Author: Andrea Di TommasoPublisher:
ISBN:
Category :
Languages : en
Pages : 292
Book Description
Structure and Ideology in Boiardo's Orlando Innamorato
Author: Andrea Di TommasoStructure and Ideology in Boiardo's 'Orlando Innamorato'.
Author: Structure and Ideology in Boiardo's Orlando Innamorato
Author: Boiardo's Orlando Innamorato
Author: Jo Ann CavalloPublisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635346
Category : Chivalry in literature
Languages : en
Pages : 238
Book Description
Jo Ann Cavallo challenges the traditional tendency to view the Orlando Innamorato as "pure entertainment" and argues instead that the poem embodies the principal elements of fifteenth-century Humanist poets.
Orlando Innamorato
Author: Matteo Maria BoiardoPublisher: Parlor Press LLC
ISBN: 1932559108
Category : Poetry
Languages : en
Pages : 719
Book Description
Like Ariosto’s Orlando Furioso and Tasso’s Jerusalem Delivered, Boiardo’s chivalric stories of lords and ladies first entertained the culturally innovative court of Ferrara in the Italian Renaissance. Inventive, humorous, inexhaustible, the story recounts Orlando’s love-stricken pursuit of “the fairest of her Sex, Angelica” (in Milton’s terms) through a fairyland that combines the military valors of Charlemagne’s knights and their famous horses with the enchantments of King Arthur’s court.Today it seems more than ever appropriate to offer a new, unabridged edition of Boiardo’s Orlando Innamorato, the first Renaissance epic about the common customs of, and the conflicts between, Christian Europe and Islam. Having extensively revised his earlier translation for general readers, Charles Ross has added headings and helpful summaries to Boiardo’s cantos. Tenses have been regularized, and terms of gender and religion have been updated, but not so much as to block the reader’s encounter with how Boiardo once viewed the world.
Matteo Maria Boiardo
Author: Publisher: Biblioteca di Quaderni d’italianistica
ISBN: 9780920050941
Category : Literary Criticism
Languages : en
Pages : 146
Book Description
The Romance Epics of Boiardo, Ariosto, and Tasso
Author: Jo Ann CavalloPublisher: University of Toronto Press
ISBN: 9780802089151
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
In The Romance Epics of Boiardo, Ariosto, and Tasso, Jo Ann Cavallo attempts a new interpretation of the history of the renaissance romance epic in northern Italy, focusing on the period's three major chivalric poets. Cavallo challenges previous critical assumptions about the trajectory of the romance genre, especially regarding questions of creative imitation, allegory, ideology, and political engagement. In tracing the development of the romance epic against the historical context of the Ferrarese court and the Italian peninsula, Cavallo moves from a politically engaged Boiardo, whose poem promotes the tenets of humanism, to an individualistic Tasso, who opposed the repressive aspects of the counter-reformation culture he is often thought to represent. Ariosto is read from the vantage of his predecessor Boiardo, and Cavallo describes his cynicism and later mellowing attitude toward the real-world relevance of his and Boiardo's fiction. The Romance Epics of Boiardo, Ariosto, and Tasso is the first critical study to bring together the three poets in a coherent vision that maps changes while uncovering continuities.
Selections from Boiardo's Orlando Innamorato
Author: Mark StaeblerThe Cambridge History of Italian Literature
Author: Peter BrandPublisher: Cambridge University Press
ISBN: 9780521434928
Category : Literary Criticism
Languages : en
Pages : 748
Book Description
'There is no doubt that the present splendid volume ... is likely to remain unrivalled for many years to come for width of coverage, richness of detail, and elegance of presentation.' Modern Language Reviews
Trade and Romance
Author: Michael MurrinPublisher: University of Chicago Press
ISBN: 022607160X
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
In Trade and Romance, Michael Murrin examines the complex relations between the expansion of trade in Asia and the production of heroic romance in Europe from the second half of the thirteenth century through the late seventeenth century. He shows how these tales of romance, ostensibly meant for the aristocracy, were important to the growing mercantile class as a way to gauge their own experiences in traveling to and trading in these exotic locales. Murrin also looks at the role that growing knowledge of geography played in the writing of the creative literature of the period, tracking how accurate, or inaccurate, these writers were in depicting far-flung destinations, from Iran and the Caspian Sea all the way to the Pacific. With reference to an impressive range of major works in several languages—including the works of Marco Polo, Geoffrey Chaucer, Matteo Maria Boiardo, Luís de Camões, Fernão Mendes Pinto, Edmund Spenser, John Milton, and more—Murrin tracks numerous accounts by traders and merchants through the literature, first on the Silk Road, beginning in the mid-thirteenth century; then on the water route to India, Japan, and China via the Cape of Good Hope; and, finally, the overland route through Siberia to Beijing. All of these routes, originally used to exchange commodities, quickly became paths to knowledge as well, enabling information to pass, if sometimes vaguely and intermittently, between Europe and the Far East. These new tales of distant shores fired the imagination of Europe and made their way, with surprising accuracy, as Murrin shows, into the poetry of the period.