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Author: John Alfred Scott Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 512
Book Description
"In Understanding Dante, Scott goes beyond simply explaining Dante's works and provides a detailed discussion of the medieval poet's writings. John A. Scott has given readers a comprehensive account of Dante's work that will be useful to new readers and Dante scholars alike. It contains a helpful chronology of the events in the poet's life and a short glossary of poetic forms." --Magill Book Reviews
Author: John Alfred Scott Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 512
Book Description
"In Understanding Dante, Scott goes beyond simply explaining Dante's works and provides a detailed discussion of the medieval poet's writings. John A. Scott has given readers a comprehensive account of Dante's work that will be useful to new readers and Dante scholars alike. It contains a helpful chronology of the events in the poet's life and a short glossary of poetic forms." --Magill Book Reviews
Author: Brenda Deen Schildgen Publisher: University of Illinois Press ISBN: 9780252027130 Category : Literary Criticism Languages : en Pages : 194
Book Description
"In Dante and the Orient, Schildgen argues that Dante's treatment of the East enabled him to use the rhetoric employed in crusade narratives and other travel literature to oppose the military and polemic goals of the Crusades and to plead for the reformation of both church and state."--BOOK JACKET.
Author: Amilcare A. Iannucci Publisher: University of Toronto Press ISBN: 9780802077363 Category : Literary Criticism Languages : en Pages : 334
Book Description
The essays in this volume probe current critical assumptions about the celebrated Italian poet, literary theorist, moral philosopher, political theorist.
Author: Simone Marchesi Publisher: University of Toronto Press ISBN: 1442642106 Category : Literary Criticism Languages : en Pages : 273
Book Description
At several junctures in his career, Dante paused to consider what it meant to be a writer. The questions he posed were both simple and wide-ranging: How does language, in particular 'poetic language,' work? Can poetry be translated? What is the relationship between a text and its commentary? Who controls the meaning of a literary work? In Dante and Augustine, Simone Marchesi re-examines these questions in light of the influence that Augustine's reflections on similar issues exerted on Dante's sense of his task as a poet. Examining Dante's life-long dialogue with Augustine from a new point of view, Marchesi goes beyond traditional inquiries to engage more technical questions relating to Dante's evolving ideas on how language, poetry, and interpretation should work. In this engaging literary analysis, Dante emerges as a versatile thinker, committed to a radical defence of poetry and yet always ready to rethink, revise, and rewrite his own positions on matters of linguistics, poetics, and hermeneutics.
Author: Amilcare A. Iannucci Publisher: University of Toronto Press ISBN: 9780802088277 Category : Performing Arts Languages : en Pages : 268
Book Description
The Divine Comedy of Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television. Dante, Cinema, and Television corrects this oversight. The essays, from a broad range of disciplines, cover the influence of the Divine Comedy from cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television. Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
Author: Robert M. Durling Publisher: Univ of California Press ISBN: 0520378725 Category : Literary Criticism Languages : en Pages : 501
Book Description
The Rime petrose, Dante's powerful lyrics about a woman as beautiful and as hard as a precious stone, are generally acknowledged to be an important moment in his stylistic development. In this full-length investigation of the poetics of the petrose and of their relation to TheDivine Comedy, Robert M. Durling and Ronald L. Martinez uncover new material, especially from medieval science (astrology and mineralogy), philosophy, and theology. The authors argue that the Rime petrose represent a major turning point in Dante's conception of a "microcosmic poetics" that became the fundamental mode of the Commedia. They demonstrate how Dante here attempts his first full account of his relation to the universe as a whole. This work offers many insights into the intrinsic significance of these remarkable poems and their place in Dante's development. Especially far-reaching are the implications for the interpretation of TheDivine Comedy.Time and the Crystal will interest not only students of Dante but also intellectual historians, historians of science, students of poetics and poetic theory, and all those interested in medieval literature. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand
Author: George Corbett Publisher: Open Book Publishers ISBN: 1783741724 Category : Literary Criticism Languages : en Pages : 290
Book Description
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
Author: George Corbett Publisher: Open Book Publishers ISBN: 1783742569 Category : Literary Criticism Languages : en Pages : 291
Book Description
This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Author: Guy P. Raffa Publisher: Harvard University Press ISBN: 0674980832 Category : Biography & Autobiography Languages : en Pages : 385
Book Description
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.