Studies in Eighteenth-Century British Art and Aesthetics PDF Download

Author: Ralph Cohen
Publisher: Univ of California Press
ISBN: 0520316045
Category : History
Languages : en
Pages : 312

View

Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Author: Jonathan Friday
Publisher: Andrews UK Limited
ISBN: 1845404440
Category : Art
Languages : en
Pages : 251

View

Book Description
During the intellectual and cultural flowering of Scotland in the 18th century few subjects attracted as much interest among men of letters as aesthetics - the study of art from the subjective perspective of human experience. All of the great philosophers of the age - Hutcheson, Hume, Smith and Reid - addressed themselves to aesthetic questions. Their inquiries revolved around a cluster of issues - the nature of taste, beauty and the sublime, how qualitative differences operate upon the mind through the faculty of taste, and how aesthetic sensibility can be improved through education. This volume brings together and provides contextual introductions to the most significant 18th century writing on the philosophy of art. From the pioneering study of beauty by Francis Hutcheson, through Hume's seminal essays on the standard of taste and tragedy, to the end of the tradition in Dugald Stewart, we are swept up in the debate about art and its value that fascinated the philosophers of enlightenment Scotland - and continues to do so to this day.

Author: Ron Broglio
Publisher: Associated University Presse
ISBN: 9780838757000
Category : Art
Languages : en
Pages : 242

View

Book Description
With considerable learning and insight, Broglio reveals how artists are both complicit with such objectification of nature, and at other moments work toward a more vivid connection to the environment."--BOOK JACKET.

Author: Douglas Fordham
Publisher: University of Pennsylvania Press
ISBN: 0812242432
Category : Art
Languages : en
Pages : 352

View

Book Description
Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.

Author: Peter De Bolla
Publisher: Stanford University Press
ISBN: 9780804748001
Category : Social Science
Languages : en
Pages : 300

View

Book Description
The Education of the Eye examines the origins of visual culture in eighteenth-century Britain, setting out to reclaim visual culture for the democracy of the eye and to explain how aesthetic contemplation may, once more, be open to all who have eyes to look.

Author: Charlotte Klonk
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300069501
Category : Art
Languages : en
Pages : 198

View

Book Description
Charlotte Klonk's deeply researched accounts of the complex and often ambiguous interactions that took place between artists and scientists challenge simplistic accounts of developments in art as mere by-products of scientific progress as well as reductive socio-economic interpretations. For Klonk, the common thread running through the changes in both art and science is the emergence of a new phenomenalist conception of experience around the turn of the century. Phenomenalism involved a commitment to the scrupulous observation of particular phenomena, without making prior assumptions about meaning or underlying causes, and this ideal was common to both artists and scientists. In this way, Klonk argues, the period represents a brief moment of balance before the concerns of science and art split apart into objectivity and subjectivity, respectively.

Author: Paolo Coen
Publisher: BRILL
ISBN: 900438815X
Category : Art
Languages : en
Pages : 246

View

Book Description
Recent interest in the economic aspects of the history of art have taken traditional studies into new areas of enquiry. Going well beyond provenances or prices of individual objects, our understanding of the arts has been advanced by research into the demands, intermediaries and clients in the market. Eighteenth-century Rome offers a privileged view of such activities, given the continuity of remarkable investments by the local ruling class, combined with the decisive impact of external agents, largely linked to the Grand Tour. This book, the result of collaboration between international specialists, brings back into the spotlight protagonists, facts and dynamics that have remained unexplored for many years.

Author: Zsolt Komáromy
Publisher: Transits: Literature, Thought
ISBN: 9781611480443
Category : Literary Criticism
Languages : en
Pages : 0

