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Author: Victoria Bladen Publisher: ISBN: 9781526109064 Category : Occultism in literature Languages : en Pages : 0
Book Description
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.
Author: J. Snodgrass Publisher: City of Light Publishing ISBN: 1942483937 Category : Art Languages : en Pages : 276
Book Description
Immerse yourself in Shakespeare's magical world, filled with supernatural encounters with faeries, ghosts and witches. Frolic with royalty, wander through forests, and experience love layered with enchantment. The Bard' s use of these fantastical phenomena has had a tremendous and enduring influence on authors and audiences for more than four centuries. But what are their origins? Explore the folk beliefs and literary sources that influenced Shakespeare and discover how he assembled his own masterful portraits of these phenomena, giving his plays vibrant life and his characters unforgettable personalities.
Author: Victoria Bladen Publisher: ISBN: 9781526109064 Category : Occultism in literature Languages : en Pages : 0
Book Description
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.
Author: Victoria Bladen Publisher: Manchester University Press ISBN: 1526109131 Category : Literary Criticism Languages : en Pages : 312
Book Description
This edited collection of twelve essays from an international range of contemporary Shakespeare scholars explores the supernatural in Shakespeare from a variety of perspectives and approaches.
Author: Kristen Poole Publisher: Cambridge University Press ISBN: 1139497650 Category : Literary Criticism Languages : en Pages : 307
Book Description
Bringing together recent scholarship on religion and the spatial imagination, Kristen Poole examines how changing religious beliefs and transforming conceptions of space were mutually informative in the decades around 1600. Supernatural Environments in Shakespeare's England explores a series of cultural spaces that focused attention on interactions between the human and the demonic or divine: the deathbed, purgatory, demonic contracts and their spatial surround, Reformation cosmologies and a landscape newly subject to cartographic surveying. It examines the seemingly incongruous coexistence of traditional religious beliefs and new mathematical, geometrical ways of perceiving the environment. Arguing that the late sixteenth- and early seventeenth-century stage dramatized the phenomenological tension that resulted from this uneasy confluence, this groundbreaking study considers the complex nature of supernatural environments in Marlowe's Doctor Faustus and Shakespeare's Othello, Hamlet, Macbeth and The Tempest.
Author: Nandini Das Publisher: Routledge ISBN: 1317290674 Category : Literary Criticism Languages : en Pages : 336
Book Description
This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.