Susan Hiller 'Belshazzar's Feast'. PDF Download

Author: Susan Hiller
Publisher:
ISBN:
Category : Belshazzar's Feast
Languages : en
Pages : 20

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Author: Mark Godfrey
Publisher:
ISBN: 9780907623601
Category :
Languages : en
Pages : 8

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Author: Susan Hiller
Publisher: Manchester University Press
ISBN: 9780719045646
Category : Art
Languages : en
Pages : 298

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Book Description
Collected talks, lectures, and conversations spanning 1975-1995.

Author: Susan Hiller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 90

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Book Description
A pocket atlas of Suffolk, giving comprehensive and detailed coverage of the region. The mapping is produced by the Ordnance Survey to Philip's specification and gives the user complete coverage of all urban and rural areas. The mapping is at a standard scale of 2.5 inches to one mile and is complete with postcode boundaries.

Author: Susan Hiller
Publisher:
ISBN: 9780906630020
Category : Artists' books
Languages : en
Pages : 48

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Author: Stan Douglas
Publisher: David Zwirner Books
ISBN: 1941701523
Category : Art
Languages : en
Pages : 369

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Book Description
This collection of never-before-published talks at one of the leading art schools in the United States, documents an exciting decade in the development of contemporary art and arts education, featuring interviews with renowned artists, curators, and writers. Contributions by Beth B, Rosetta Brooks, Luís Castro Leiva, Meg Cranston, Charles Gaines, Jack Goldstein, Felix Gonzalez-Torres, Susan Hiller, Roni Horn, Kellie Jones, Mike Kelley, Justen Ladda, Thomas Lawson, Sylvère Lotringer, John Miller, Constance Penley, Brian Routh, Mira Schor, Allan Sekula, Robert Storr, and Lynne Tillman Introduced in 1986 as an initiative by Richard Hertz (Chair, Academic Studies, 1979–2003), the Graduate Art Department of the ArtCenter College of Design, located in Pasadena, California, celebrates its thirtieth anniversary in 2016. This book documents the first decade of the department’s existence by presenting a selection from over three hundred talks, including a 1990 symposium conducted by renowned curator and art historian Robert Storr, as well as twelve talks from its artists and critics lecture series known as the Graduate Seminar. Discussions between students and faculty members range from what it means to be an artist and the changing role of art in society, to how artists function within an academic setting. Alongside the newly transcribed talks, this volume also includes reproductions of slides used by participants at the time. Bringing the presentations to life, these archival images offer a sense of the context and spirit of the original seminars. Together, an introduction by Stan Douglas—ArtCenter Graduate Art faculty member—and a foreword by Diana Thater and Jason E. Smith, Chair and Associate Chair of Graduate Art, present historical context for these illuminating talks.

Author: John Roberts
Publisher: Manchester University Press
ISBN: 9780719032301
Category : Art
Languages : en
Pages : 228

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Book Description
Met lit. opg. Met reg. The author argues that the rupture of post-modernism with the critical culture of modernism, realism and Marxism is in the ligt of the still determining power of many of the aims and concerns of the modernist and realist projects. Also included is a description of the production, distribution and criticism of the visual arts in Britain since the late 1970s and the rise of Thatcherism.

Author: Chris Horrocks
Publisher: Reaktion Books
ISBN: 1780237839
Category : History
Languages : en
Pages : 283

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Book Description
It is a modern activity, one of the primary ways we consume information and entertainment, something we’ll do over dinner, at a bar, or even standing on the street peering into a store window—watch TV. Many of us spend countless hours in front of the tube, and even those of us who have proudly eliminated it from our lives can probably still rattle off the names of today’s most popular shows. But for as crucial as television viewing is in modern culture, the television set itself, as a ubiquitous object in our environment, rarely captures our attention—turn one off and it seems to all but disappear. In this book, Chris Horrocks tells the story of the television set, exploring its contradictory presence in our lives as both a material object and a conveyor of illusory images. Horrocks begins in the nineteenth century and television’s prehistory as a fantastic, futuristic concept. He follows the television’s journey from its strange roots in spiritualism, imperialism, and Victorian experiments in electro-magnetism to the contested accounts of its actual invention, looking at the work of engineering pioneers such as Philo Farnsworth and John Logie Baird. Unboxing sets all across the world, he details how it arrived as an essential consumer product and began to play an extraordinary role as a bridge between public and private life. Horrocks describes how the console and cabinet themselves expressed status and good taste and how their designs drew on cultural phenomena such as the space race and the avant-garde. He discusses how we have both loved it for what it can provide and reviled it as a sinister object literally controlling our thoughts, and he shows how it has figured in other cultural realms, such as the work of artists like Wolf Vostell and Nam June Paik. Finally, Horrock laments the death of the cathode ray tube and the emergence of the flat-screen, which has reduced the presence of the television as a significant material object. Altogether, The Joy of Sets brings this most elusive object into crystal-clear critical and historical focus.

Author: Richard Cork
Publisher: Yale University Press
ISBN: 9780300095104
Category : Art
Languages : en
Pages : 660

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Book Description
Item consists of collected criticism and essays on art in Britain written in the 1990's for 'The Times'.

Author: Sas Mays
Publisher: Manchester University Press
ISBN: 1526112108
Category : History
Languages : en
Pages : 329

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Book Description
Focusing on our complex relationship with technology, The machine and the ghost explores our culture’s continued fascination with the spectral, the ghostly and the paranormal. Through a series of critical case studies and artists’ discussions, this lively new collection examines topics ranging from contemporary art to cultural theory. Produced with renowned specialists within the field, including the artist Susan Hiller and the writer Marina Warner, the book combines the historical with the contemporary in exploring how the visual culture of paranormal phenomena continues to haunt our imaginations. Informed by history and the visual tradition of spiritualism and psychical research, the collection is very much concerned to site that tradition within our contemporary concerns, such as landscape and environment, and recent technological developments. Aimed at a broad academic and cultural audience, the collection will appeal to all academic levels in addition to those interested in art and culture more widely.