Studies in Italian Art History PDF Download

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :

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Author: Bruce Cole
Publisher:
ISBN:
Category : Art, Early Renaissance
Languages : en
Pages : 478

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Professor Cole has written extensively over the last twenty years on Italian art of the fourteenth and fifteenth centuries, with monographs published on Giotto, Masaccio and Piero della Francesca, and a standard work on Agnolo Gaddi. He is co-editor of the Corpus of Early Italian Paintings, now in preparation. This book brings together thirty-five of Professor Cole's papers and reviews. They include studies of the great figures of trecento and quattrocento Tuscan art, reconstructions and rediscoveries of works from the period, catalogues of Italian works of art in American collections, and reviews of new and standard works in the field.

Author: Tamar Herzig
Publisher: Harvard University Press
ISBN: 0674237536
Category : History
Languages : en
Pages : 401

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Salomone da Sesso was a virtuoso goldsmith in Renaissance Italy. Brought down by a sex scandal, he saved his skin by converting to Catholicism. Tamar Herzig explores Salamone’s world—his Jewish upbringing, his craft and patrons, and homosexuality. In his struggle for rehabilitation, we see how precarious and contested was the meaning of conversion.

Author: Joseph Manca
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN: 9780866985116
Category : Art, Renaissance
Languages : en
Pages : 0

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Accounts by early viewers -- Vasari's lives and other early art histories -- Patrons, commissions, and contracts -- Subject matter and Renaissance art theory -- Words and pictures: poetry, inscriptions, and meaning

Author: Raffaele Bedarida
Publisher: Taylor & Francis
ISBN: 1000595803
Category : Art
Languages : en
Pages : 320

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This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.

Author: Henry A. Millon
Publisher:
ISBN: 9780271004570
Category :
Languages : en
Pages : 344

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Author: Andrew Ladis
Publisher: Pindar Press
ISBN: 1915837189
Category : Art
Languages : en
Pages : 457

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Andrew Ladis is Franklin Professor of Art History at the University of Georgia. Over the course of the last twenty years he has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he has made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolo di Tommaso. But the range of his interests, made apparent by this collection, extends far beyond fourteenth-century Florence and Siena to encompass Tuscan painting of the fifteenth century, Renaissance maiolica, the writings of Giorgio Vasari, biography, and modern historiography. Further, the assembled essays and book reviews embrace a wide array of art historical problems, such as connoisseurship, patronage, workshop procedure, and the relationship between form and meaning. Of particular note is a major interpretive essay on one of the key monuments of the Renaissance, the mural decoration of the Brancacci Chapel painted by Masaccio, Masolino, and Filippino Lippi. Appearing here in revised form, this study is newly accompanied by a copious number of illustrations, including some never before published.

Author: Guy Hedreen
Publisher: BRILL
ISBN: 900446137X
Category : Philosophy
Languages : en
Pages : 326

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Scholars from ancient and early modern studies, art history, literary criticism, philosophy, and the history of science explore the interplay between nature, science, and art in influential ancient texts and their reception in the Renaissance.

Author: Laura L. Watts
Publisher: Routledge
ISBN: 1000400565
Category : Art
Languages : en
Pages : 332

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Book Description
Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchino Toma—from three distinct regions in Italy prior to, during, and directly following political unification in 1861. Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.

Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN: 9780192842794
Category : Art
Languages : en
Pages : 356

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"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).