Author: Howard Chandler Robbins LandonPublisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 76
Book Description
The Symphonies of Joseph Haydn
Author: Howard Chandler Robbins LandonPublisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 76
Book Description
Supplement to The Symphonies of Joseph Haydn
Author: Howard Chandler Robbins LandonPublisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 76
Book Description
Supplement to the Symphonies of Joseph Haydn
Author: Howard Chandler Robbins Landon (Musikwissenschafter)Publisher:
ISBN:
Category :
Languages : en
Pages : 62
Book Description
Supplement to The Symphonies of Joseph Haydn, by H. C. Robbins Landon
Author: Howard Chandler Robbins LandonPublisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
The Symphonies of Joseph Haydn
Author: Howard Chandler Robbins LandonPublisher:
ISBN:
Category :
Languages : en
Pages : 863
Book Description
Supplement to the Symphonies of Joseph Haydn
Author: Howard Chandler Robbins LandonPublisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 76
Book Description
The Symphonies of Joseph Haydn
Author: Howard Chandler Robbins LandonPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
London Symphonies Nos. 99-104 in Full Score
Author: Joseph HaydnPublisher: Courier Corporation
ISBN: 0486406970
Category : Music
Languages : en
Pages : 386
Book Description
It was in his monumental 12 "London" symphonies, composed between 1791 and 1795, that Haydn shaped the early form of the symphony and set the standard for later composers. According to the "New Grove's Dictionary of Music and Musicians," the appeal of these works stems from their stature as "grand" symphonies, embodying a "broader presentation of musical ideas" and "themes and motifs of a basic simplicity and immediate appeal." The present volume contains the last six symphonies in the series, including the lively "Military" Symphony (No. 100), the delightful "Clock" Symphony (No. 101), and the world-famous "London" Symphony (No. 104). Scores included in this volume are Symphony No. 99 in E-flat Major; Symphony No. 100 in G Major ("Military"); Symphony No. 101 in D Major ("The Clock"); Symphony No. 102 in B-flat Major; Symphony No. 103 in E-flat Major ("Dumroll"); and Symphony No. 104 in D Major ("London"). The attractive qualities of these works have made them perennial favorites with musicians and concertgoers for over two hundred years. Now music lovers can study and enjoy the elegant structure and polished orchestration of these enduring masterpieces in this authoritative full-score edition.
The Symphonic Repertoire, Volume II
Author: A. Peter BrownPublisher: Indiana University Press
ISBN: 9780253334879
Category : Music
Languages : en
Pages : 760
Book Description
More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear.
Johann Peter Salomon's Scores of Four Haydn Symphonies 1791-1792
Author: Joseph HaydnPublisher: Edwin Mellen Press
ISBN:
Category : Art
Languages : en
Pages : 388
Book Description
This book presents these significant scores in a modern edition that is suitable for scholars and performers. Copious critical notes and discussions of various aspects of the manuscripts, sources, will be most enlightening for musicologists interested in Haydn source materials. H. C. Robbins Landon introduced a citation of authentic parts for Symphony no. 93 in his monumental study, The Symphonies of Joseph Haydn, with the remarks: As this book goes to press, I have made the discovery that parts of all twelve London symphonies were printed by J. P. Salomon with the firm Monzani & Cimador... Textually these parts are of the utmost importance, since comparison with the autographs shows that this edition was made from Salomon's MS. orchestral material and not from the scores.1 Twenty some years after those words were written, score copies of Haydn's symphonies 97, 93, 94 and 98 came to light at the British Library2 that are likewise traceable to Salomon and clearly establish his role as one of the earliest agents for the transmission of the London symphonies in authentic guise. 1792 and 1794, most likely at his behest, using the original performing parts or Salomon's own copies of them as their model. Thus, their importance as sources for the symphonies in question can scarcely be overestimated. Michael Ruhling traces the history of these fascinating scores, examining the myriad of details that reflect their striking resemblance to Haydn's own autographs. He reveals that Salomon's scores preserve numerous details of articulation, phrasing, even of note material that are absent from the autographs; and adduces Salomon's later quintet arrangements of the symphonies, wherein the same details are duplicated, as evidence of the sound and manner that shaped the works at their earliest performances. Ruhling concludes his study with first-ever editions of Salomon's score copies. Handsomely engraved and meticulously documented, these editions present a delight to the eye as well as a provocation to thoughtful study.