Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 628
Book Description
Plays and Players
Harry Potter and the Cursed Child
Author: J. K. Rowling
Publisher:
ISBN: 9780751565362
Category : Fiction
Languages : en
Pages : 0
Book Description
As an overworked employee of the Ministry of Magic, a husband, and a father, Harry Potter struggles with a past that refuses to stay where it belongs while his youngest son, Albus, finds the weight of the family legacy difficult to bear.
Publisher:
ISBN: 9780751565362
Category : Fiction
Languages : en
Pages : 0
Book Description
As an overworked employee of the Ministry of Magic, a husband, and a father, Harry Potter struggles with a past that refuses to stay where it belongs while his youngest son, Albus, finds the weight of the family legacy difficult to bear.
The Five Continents of Theatre
Author: Eugenio Barba
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420
Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
Publisher: BRILL
ISBN: 9004392939
Category : Drama
Languages : en
Pages : 420
Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
The Amateur Stage
Museum Bulletin
Seventeen
Author: Matthew Whittet
Publisher: Bloomsbury Publishing
ISBN: 1786820927
Category : Drama
Languages : en
Pages : 109
Book Description
Jess is Mike’s girlfriend. Tom is Mike’s best friend, but he’s secretly in love with Jess. Emilia is Jess’s goody-two-shoes best friend and she’s about to get drunk for the first time. Lizzy is Mike’s annoying younger sister. And Ronny, well no-one invited Ronny and no one’s quite sure why he’s there. As dawn approaches, through a fog of cheap beer, dreams are shared, insecurities aired and secrets spilled. Funny, immature, wise and a little bit sad, Seventeen performed by a cast of septuagenarians, will turn our notions of adulthood and adolescence on their head. A Lyric Hammersmith production in association with Belvoir, Sydney.
Publisher: Bloomsbury Publishing
ISBN: 1786820927
Category : Drama
Languages : en
Pages : 109
Book Description
Jess is Mike’s girlfriend. Tom is Mike’s best friend, but he’s secretly in love with Jess. Emilia is Jess’s goody-two-shoes best friend and she’s about to get drunk for the first time. Lizzy is Mike’s annoying younger sister. And Ronny, well no-one invited Ronny and no one’s quite sure why he’s there. As dawn approaches, through a fog of cheap beer, dreams are shared, insecurities aired and secrets spilled. Funny, immature, wise and a little bit sad, Seventeen performed by a cast of septuagenarians, will turn our notions of adulthood and adolescence on their head. A Lyric Hammersmith production in association with Belvoir, Sydney.
Monsterstreet #1: The Boy Who Cried Werewolf
Author: J. H. Reynolds
Publisher: HarperCollins
ISBN: 0062869361
Category : Juvenile Fiction
Languages : en
Pages : 133
Book Description
“Fast, funny, frightening—and filled with shocks and surprises. These books are my kind of fun. I want to live on Monsterstreet!” —R.L. Stine, author of the Goosebumps series The Monsterstreet series kicks off with this chilling tale about a boy who discovers his father was killed by a legendary werewolf. Max Bloodnight can’t decide what’s more terrifying about his weekend in Wolf County—the fact that he has to stay with grandparents he’s never met before or being stuck on a farm without cell service. If only that was all he had to fear. Determined to solve the mystery of his father’s death, which occurred years before at the claws of a legendary werewolf, Max must hunt to uncover the truth before the full moon rises . . . and the werewolf strikes again. Don't miss any of the books in the thrilling Monsterstreet series!
Publisher: HarperCollins
ISBN: 0062869361
Category : Juvenile Fiction
Languages : en
Pages : 133
Book Description
“Fast, funny, frightening—and filled with shocks and surprises. These books are my kind of fun. I want to live on Monsterstreet!” —R.L. Stine, author of the Goosebumps series The Monsterstreet series kicks off with this chilling tale about a boy who discovers his father was killed by a legendary werewolf. Max Bloodnight can’t decide what’s more terrifying about his weekend in Wolf County—the fact that he has to stay with grandparents he’s never met before or being stuck on a farm without cell service. If only that was all he had to fear. Determined to solve the mystery of his father’s death, which occurred years before at the claws of a legendary werewolf, Max must hunt to uncover the truth before the full moon rises . . . and the werewolf strikes again. Don't miss any of the books in the thrilling Monsterstreet series!
