Studies in Language, Literature, and Culture of the Middle Ages and Later PDF Download

Author: Elmer Bagby Atwood
Publisher:
ISBN: 9780598268983
Category :
Languages : en
Pages : 398

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Author: Elmer Bagby Atwood
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages :

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Author: Elmer Bagby Atwood
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 418

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Author: Michael Richter
Publisher: Royal Irish Academy
ISBN:
Category : History
Languages : en
Pages : 242

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Fifteen previously published essays, by Richter, reflect his longterm interest in the role of Latin in medieval language and literature as well as the wider cultural significance of Europe's vernacular languages. Four essays in German, two in French, the rest in English.

Author: Andrew James Johnston
Publisher:
ISBN: 9780814293997
Category : Description (Rhetoric)
Languages : en
Pages : 307

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Book Description
One of the most common ways of setting the arts in parallel, at least from the literary side, is through the popular rhetorical device of ekphrasis. The original meaning of this term is simply an extended and detailed, lively description, but it has been used most commonly in reference to painting or sculpture. In this lively collection of essays, Andrew James Johnston, Ethan Knapp, and Margitta Rouse offer a major contribution to the study of text-image relationships in medieval Europe. Resisting any rigid definition of ekphrasis, The Art of Vision is committed to reclaiming medieval ekphrasis, which has not only been criticized for its supposed aesthetic narcissism but has also frequently been depicted as belonging to an epoch when the distinctions between word and image were far less rigidly drawn. Examples studied range from the eleventh through the seventeenth centuries and include texts written in Medieval Latin, Medieval French, Middle English, Middle Scots, Middle High German, and Early Modern English. The essays in this volume highlight precisely the entanglements that ekphrasis suggests and/or rejects: not merely of word and image, but also of sign and thing, stasis and mobility, medieval and (early) modern, absence and presence, the rhetorical and the visual, thinking and feeling, knowledge and desire, and many more. The Art of Vision furthers our understanding of the complexities of medieval ekphrasis while also complicating later understandings of this device. As such, it offers a more diverse account of medieval ekphrasis than previous studies of medieval text-image relationships, which have normally focused on a single country, language, or even manuscript.

Author: Ananya Jahanara Kabir
Publisher: Cambridge University Press
ISBN: 9780521827317
Category : Literary Criticism
Languages : en
Pages : 324

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Book Description
A collection of original essays exploring the intersections between medieval and postcolonial studies.

Author: Graham Williams
Publisher: Springer
ISBN: 1137540699
Category : Language Arts & Disciplines
Languages : en
Pages : 265

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This book traces the development of the ideal of sincerity from its origins in Anglo-Saxon monasteries to its eventual currency in fifteenth-century familiar letters. Beginning by positioning sincerity as an ideology at the intersection of historical pragmatics and the history of emotions, the author demonstrates how changes in the relationship between outward expression and inward emotions changed English language and literature. While the early chapters reveal that the notion of sincerity was a Christian intervention previously absent from Germanic culture, the latter part of the book provides more focused studies of contrition and love. In doing so, the author argues that under the rubric of courtesy these idealized emotions influenced English in terms of its everyday pragmatics and literary style. This fascinating volume will be of broad interest to scholars of medieval language, literature and culture.

Author: L. Amtower
Publisher: Springer
ISBN: 1349629987
Category : History
Languages : en
Pages : 249

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Acts of reading appear everywhere in the late Middle Ages, from the margins of Books of Hours to self-portraits of authors in their studies. What relevance did this image have for the late medieval imagination? Engaging Words is an interdisciplinary study on the conception of reading in late medieval society. Beginning with an examination of the social conditions that produced a viable reading public, the book proceeds to examine popular tastes, the interrelationship between manuscript form and content, and finally the theory and poetry of late medieval authors. By drawing on images from late medieval culture as well as from historical documents and literary texts, Engaging Words shows how reading became a cultural metaphor in the late Middle Ages that transformed the way the Western world thought about identity and social roles.

Author: Gordon Rudy
Publisher: Routledge
ISBN: 1136718400
Category : Literary Criticism
Languages : en
Pages : 202

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First Published in 2002. This book is about the way medieval authors wrote about union with God and how they used language that refers to the senses to articulate their ideas about how a person can be one with God. Rudy argues that such explicit concepts of the spiritual senses are not sharply distinct from the ideas implicit in broader usage of sensory language in theological writings. These ideas are significant in the history of Christian mysticism, because language that refers to the senses bears directly on several ideas that are central to ideas about union with God.

Author: Valerie B. Johnson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514210
Category : Literary Criticism
Languages : en
Pages : 372

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Book Description
Thomas Hahn’s work laid the foundations for medieval romance studies to embrace the study of alterity and hybridity within Middle English literature. His contributions to scholarship brought Robin Hood studies into the critical mainstream, normalized the study of historically marginalized literature and peoples, and encouraged scholars to view medieval readers as actively encountering others and exploring themselves. This volume employs his methodologies – careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis – to highlight the literary culture of late medieval England afresh. Addressing long-established canonical works such as Chaucer, Christine de Pizan, and Malory alongside understudied traditions and manuscripts, this book will be of interest to literary scholars of the later Middle Ages who, like Hahn, work across boundaries of genre, tradition, and chronology.