Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Representing Belief PDF full book. Access full book title Representing Belief by Michael Paul Driskel. Download full books in PDF and EPUB format.
Author: Michael Paul Driskel Publisher: Penn State Press ISBN: 9780271042701 Category : Art Languages : en Pages : 248
Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.
Author: Michael Paul Driskel Publisher: Penn State Press ISBN: 9780271042701 Category : Art Languages : en Pages : 248
Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.
Author: Philip Mansel Publisher: University of Chicago Press ISBN: 022669092X Category : Biography & Autobiography Languages : en Pages : 669
Book Description
Louis XIV was a man in pursuit of glory. Not content to be the ruler of a world power, he wanted the power to rule the world. And, for a time, he came tantalizingly close. Philip Mansel’s King of the World is the most comprehensive and up-to-date biography in English of this hypnotic, flawed figure who continues to captivate our attention. This lively work takes Louis outside Versailles and shows the true extent of his global ambitions, with stops in London, Madrid, Constantinople, Bangkok, and beyond. We witness the importance of his alliance with the Spanish crown and his success in securing Spain for his descendants, his enmity with England, and his relations with the rest of Europe, as well as Asia, Africa, and the Americas. We also see the king’s effect on the two great global diasporas of Huguenots and Jacobites, and their influence on him as he failed in his brutal attempts to stop Protestants from leaving France. Along the way, we are enveloped in the splendor of Louis’s court and the fascinating cast of characters who prostrated and plotted within it. King of the World is exceptionally researched, drawing on international archives and incorporating sources who knew the king intimately, including the newly released correspondence of Louis’s second wife, Madame de Maintenon. Mansel’s narrative flair is a perfect match for this grand figure, and he brings the Sun King’s world to vivid life. This is a global biography of a global king, whose power was extensive but also limited by laws and circumstances, and whose interests and ambitions stretched far beyond his homeland. Through it all, we watch Louis XIV progressively turn from a dazzling, attractive young king to a belligerent reactionary who sets France on the path to 1789. It is a convincing and compelling portrait of a man who, three hundred years after his death, still epitomizes the idea of le grand monarque.
Author: Martha Mel Stumberg Edmunds Publisher: University of Delaware Press ISBN: 0874136938 Category : Chapels royal Languages : en Pages : 344
Book Description
"This book provides the first comprehensive analysis of Louis XIV's magnificent final chapel at Versailles, completed in 1710 near the end of his long reign (1643-1715). Construction, begun in 1699 on foundations of 1689, spanned the offices of two premiers architects du roi, Jules Hardouin-Mansart and Robert de Cotte. Eight painters and over 100 sculptors participated in the monumental undertaking, which remains almost unchanged today. An unusually large number of archival documents, drawings, and early texts about the chapel allow a detailed reconstruction of its history and meaning. Given Louis XIV's renown as one of the great kings and art patrons of all history and the universal definitions of his power in terms of divine kingship, the story of his palace chapel interests all historians of the ancien regime."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: F. W. J. Hemmings Publisher: A&C Black ISBN: 1448204631 Category : History Languages : en Pages : 459
Book Description
This book, first published in 1987, complements the author's earlier volume on Culture and Society in France 1848-1898. It deals with the interaction of social history and cultural history, covering in succession the Revolutionary period, the Napoleonic Empire, the Restoration and the July Monarchy. The scope of the book embraces literature (the drama, poetry and the novel), the art of the Revolution and of Romanticism, and to a lesser extent music (including the opera), sculpture and architecture. Influential figures such as Jacques-Louis David, Stendhal, Berlioz, Victor Hugo and others have their place in the survey, together with others prominent in their time hut less well known today. Attention is drawn to phenomena such as the rise of the commercial theatre, and the assembling under Napoleon's aegis of the first public art gallery in Europe, the Musée du Louvre. The survey brings together all the disparate strands to present a coherent picture of the cultural life of France as it evolved during the sixty momentous years between the French Revolution and the upheaval of 1848.
