Author: Edward MoorePublisher:
ISBN:
Category :
Languages : en
Pages : 324
Book Description
Studies in Dante. Fourth Series
Author: Edward MooreEnglish Studies Today. Fourth Series
Author: Publisher: Ed. di Storia e Letteratura
ISBN:
Category : Literature
Languages : en
Pages : 478
Book Description
Dante Encyclopedia
Author: Richard LansingPublisher: Routledge
ISBN: 1136849718
Category : History
Languages : en
Pages : 2067
Book Description
Available for the first time in paperback, this essential resource presents a systematic introduction to Dante's life and works, his cultural context and intellectual legacy. The only such work available in English, this Encyclopedia: brings together contemporary theories on Dante, summarizing them in clear and vivid prose provides in-depth discussions of the Divine Comedy, looking at title and form, moral structure, allegory and realism, manuscript tradition, and also taking account of the various editions of the work over the centuries contains numerous entries on Dante's other important writings and on the major subjects covered within them addresses connections between Dante and philosophy, theology, poetics, art, psychology, science, and music as well as critical perspective across the ages, from Dante's first critics to the present.
Catalogue of the Dante Collection Presented by Willard Fiske
Author: Cornell University. LibrariesPublisher:
ISBN:
Category :
Languages : en
Pages : 172
Book Description
Quarterly Booklist
Author: Pratt Institute. Free LibraryPublisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 394
Book Description
Co-operative Bulletin
Author: Pratt Institute. LibraryPublisher:
ISBN:
Category :
Languages : en
Pages : 592
Book Description
Ralph Waldo Emerson
Author: Dante
Author: Ernest Hatch WilkinsTHe Metaphysics of Dante's Comedy
Author: Christian MoevsPublisher: Oxford University Press
ISBN: 019988403X
Category : Religion
Languages : en
Pages : 321
Book Description
Dante's metaphysics--his understanding of reality--is very different from our own. To present Dante's ideas about the cosmos, or God, or salvation, or history, or poetry within the context of post-Enlightenment presuppositions, as is usually done, is thus to capture only imperfectly the essence of those ideas. The recovery of Dante's metaphysics is essential, argues Christian Moevs, if we are to resolve what has been called "the central problem in the interpretation of the Comedy ." That problem is what to make of the Comedy 's claim to the "status of revelation, vision, or experiential record--as something more than imaginative literature." In this book Moevs offers the first sustained treatment of the metaphysical picture that grounds and motivates the Comedy , and of the relation between those metaphysics and Dante's poetics. He carries this out through a detailed examination of three notoriously complex cantos of the Paradiso , read against the background of the Neoplatonic and Aristotelian tradition from which they arise. Moevs finds the key to the Comedy 's metaphysics and poetics in the concept of creation, which implies three fundamental insights into the nature of reality: 1) The world (finite being) is radically contingent, dependent at every instant on what gives it being. 2) The relation between the world and the ground of its being is non-dualistic. (God is not a thing, and there is nothing the world is "made of") 3) Human beings are radically free, unbound by the limits of nature, and thus can find all of time and space within themselves. These insights are the foundation of the pilgrim Dante's journey from the center of the world to the Empyrean which contains it. For Dante, in sum, what we perceive as reality, the spatio-temporal world, is a creation or projection of conscious being, which can only be known as oneself. Moevs argues that self-knowledge is in fact the keystone of the Aristotelian and Neoplatonic philosophical tradition, and the essence of the Christian revelation in which that tradition culminates. Armed with this new understanding, Moevs is able to shed light on a series of perennial issues in the interpretation of the Comedy . In particular, it becomes clear that poetry coincides with theology and philosophy in the poem: Dante poeta cannot be distinguished from Dante theologus .
Author: