Suitcase Paintings PDF Download

Author: April Kingsley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108

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Book Description
Exhibition of 51 abstract expressionist artists featuring small acale paintings from 1945-1965. Exibit will travel to 10 museums from May 2007 - October 2008

Author: Chris Naylor-Ballesteros
Publisher: Clarion Books
ISBN: 0358329604
Category : Juvenile Fiction
Languages : en
Pages : 37

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Book Description
"When a weary stranger arrives one day with nothing but a suitcase, his new neighbors ask nervous questions about who he is and where he comes from before they are challenged to decide between trusting the newcomer or taking the risk of not believing him"--

Author: Fil Bufalo
Publisher: Austin Macauley Publishers
ISBN: 1528908538
Category : Travel
Languages : en
Pages : 531

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Book Description
A Suitcase Full of Boomerangs is essentially a romp around the Republic of Ireland. Tiny boomerangs are bequeathed to colourful characters encountered throughout the three-week round trip. Narrated in the first person, the protagonist and two of her sisters manage to have a ball as they traverse the width and breadth of Ireland in a big black jeep filled with suitcases full of boomerangs. This book of travel laughs, mishaps and adventures is a light-hearted, feel-good read, intended to whisk the armchair traveller far away to another time and place – the magic that will always be Ireland.

Author: Battered Suitcase
Publisher: Vagabondage Press LLC
ISBN: 1452478023
Category : Poetry
Languages : en
Pages : 175

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Book Description
The Winter 2009 Issue of Arts and Literary Journal The Battered Suitcase; intelligent and imaginative prose, poetry and art that explores the human Lexperience. Edited by Fawn Neun, Maggie Ward, and Apythia Morges. Features Gay Degani, Catherine Sharpe, Anthony Bromberg, Milan Smith and an interview with artist Chris Mars.

Author: Mechal Sobel
Publisher: LSU Press
ISBN: 9780807134016
Category : Art
Languages : en
Pages : 252

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Book Description
Born into slavery on an Alabama plantation in 1853, Bill Traylor worked as a sharecropper for most of his life. But in 1928 he moved to Montgomery and changed his life, becoming a self-taught lyric painter of extraordinary ability and power. From 1936 to 1946, he sat on a street corner—old, ill, and homeless—and created well over 1,200 paintings. Collected and later promoted by Charles Shannon, a young Montgomery artist, his work received star placement in the Corcoran Gallery’s 1982 exhibition “Black Folk Art in America.” From then on, the spare and powerful “radical modernity” of Traylor’s work helped place him among the rising stars of twentieth-century American artists. Most critics and art historians who analyze Traylor’s paintings emphasize his extraordinary form and evaluate the content as either simple or enigmatic narratives of black life. In Painting a Hidden Life, historian Mechal Sobel’s trenchant analysis reveals a previously unrecognized central core of meaning in Traylor’s near-hidden symbolism—a call for retribution in response to acts of lynching and other violence toward blacks. Drawing on historical records and oral histories, Sobel carefully explores the relationship between Traylor’s life and his paintings and arrives at new interpretations of his art. From an interview with Traylor’s great-granddaughter, Sobel learned that Traylor believed the Birmingham policemen who killed his son in 1929 in fact lynched him—a story that neither Traylor nor his family had previously disclosed. The trauma of this event, Sobel explains, propelled Traylor to find a way to voice his rage and spurred the creation of his powerful, mysterious visual language. Traylor’s encoded paintings tell a vibrant, multilayered story of conjure power, sexual rivalry, and violence. Revealing an extraordinarily diverse visual universe, the symbols in Traylor’s paintings reflect the worlds he lived in between 1853 and 1949: the plantation conjure milieu into which he was born, the blues culture in which he matured, the world of Jim Crow he learned to secretly violate, and the Catholic values he adopted in his final years. From his African heritage, Traylor drew symbols not readily understood by whites. He mixed traditional African images with conjure signs, with symbols of black Baptists and Freemasons, and with images central to the hidden black protest movement—the cross and the lynching tree. In this groundbreaking examination of an extraordinary artist, Sobel uncovers the internalized pain of several generations and traces the paths African Americans blazed long before the march down the Selma–Montgomery highway.

