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Author: Jim Miller Publisher: ISBN: 9780976580140 Category : Fiction Languages : en Pages : 0
Book Description
This is an anthology of prose, poetry, fiction, journalism, photography, and art on the San Diego/Tijuana region. This is a 10th anniversary project of City Works Press and is a follow up to our first book, Sunshine/Noir.
Author: Jim Miller Publisher: ISBN: 9780976580140 Category : Fiction Languages : en Pages : 0
Book Description
This is an anthology of prose, poetry, fiction, journalism, photography, and art on the San Diego/Tijuana region. This is a 10th anniversary project of City Works Press and is a follow up to our first book, Sunshine/Noir.
Author: Nathan Marsak Publisher: Gibbs Smith ISBN: 1626400679 Category : Architecture Languages : en Pages : 0
Book Description
In 'Bunker Hill Los Angeles: Essence of Sunshine and Noir', historian Nathan Marsak tells the story of the Hill, from the district's inception in the mid-nineteenth century to its present day. Marsak commemorates the poets and writers, artists and activists, little guys and big guys, and of course, the many architects who built and rebuilt the community on the Hill - time after historic time. Any fan of American architecture will treasure Marsak's analysis of buildings that have crowned the Hill: the exuberance of Victorian shingle and spindlework, from Mission to Modern, from Queen Anne to Frank Gehry, Bunker Hill has been home to it all, the ever-changing built environment.
Author: Patrick Millikin Publisher: Akashic Books ISBN: 1933354852 Category : Fiction Languages : en Pages : 313
Book Description
"Patrick Millikin...as if to prove his witty claim that 'sunshine is the new noir, ' offers one superb specimen, 'Whiteout on Van Buren, ' in which author] Don Winslow makes skillful use of a city street at high noon to provide the perfect metaphor for life and death."--New York Times Book Review Brand-new stories by: Diana Gabaldon, Lee Child, James Sallis, Luis Alberto Urrea, Jon Talton, Megan Abbott, Charles Kelly, Robert Anglen, Patrick Millikin, Laura Tohe, Kurt Reichenbaugh, Gary Phillips, David Corbett, Don Winslow, Dogo Barry Graham, and Stella Pope Duarte. Patrick Millikin is a bookseller at the Poisoned Pen Bookstore in Scottsdale. As a freelance writer, his articles, interviews, and reviews have appeared in Publishers Weekly, Firsts Magazine, Paradoxa, Yourflesh Quarterly, and other publications. Millikin currently lives in central Phoenix.
Author: Jim Miller Publisher: ISBN: 9780976580102 Category : Literary Collections Languages : en Pages : 228
Book Description
A collection of works from the San Diego Writers Collective, a group of San Diego writers and artists. Emerging writers from San Diego and Tijuana are featured in these works of fiction, non-fiction, and poetry.
Author: Steve Glassman Publisher: Popular Press ISBN: Category : Literary Criticism Languages : en Pages : 208
Book Description
Examines Florida's legacy of fictional detectives and mystery writers, revealing why the center of crime shifted from Los Angeles to Miami. Contains chapters on Florida's crime and detective fiction through 1945, South Florida noir and the grotesque, and Florida film noir from Key Largo to Body Heat. Includes a bibliography of Florida mysteries, 1895-1996. For students of popular culture and mystery lovers. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Jennifer Fay Publisher: Routledge ISBN: 113526385X Category : History Languages : en Pages : 303
Book Description
The term "film noir" still conjures images of a uniquely American malaise: hard-boiled detectives, fatal women, and the shadowy hells of urban life. But from its beginnings, film noir has been an international phenomenon, and its stylistic icons have migrated across the complex geo-political terrain of world cinema. This book traces film noir’s emergent connection to European cinema, its movement within a cosmopolitan culture of literary and cinematic translation, and its postwar consolidation in the US, Europe, Asia, the Middle East, and Latin America. The authors examine how film noir crosses national boundaries, speaks to diverse international audiences, and dramatizes local crimes and the crises of local spaces in the face of global phenomena like world-wide depression, war, political occupation, economic and cultural modernization, decolonization, and migration. This fresh study of film noir and global culture also discusses film noir’s heterogeneous style and revises important scholarly debates about this perpetually alluring genre.
Author: Mark T. Conard Publisher: University Press of Kentucky ISBN: 0813172306 Category : Performing Arts Languages : en Pages : 222
Book Description
Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective—more antihero than hero—is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.
Author: Jim Miller
Author: Jim Miller
Author: Annamaria Alfieri
Author: Nathan Marsak
Author: Patrick Millikin
Author: Jim Miller
Author: Steve Glassman
Author: Lars Nittve
Author: Jennifer Fay
Author: Georges Ohnet
Author: Mark T. Conard