Author: Hugh Honour Publisher: Routledge ISBN: 0429977182 Category : Art Languages : en Pages : 383
Book Description
"This stylish and erudite thematic study of the influence Romanticism exerts upon Western culture and particularly the visual arts is the companion volume to Honour's equally valuable Neo-classicism.... The text is supported by a useful selection of illustrations Excellent footnotes and a good index. Finely produced, Romanticism will stimulate the graduate and inform the undergraduate." —Choice "An interpretation that rings true for our own time.... His approach to his vast subject is essentially cool, analytic and balanced This is a book that covers an immense amount of material with a freshness of touch." —John Russell, The New York Times "A book of great interest and quality which gives form to a subject that is often treated very vaguely." —Kenneth Clark
Author: Michael Camille Publisher: University of Chicago Press ISBN: 0226092461 Category : Architecture Languages : en Pages : 459
Book Description
Most of the seven million people who visit the cathedral of Notre Dame in Paris each year probably do not realize that the legendary gargoyles adorning this medieval masterpiece were not constructed until the nineteenth century. The first comprehensive history of these world-famous monsters, The Gargoyles of Notre-Dame argues that they transformed the iconic thirteenth-century cathedral into a modern monument. Michael Camille begins his long-awaited study by recounting architect Eugène Viollet-le-Duc’s ambitious restoration of the structure from 1843 to 1864, when the gargoyles were designed, sculpted by the little-known Victor Pyanet, and installed. These gargoyles, Camille contends, were not mere avatars of the Middle Ages, but rather fresh creations—symbolizing an imagined past—whose modernity lay precisely in their nostalgia. He goes on to map the critical reception and many-layered afterlives of these chimeras, notably in the works of such artists and writers as Charles Méryon, Victor Hugo, and photographer Henri Le Secq. Tracing their eventual evolution into icons of high kitsch, Camille ultimately locates the gargoyles’ place in the twentieth-century imagination, exploring interpretations by everyone from Winslow Homer to the Walt Disney Company. Lavishly illustrated with more than three hundred images of its monumental yet whimsical subjects, The Gargoyles of Notre-Dame is a must-read for historians of art and architecture and anyone whose imagination has been sparked by the lovable monsters gazing out over Paris from one of the world’s most renowned vantage points.
Author: Heinz Duchhardt Publisher: Franz Steiner Verlag ISBN: 9783515062336 Category : History Languages : en Pages : 236
Book Description
Aus dem Inhalt: E. Fr�zouls: De la maiestas populi Romani � la majest� imp�riale � B. Bedos-Rezak: Ritual in the Royal Chancery: Text, Image, and the Representation of Kingship in Medieval French Diplomas (700-1200) � S. Bagge: Kingship in Medieval Norway. Ideal and Reality � D. Sadler: The King as Subject, the King as Author: Art and Politics of Louis IX � G. Klaniczay: Representations of the Evil Ruler in the Middle Ages � G. Melville: H�rauts et h�ros � M.D. Birnbaum: Matthias Corvinus in Humanist and Popular Perspective � M.S. Flier: The Iconography of Royal Procession: Ivan the Terrible and the Muscovite Palm Sunday Ritual � L. M. Bryant: Politics, Ceremonies, and Embodiments of Majesty in Henry II's France � H. Weber: Das �Toucher Royal� in Frankreich zur Zeit Heinrichs IV. und Ludwigs XIII. � D. J. Sturdy: The Royal Touch in England � A. Wolf: Ein �Comic� fuer den Kaiser � A. Gu�ry: L'Image perdue des Rois de France (XVIIIe-XXe si�cle) � D. E. Barclay: Ritual, Ceremonial, and the �Invention� of a Monarchical Tradition in Nineteenth-Century Prussia.
Author: Sergio Bertelli Publisher: Penn State Press ISBN: 0271041390 Category : History Languages : en Pages : 322
Book Description
The King's Body offers a unique and up-to-date overview of a central theme in European history: the nature and meaning of the sacred rituals of kingship. Informed by the work of recent cultural anthropologists, Sergio Bertelli explores the cult of kingship, which pervaded the lives of hundreds of thousands of subjects, poor and rich, noble and cleric. His analysis takes in a wide spectrum, from the Vandal kings of Spain and the long-haired kings of France, to the beheaded kings of England and France, Charles I and Louis XVI. Bertelli explores the multiple meanings of the rites related to the king's body, from his birth (with the exhibition of his masculinity) to the crowning (a rebirth) to his death (a triumph and an apotheosis). We see how particular occasions such as entrances, processions, and banquets make sense only as they related directly to the king's body. Bertelli also singles out crowd-participatory aspects of sacred kingship, including the rites of violence connected with the interregnum (perceived as a suspension of the law) and the rites of expulsion for a tyrant's body, emphasizing the inversion of crowning rituals. First published in Italy in 1990, The King's Body has been revised and updated for English-speaking readers and expertly translated from the Italian by R. Burr Litchfield. Deftly argued and amply illustrated, this book is a perfect introduction to the cult of kingship in the West; at the same time, it illuminates for modern readers how strangely different the medieval and early modern world was from our own.
Author: Michael Paul Driskel
Author: Michael Paul Driskel
Author: Philip Mansel
Author: Gilbert James French
Author: Martha Mel Stumberg Edmunds
Author: F. W. J. Hemmings
Author: Hugh Honour
Author: Michael Camille
Author: Heinz Duchhardt
Author: David Allen Wilkie
Author: Sergio Bertelli