Author: Marin Marais
Publisher:
ISBN:
Category : Suites (Flute and continuo)
Languages : en
Pages : 42
Book Description
Suite pour flûte et basse continue
Author: Marin Marais
Publisher:
ISBN:
Category : Suites (Flute and continuo)
Languages : en
Pages : 42
Book Description
Publisher:
ISBN:
Category : Suites (Flute and continuo)
Languages : en
Pages : 42
Book Description
Suite en si mineur pour flûte traversière ou hautbois avec la basse continue
Author: Marin Marais
Publisher:
ISBN:
Category : Suites (Flute and continuo), Arranged
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Suites (Flute and continuo), Arranged
Languages : en
Pages : 54
Book Description
Le Guide Musical
The Hurdy-Gurdy in Eighteenth-Century France
Author: Robert A. Green
Publisher: Indiana University Press
ISBN: 0253025133
Category : Music
Languages : en
Pages : 146
Book Description
The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.
Publisher: Indiana University Press
ISBN: 0253025133
Category : Music
Languages : en
Pages : 146
Book Description
The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1058
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1058
Book Description
National Union Catalog
Method for the One-Keyed Flute
Author: Janice Dockendorff Boland
Publisher: Univ of California Press
ISBN: 0520921275
Category : Music
Languages : en
Pages : 243
Book Description
This indispensable manual for present-day players of the one-keyed flute is the first complete method written in modern times. Janice Dockendorff Boland has compiled a manual that can serve as a self-guiding tutor or as a text for a student working with a teacher. Referencing important eighteenth-century sources while also incorporating modern experience, the book includes nearly 100 pages of music drawn from early treatises along with solo flute literature and instructional text and fingering charts. Boland also addresses topics ranging from the basics of choosing a flute and assembling it to more advanced concepts such as tone color and eighteenth-century articulation patterns.
Publisher: Univ of California Press
ISBN: 0520921275
Category : Music
Languages : en
Pages : 243
Book Description
This indispensable manual for present-day players of the one-keyed flute is the first complete method written in modern times. Janice Dockendorff Boland has compiled a manual that can serve as a self-guiding tutor or as a text for a student working with a teacher. Referencing important eighteenth-century sources while also incorporating modern experience, the book includes nearly 100 pages of music drawn from early treatises along with solo flute literature and instructional text and fingering charts. Boland also addresses topics ranging from the basics of choosing a flute and assembling it to more advanced concepts such as tone color and eighteenth-century articulation patterns.
From Renaissance to Baroque
Author: Jonathan Wainwright
Publisher: Routledge
ISBN: 1351566253
Category : Music
Languages : en
Pages : 507
Book Description
Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Publisher: Routledge
ISBN: 1351566253
Category : Music
Languages : en
Pages : 507
Book Description
Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 710
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 710
Book Description
Library of Congress Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 822
Book Description
A cumulative list of works represented by Library of Congress printed cards.
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 822
Book Description
A cumulative list of works represented by Library of Congress printed cards.