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Sustaining Musical Instruments / Food and Instrumental Music

Sustaining Musical Instruments / Food and Instrumental Music PDF Author: Gisa Jähnichen
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832553193
Category : Music
Languages : en
Pages : 284

Book Description
This 7th volume of SIMP is dedicated to two large themes that were discussed in the last Study Group Symposium held online and arranged by the Music Faculty of the University of the Visual and Performing Arts, Colombo, Sri Lanka, in March 2021: ``Re-invention and Sustainability of Musical Instruments'' and ``Instrumental Music and Food''. Thirteen contributions were compiled in this volume relating to the first theme, while seven contributions were chosen to represent the second. The first part of the contributions illustrates that musical instruments have a long and regionally intertwined history. Often it is hard to say who invented a specific type first as well as to answer if musical instruments were used symbolically or supported in any way supported regional cultural aspects, or what feature of musical instruments had the strongest impact on local developments. The last seven contributions deal with various phenomena such as banquet music, ritual music and food offerings, instrumental ambience music, and festivals.

Sustaining Musical Instruments / Food and Instrumental Music

Sustaining Musical Instruments / Food and Instrumental Music PDF Author: Gisa Jähnichen
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832553193
Category : Music
Languages : en
Pages : 284

Book Description
This 7th volume of SIMP is dedicated to two large themes that were discussed in the last Study Group Symposium held online and arranged by the Music Faculty of the University of the Visual and Performing Arts, Colombo, Sri Lanka, in March 2021: ``Re-invention and Sustainability of Musical Instruments'' and ``Instrumental Music and Food''. Thirteen contributions were compiled in this volume relating to the first theme, while seven contributions were chosen to represent the second. The first part of the contributions illustrates that musical instruments have a long and regionally intertwined history. Often it is hard to say who invented a specific type first as well as to answer if musical instruments were used symbolically or supported in any way supported regional cultural aspects, or what feature of musical instruments had the strongest impact on local developments. The last seven contributions deal with various phenomena such as banquet music, ritual music and food offerings, instrumental ambience music, and festivals.

The Tangible in Music

The Tangible in Music PDF Author: Marko Aho
Publisher: Routledge
ISBN: 1315526999
Category : Music
Languages : en
Pages : 194

Book Description
In the age of digital music it seems striking that so many of us still want to produce music concretely with our bodies, through the movement of our limbs, lungs and fingers, in contact with those materials and objects which are capable of producing sounds. The huge sales figures of musical instruments in the global market, and the amount of time and effort people of all ages invest in mastering the tools of music, make it clear that playing musical instruments is an important phenomenon in human life. By combining the findings made in music psychology and performative ethnomusicology, Marko Aho shows how playing a musical instrument, and the pleasure musicians get from it, emerges from an intimate dialogue between the personally felt body and the sounding instrument. An introduction to the general aspects of the tactile resources of musical instruments, musical style and the musician is followed by an analysis of the learning process of the regional kantele style of the Perho river valley in Finnish Central Ostrobothnia.

Imago Musicae, Volume III

Imago Musicae, Volume III PDF Author: Tilman Seebass
Publisher: Duke University Press
ISBN: 9780822307235
Category : Art
Languages : en
Pages : 232

Book Description
Each volume in this series for the study of pictorial documents on musical subjects contains articles, a catalog (published in installments) devoted to the complete documentation of specific sources, and an annual bibliography that bridges the gap between the bibliographies in art history and musicology.

The Garland Encyclopedia of World Music

The Garland Encyclopedia of World Music PDF Author: Timothy Rice
Publisher: Routledge
ISBN: 1351544268
Category : Music
Languages : en
Pages : 1174

Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Ethnomusicology

Ethnomusicology PDF Author: Helen Myers
Publisher: W. W. Norton & Company
ISBN: 9780393033786
Category : Alm
Languages : en
Pages : 578

Book Description
Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.

Imago Musicae

Imago Musicae PDF Author: Tilman Seebass
Publisher: Duke University Press
ISBN: 9780822304616
Category : Art
Languages : en
Pages : 302

Book Description
Each volume in this series for the study of pictorial documents on musical subjects contains articles, a catalog (published in installments) devoted to the complete documentation of specific sources, and an annual bibliography that bridges the gap between the bibliographies in art history and musicology.

The Harvard Dictionary of Music

The Harvard Dictionary of Music PDF Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 0674417992
Category : Music
Languages : en
Pages : 1020

Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.

A History of Stringed Keyboard Instruments

A History of Stringed Keyboard Instruments PDF Author: Stewart Pollens
Publisher:
ISBN: 1108421997
Category : Music
Languages : en
Pages : 595

Book Description
The first comprehensive technical and historical study of stringed keyboard instruments from their fourteenth-century origins to modern times.

The Cambridge Companion to the Violin

The Cambridge Companion to the Violin PDF Author: Robin Stowell
Publisher: Cambridge University Press
ISBN: 9780521399234
Category : Music
Languages : en
Pages : 326

Book Description
Enth. S.1 - 29: The violin and bow - origins and development / John Dilworth

European Voices III

European Voices III PDF Author: Ardian Ahmedaja
Publisher: Böhlau Verlag Wien
ISBN: 3205205138
Category : Music
Languages : en
Pages : 358

Book Description
Local multipart music practices are based on the intentionally distinct and coordinated participation of music makers in the performing act. Following the rules of interaction while promoting at the same time their personal goals, the protagonists share their own treasure trove of experiences and cultural affiliations and shape sounds and values. Such complex and dynamic processes are central to the investigations of instrumentation and instrumentalization of sound.