Structural Novelty and Tradition in the Early Romantic Piano Concerto PDF Download
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Author: Stephan D. Lindeman Publisher: Pendragon Press ISBN: 9781576470008 Category : Juvenile Nonfiction Languages : en Pages : 368
Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Stephan D. Lindeman Publisher: Pendragon Press ISBN: 9781576470008 Category : Juvenile Nonfiction Languages : en Pages : 368
Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author: David Carson Berry Publisher: Pendragon Press ISBN: 9781576470954 Category : Juvenile Nonfiction Languages : en Pages : 610
Book Description
To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Author: Julian Horton Publisher: Cambridge University Press ISBN: 1316512584 Category : Music Languages : en Pages : 219
Book Description
Offers an introduction to one of the most important and influential piano concertos in the history of Western music. It combines an account of the work's genesis with a detailed yet accessible analysis of each movement and new research into its reception and performance history.
Author: Stephan D. Lindeman Publisher: Taylor & Francis ISBN: 0415976197 Category : Music Languages : en Pages : 666
Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Luca Lévi Sala Publisher: Routledge ISBN: 1351800884 Category : Music Languages : en Pages : 258
Book Description
Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.
Author: Benedict Taylor Publisher: Cambridge University Press ISBN: 1009178490 Category : Music Languages : en Pages : 381
Book Description
The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-defined. Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and its effect on us. We may not be exactly sure what subjectivity is, but much of the reception of Western music over the last two centuries is premised upon it. Music, Subjectivity, and Schumann offers a critical examination of the notion of musical subjectivity and the first extended account of its applicability to one of the composers with whom it is most closely associated. Adopting a fluid and multivalent approach to a topic situated at the intersection of musicology, philosophy, literature, and cultural history, it seeks to provide a critical refinement of this idea and to elucidate both its importance and limits.
Author: Matthew Head Publisher: Cambridge University Press ISBN: 110848915X Category : Music Languages : en Pages : 375
Book Description
Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.
Author: Stephan D. Lindeman
Author: Stephan D. Lindeman
Author: David Carson Berry
Author: Julian Horton
Author: Stephan D. Lindeman
Author: Joe Davies
Author: Luca Lévi Sala
Author: Benedict Taylor
Author: Matthew Head
Author: Simon P. Keefe
Author: Steven Vande Moortele