Author: John McPhee
Publisher: Farrar, Straus and Giroux
ISBN: 0374708487
Category : Art
Languages : en
Pages : 198

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Book Description
John McPhee's The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other. It offers unprecedented insight into Soviet culture at the brink of the Union's collapse. In the 1960s and 1970s, an American professor of Soviet economics forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it illegally shipped to the United States. Norton Dodge visited the apartments of unofficial artists in at least a dozen geographically scattered cities. By 1977, he had a thousand works of art. His ultimate window of interest involved the years from 1956 to 1986, and through his established contacts he eventually acquired another eight thousand works—by far the largest collection of its kind. McPhee investigates Dodge's clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched.

Author: Alain Robbe-Grillet
Publisher: Univ of California Press
ISBN: 9780520059160
Category : Literary Criticism
Languages : en
Pages : 280

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Book Description
Based on the myth of the beautiful captive, this novel, first published in 1975 and reprinted with a critical essay, takes its themes from the paintings of the French surrealist, constructing a dream-like narrative suffused with eroticism, playfulness, and subversion.

Author: Susan Harlan
Publisher: Bloomsbury Publishing USA
ISBN: 1501329294
Category : Social Science
Languages : en
Pages : 161

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Book Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. You can't think about travel without thinking about luggage. And baggage has baggage. Susan Harlan takes readers on a journey with the suitcases that support, accessorize, and accompany our lives. Along the way, she shows how the materials of travel - the carry-ons, totes, trunks, and train cases of the past and present - have stories to tell about displacement, home, gender, class, consumption, and labor. Luggage considers bags as carefully curated microcosms of our domestic and professional selves, charting the evolution of travel across literature, film, and art. A simple suitcase, it turns out, contains more than you might think. Object Lessons is published in partnership with an essay series in The Atlantic.

Author: Karen Levine
Publisher: Second Story Press
ISBN: 1926739280
Category : Juvenile Nonfiction
Languages : en
Pages : 105

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Book Description
New edition with foreword by Nobel Peace Prize winner Desmond Tutu: “How extraordinary that this humble suitcase has enabled children all over the world to learn through Hana’s story the terrible history of what happened and that it continues to urge them to heed the warnings of history.” In the spring of 2000, Fumiko Ishioka, the curator of a small Holocaust education centre for children in Tokyo, received a very special shipment for an exhibit she was planning. She had asked the curators at the Auschwitz museum if she could borrow some artifacts connected to the experience of children at the camp. Among the items she received was an empty suitcase. From the moment she saw it, Fumiko was captivated by the writing on the outside that identified its owner – Hana Brady, May 16, 1931, Waisenkind (the German word for orphan). Children visiting the centre were full of questions. Who was Hana Brady? Where did she come from? What was she like? How did Hana become an orphan? What happened to her? Fueled by the children’s curiosity and her own need to know, Fumiko began a year of detective work, scouring the world for clues to the story of Hana Brady. Writer Karen Levine follows Fumiko in her search through history, from present-day Japan, Europe and North America back to 1938 Czechoslovakia and the young Hana Brady, a fun-loving child with a passion for ice skating. Together with Fumiko, we learn of Hana’s loving parents and older brother, George, and discover how the family’s happy life in a small town was turned upside down by the invasion of the Nazis. Based on an award-winning CBC documentary, Hana’s Suitcase takes the reader on an incredible journey full of mystery and memories, which come to life through the perspectives of Fumiko, Hana and later Hana’s brother, who now lives in Canada. Photographs and original wartime documents enhance this extraordinary story that bridges cultures, generations and time. Ideal for young readers aged 9 and up. Hana’s Suitcase is part of the award-winning Holocaust Remembrance Series for Young Readers.

Author: Dayanita Singh
Publisher:
ISBN: 9783869306933
Category : Photography, Artistic
Languages : en
Pages : 0

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Book Description
"Museum of Chance is the first publication of Museum Bhavan, which is a collection of museums made by Dayanita Singh in New Delhi. The museums hoiuse old and new images made by the artist. Each wooden structure can be placed and opened in different ways, and holds around a hundred framed images, some on view, while others wait for their turn in the reserve collection, also kept inside the structures. As Singh keeps adding images to the museums, the museums themselves give birth to other museums. For example, the Museum of Embraces comes out of the Museum of Chance, and the Museum of Vitrines is contained within the Museum of Furniture. This publication is a mass produced artist book for the museum by the same name. Each image in the book is a cover image on one of the books."--Colophon.