The Night Thoreau Spent in Jail
Author: Jerome Lawrence
Publisher: Macmillan
ISBN: 0809012235
Category : Drama
Languages : en
Pages : 117
Book Description
A play dramatizing the philosopher, Henry David Thoreau, and his stand concerning civil disobedience. He refused to pay taxes owing to his disapproval of the Mexican War. For his act of protest he was sent to jail.
Publisher: Macmillan
ISBN: 0809012235
Category : Drama
Languages : en
Pages : 117
Book Description
A play dramatizing the philosopher, Henry David Thoreau, and his stand concerning civil disobedience. He refused to pay taxes owing to his disapproval of the Mexican War. For his act of protest he was sent to jail.
Viet Rock
Author: Megan Terry
Publisher:
ISBN: 9780881457216
Category : Drama
Languages : en
Pages : 82
Book Description
Through the use of dialogue, music, chant, dance, pantomime, and image, the play satirizes attitudes toward the Vietnam war. It attempts to present the very complicated, tragic, and helplessly divided atmosphere that prevailed in America, and to look at hapless emotions in a hopelessly complex mythology of war. With the technique of "transformations" the play unfolds. People change from flowers to individuals to machines, from one character to another, from character into actor into bystander and back to character or abstract image or comment; women change to men and back to women again. Americans change into Vietnamese into Viet Cong and back to American soldiers. The line of the play follows several soldiers from birth, to induction, to indoctrination, to overseas, to battle, to fraternization, and to death. Along the way we meet their mothers, their instructors, their superiors, their elected officials, their friends and their enemies, their tormentors and finally their ghosts. A strong ensemble spirit emerges via the actors' technique and interaction with one another and with the audience. The form of the play is constructed so as to manifest the reality of theatre--not as a replica of or comment upon life but as a part of life--and thus restore its urgency and relevance. ..".the best new play since THE BRIG and THE CONNECTION...the theme and scope the variety and density of VIET ROCK would have excited Brecht." Richard Schechner, T D R "VIET ROCK vividly expressed is a breakthrough...extraordinary on at least two counts. It is the first realized theatrical statement about the Vietnam war...and a rare instance of theater confronting issues broader than individual psychology...I would like to assert my admiration." Michael Smith, Village Voice "Wild...an acid indictment...ensemble acting effects that have to be seen to be believed...VIET ROCK has been brilliantly staged, these Open Theater types are contributing something new to the concept and technique of stagecraft." Tomo., Variety
Publisher:
ISBN: 9780881457216
Category : Drama
Languages : en
Pages : 82
Book Description
Through the use of dialogue, music, chant, dance, pantomime, and image, the play satirizes attitudes toward the Vietnam war. It attempts to present the very complicated, tragic, and helplessly divided atmosphere that prevailed in America, and to look at hapless emotions in a hopelessly complex mythology of war. With the technique of "transformations" the play unfolds. People change from flowers to individuals to machines, from one character to another, from character into actor into bystander and back to character or abstract image or comment; women change to men and back to women again. Americans change into Vietnamese into Viet Cong and back to American soldiers. The line of the play follows several soldiers from birth, to induction, to indoctrination, to overseas, to battle, to fraternization, and to death. Along the way we meet their mothers, their instructors, their superiors, their elected officials, their friends and their enemies, their tormentors and finally their ghosts. A strong ensemble spirit emerges via the actors' technique and interaction with one another and with the audience. The form of the play is constructed so as to manifest the reality of theatre--not as a replica of or comment upon life but as a part of life--and thus restore its urgency and relevance. ..".the best new play since THE BRIG and THE CONNECTION...the theme and scope the variety and density of VIET ROCK would have excited Brecht." Richard Schechner, T D R "VIET ROCK vividly expressed is a breakthrough...extraordinary on at least two counts. It is the first realized theatrical statement about the Vietnam war...and a rare instance of theater confronting issues broader than individual psychology...I would like to assert my admiration." Michael Smith, Village Voice "Wild...an acid indictment...ensemble acting effects that have to be seen to be believed...VIET ROCK has been brilliantly staged, these Open Theater types are contributing something new to the concept and technique of stagecraft." Tomo., Variety
Theatre Materials
Author: Eleanor Margolies
Publisher:
ISBN: 9780953950157
Category : Theater
Languages : en
Pages : 127
Book Description
Publisher:
ISBN: 9780953950157
Category : Theater
Languages : en
Pages : 127
Book Description