies" -Keneth Kinnamon. "Full of insights into cultural history and radical politics, race relations, and literary connections . . . sets a high standard for scholarship to come" -Werner Sollors
Publisher: Univ. Press of Mississippi
ISBN: 9781617035173
Category :
Languages : en
Pages : 284
Book Description
Wide-ranging essays in which Wright's biographer probes the career, ideology, complex life, and achievements of America's premier black writer. "A major contribution to Wright studies" -Keneth Kinnamon. "Full of insights into cultural history and radical politics, race relations, and literary connections . . . sets a high standard for scholarship to come" -Werner Sollors
The Cell of Self-knowledge
Author: Edmund Garratt Gardner
Publisher:
ISBN:
Category : Devotional literature
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : Devotional literature
Languages : en
Pages : 182
Book Description
University of Kansas Publications
In the Studio
Author: Brian R. Jacobson
Publisher: University of California Press
ISBN: 0520297598
Category : Performing Arts
Languages : en
Pages : 333
Book Description
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.
Publisher: University of California Press
ISBN: 0520297598
Category : Performing Arts
Languages : en
Pages : 333
Book Description
Studios are, at once, material environments and symbolic forms, sites of artistic creation and physical labor, and nodes in networks of resource circulation. They are architectural places that generate virtual spaces—worlds built to build worlds. Yet, despite being icons of corporate identity, studios have faded into the background of critical discourse and into the margins of film and media history. In response, In the Studio demonstrates that when we foreground these worlds, we gain new insights into moving-image culture and the dynamics that quietly mark the worlds on our screens. Spanning the twentieth century and moving globally, this unique collection tells new stories about studio icons—Pinewood, Cinecittà, Churubusco, and CBS—as well as about the experimental workplaces of filmmakers and artists from Aleksandr Medvedkin to Charles and Ray Eames and Hollis Frampton.