Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Environment, Health, and Safety
Author: Lari A. Bishop
Publisher:
ISBN:
Category : Corporations
Languages : en
Pages : 50
Book Description
Publisher:
ISBN:
Category : Corporations
Languages : en
Pages : 50
Book Description
Hallelujah Trombone!
Author: Paul E. Bierley
Publisher: Grupo Editorial Norma
ISBN: 9780825849664
Category : Composers
Languages : en
Pages : 180
Book Description
Publisher: Grupo Editorial Norma
ISBN: 9780825849664
Category : Composers
Languages : en
Pages : 180
Book Description
Archie Moore, the White Slave
Author: Richard Hildreth
Publisher:
ISBN: 9780678007563
Category : Fugitive slaves
Languages : en
Pages : 408
Book Description
Publisher:
ISBN: 9780678007563
Category : Fugitive slaves
Languages : en
Pages : 408
Book Description
War Without Bloodshed
Author: Eleanor Clift
Publisher: Scribner
ISBN: 9780684833460
Category : Political Science
Languages : en
Pages : 428
Book Description
From Simon & Schuster, War Without Bloodshed is Eleanor Clift and Tom Brazaitis' exploration into the art of politics. In engaging vignettes, Eleanor Clift and Tom Brazaitis showcase the everyday activities, behind-the-scenes confrontations, and unlikely alliances of the people who influence how laws are written and who decide whether or not they will, in fact, become the laws of the land.
Publisher: Scribner
ISBN: 9780684833460
Category : Political Science
Languages : en
Pages : 428
Book Description
From Simon & Schuster, War Without Bloodshed is Eleanor Clift and Tom Brazaitis' exploration into the art of politics. In engaging vignettes, Eleanor Clift and Tom Brazaitis showcase the everyday activities, behind-the-scenes confrontations, and unlikely alliances of the people who influence how laws are written and who decide whether or not they will, in fact, become the laws of the land.