Sun-symbolism and Cosmology in Michelangelo's Last Judgment PDF Download

Author: Valerie Shrimplin
Publisher: Truman State Univ Press
ISBN:
Category : Cosmology in art
Languages : en
Pages : 400

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Book Description
This volume sheds new light on the celebrated Italian artist and his fresco. Here, against the background of the Renaissance, the author uses art historical methods with an interdisciplinary approach to resolve the meaning of the fresco's iconography and circular composition.

Author: Bernadine Barnes
Publisher: Univ of California Press
ISBN: 0520205499
Category : Art
Languages : en
Pages : 203

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Book Description
In this lively, original book, illustrated with photographs of the recently restored work, Barnes analyzes the Last Judgment and the historical context in which it was created and received. She broadens our view of Michelangelo and his creative process and offers new insight into one of his greatest works.

Author: Lisa H. Cooper
Publisher: Routledge
ISBN: 1351894617
Category : History
Languages : en
Pages : 308

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Book Description
The Arma Christi, the cluster of objects associated with Christ’s Passion, was one of the most familiar iconographic devices of European medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architectural ornament. This collection displays the fascinating range of intellectual possibilities generated by representations of these medieval ’objects,’ and through the interdisciplinary collaboration of its contributors produces a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages and Renaissance. It also includes a new and authoritative critical edition of the Middle English Arma Christi poem known as ’O Vernicle’ that takes account of all twenty surviving manuscripts. The book opens with a substantial introduction that surveys previous scholarship and situates the Arma in their historical and aesthetic contexts. The ten essays that follow explore representative examples of the instruments of the Passion across a broad swath of history, from some of their earliest formulations in late antiquity to their reformulations in early modern Europe. Together, they offer the first large-scale attempt to understand the arma Christi as a unique cultural phenomenon of its own, one that resonated across centuries in multiple languages, genres, and media. The collection directs particular attention to this array of implements as an example of the potency afforded material objects in medieval and early modern culture, from the glittering nails of the Old English poem Elene to the coins of the Middle English poem ’Sir Penny,’ from garments and dice on Irish tomb sculptures to lanterns and ladders in Hieronymus Bosch’s panel painting of St. Christopher, and from the altar of the Sistine Chapel to the printed prayer books of the Reformation.

Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1538123045
Category : Young Adult Nonfiction
Languages : en
Pages : 277

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Book Description
Michelangelo: A Reference Guide to His Life and Works cover the life and works of Michelangelo Buonarroti. Michelangelo is considered to be one of the greatest masters in history and he produced some of the most notable icons of civilization, including the Sistine Ceiling frescoes, the Moses, and the Pietà at St. Peter’s. Includes a detailed chronology of Michelangelo’s life, family, and work. The A to Z section includes the major events, places, and people in Michelangelo’s life and the complete works of his sculptures, paintings, architectural designs, drawings, and poetry. The bibliography includes a list of publications concerning his life and work. The index thoroughly cross-references the chronological and encyclopedic entries.

Author: Bernadine Barnes
Publisher: Reaktion Books
ISBN: 178023788X
Category : Art
Languages : en
Pages : 240

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Book Description
Today most of us enjoy the work of famed Renaissance artist Michelangelo by perusing art books or strolling along the galleries of a museum—and the luckier of us have had a chance to see his extraordinary frescoes on the ceiling of the Sistine Chapel. But as Bernadine Barnes shows in this book, even a visit to a well-preserved historical sight doesn’t quite afford the experience the artist intended us to have. Bringing together the latest historical research, she offers us an accurate account of how Michelangelo’s art would have been seen in its own time. As Barnes shows, Michelangelo’s works were made to be viewed in churches, homes, and political settings, by people who brought their own specific needs and expectations to them. Rarely were his paintings and sculptures viewed in quiet isolation—as we might today in the stark halls of a museum. Instead, they were an integral part of ritual and ceremonies, and viewers would have experienced them under specific lighting conditions and from particular vantages; they would have moved through spaces in particular ways and been compelled to relate various works with others nearby. Reconstructing some of the settings in which Michelangelo’s works appeared, Barnes reassembles these experiences for the modern viewer. Moving throughout his career, she considers how his audience changed, and how this led him to produce works for different purposes, sometimes for conventional religious settings, but sometimes for more open-minded patrons. She also shows how the development of print and art criticism changed the nature of the viewing public, further altering the dynamics between artist and audience. Historically attuned, this book encourages today’s viewers to take a fresh look at this iconic artist, seeing his work as they were truly meant to be seen.

Author: James A. Connor
Publisher: Macmillan
ISBN: 9780230605732
Category : Art
Languages : en
Pages : 256

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Book Description
A rich exploration of Michelangelo's masterpiece, "The Last Judgment," unlocking the mysteries of a turbulent period in European history

Author: Tamara Smithers
Publisher: BRILL
ISBN: 900431363X
Category : Art
Languages : en
Pages : 262

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Book Description
Michelangelo in the New Millennium addresses the mobility and flexibility of Michelangelo’s art regarding placement and intention, considers the artist’s late papal painting commissions, and probes deeper into his early religious works.

Author: William E. Wallace
Publisher: Cambridge University Press
ISBN: 1139505688
Category : Art
Languages : en
Pages : 477

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Book Description
In this vividly written biography, William E. Wallace offers a new view of the artist. Not only a supremely gifted sculptor, painter, architect and poet, Michelangelo was also an aristocrat who firmly believed in the ancient, noble origins of his family. The belief in his patrician status fueled his lifelong ambition to improve his family's financial situation and to raise the social standing of artists. Michelangelo's ambitions are evident in his writing, dress and comportment, as well as in his ability to befriend, influence and occasionally say 'no' to popes, kings and princes. Written from the words of Michelangelo and his contemporaries, this biography not only tells his own stories, but also brings to life the culture and society of Renaissance Florence and Rome. Not since Irving Stone's novel The Agony and the Ecstasy has there been such a compelling and human portrayal of this remarkable yet credible human individual.

Author: Miles J. Unger
Publisher: Simon and Schuster
ISBN: 1451678789
Category : Art
Languages : en
Pages : 448

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Book Description
An account of the life of the revolutionary art master is told through the stories of six of his greatest masterpieces including the Pietà, David and the Sistine Chapel, revealing how each expanded the medium's range and reflected the trials of Michelangelo's personal world.

Author: David R Topper
Publisher: Springer Science & Business Media
ISBN: 0387710191
Category : Science
Languages : en
Pages : 213

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Book Description
These historical narratives of scientific behavior reveal the often irrational way scientists arrive at and assess their theories. There are stories of Einstein’s stubbornness leading him to reject a correct interpretation of an experiment and miss an important deduction from his own theory, and Newton missing the important deduction from one of his most celebrated discoveries. This enlightening book clearly demonstrates that the greatest minds throughout history arrived at their famous scientific theories in very unorganized ways and they often did not fully grasp the significance and implications of their own work.