View

Book Description
Zsolt Kom romy's Figures of Memory: From the Muses to Eighteenth-Century British Aesthetics affects a rapprochement between memory studies and eighteenth-century British aesthetics. It argues that the assessment of memory in the history of aesthetics and criticism has been determined by the ideological import of the creative imagination, based on the dichotomies of imitative versus creative or reproductive versus productive mental and artistic procedures. The legacy of such an opposition can still be felt in the way the literary relevance of memory is based on either viewing it as a representational (reproductive, imitative) power that is a counter term to the creative sense of the imagination, or as a constructive (productive, creative) power that is assimilated by the creative imagination. The notion of memory, however, harbors problems that unsettle such dichotomies. This book does the timely work of employing insights offered by memory studies in reconsidering memory in the history of aesthetics: it suggests that memory's literary relevance is explained precisely by the problems that make it resistant to the reproductive-productive opposition. These problems are explored through various "figures" representing senses of memory, such as the Muses, or metaphors for memory in philosophical and critical discourse. Tracing figures of memory from the Muses through Plato and Descartes to works by Pope, Addison, Gerard and Kames, Kom romy reveals an undercurrent of thought in eighteenth-century British aesthetics that questions memory's nominal opposition to the imagination, and that exploits memory's simultaneously reproductive and constructive nature in the emerging theory of the imagination. By thus claiming that the tradition of memory's literary relevance is not marginalized but in fact perpetuated in eighteenth-century British critical thought, Figures of Memory gives a powerful new perspective on the history of memory in aesthetics and criticism. A theoretical work with claims for historical generalization, Figures of Memory will appeal to those interested in the history of aesthetics and criticism, in memory studies, in literary theory, to students of literature and memory, of literature and psychology, and to scholars of the eighteenth century with theoretical interests.

Author: Christine Riding
Publisher:
ISBN: 9781854379481
Category :
Languages : en
Pages : 19

View

Book Description
Scholars have debated the term 'sublime' in the field of aesthetics for centuries. Many more artists, writers, poets and musicians have sought to evoke or respond to it. But what is the sublime? Is it a thing, a feeling, an event or a state of mind? The word, of Latin origin, means something that is 'set or raised aloft, high up'. The sublime is further defined as having the quality of such greatness, magnitude or intensity, whether physical, metaphysical, moral, aesthetic or spiritual, that our ability to perceive or comprehend it is temporarily overwhelmed. The best-known theory published in Britain is Edmund Burke's A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757). Burke's definition of the sublime focuses on such terms as darkness, obscurity, privation, vastness, magnificence, loudness and suddenness, and that our reaction is defined by a kind of pleasurable terror. During the eighteenth and nineteenth centuries, the sublime was associated in particular with the immensity or turbulence of Nature and human responses to it. Consequently, in Western art, 'sublime' landscapes and seascapes, especially those from the Romantic period, often represent towering mountain ranges, deep chasms, violent storms and seas, volcanic eruptions or avalanches which, if actually experienced, would be life threatening. Other themes relate to the epic and the supernatural as described in drama, poetry and fiction, for example, by Homer, Dante, Milton, Shakespeare, as well as more contemporary authors, such as Byron and Mary Shelley. Arguably the greatest source of the sublime for European art is the Bible, which begins with the creation of the world and ends with apocalypse and the Last Judgement. This display has been devised by curator Christine Riding.

Author: Declan Kavanagh
Publisher: Bucknell University Press
ISBN: 1611488257
Category : Literary Criticism
Languages : en
Pages : 269

View

Book Description
Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness. However, this book is not a literary analysis of the Wilkes affair in the 1760s, nor is it a linear account of Wilkes’s political career. Instead, Effeminate Years examines the cultural crisis of effeminacy that made Wilkes’s politicking so appealing. The central theoretical problem that this study addresses is the argument about what is and is not political: where does individual autonomy begin and end? Addressing this question, Kavanagh traces the shaping influence of the discourse of effeminacy in the literature that was generated by Wilkes’s legal and sexual scandals, while, at the same time, he also reads Wilkes’s spectacular drumming up of support as a timely exploitation of the broader cultural crisis of effeminacy during the mid century in Britain. The book begins with the scandals and agitations surrounding Wilkes, and ends with readings of Edmund Burke’s (1729-1797) earliest political writings, which envisage political community—a vision, that Kavanagh argues, is influenced by Wilkes and the effeminate years of the 1760s. Throughout, Kavanagh shows how interlocutors in the political and cultural debates of the mid-eighteenth-century period in Britain, such as Tobias Smollett (1721-1771) and Arthur Murphy (1727-1805), attempt to resolve the problem of effeminate excess. In part, the resolution for Wilkes and Charles Churchill (1731-1764) was to shunt effeminacy onto the sexually non-normative. On the other hand, Burke, in his aesthetic theorization of the beautiful privileges the socially constitutive affects of feeling effeminate. Through an analysis of poetry, fiction, social and economic pamphlets, aesthetic treatises, journalism and correspondences, placed within the latest queer historiography, Kavanagh demonstrates that the mid-century effeminacy crisis served to re-conceive male heterosexuality as the very mark of political legitimacy. Overall, Effeminate Years explores the development of modern ideas of masculinity and the political subject, which are still the basis of debate and argument in our own time.