Author: Franz Christoph NeubauerPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
String Quartet, Op. 3, No. 3
Author: Franz Christoph NeubauerPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
String Quartet Op. 3
Author: String Quartet, Op. 3 (1967-1968)
Author: Stephen DanknerStreichquartett. String quartet. Op. 3
Author: Alban BergPublisher:
ISBN:
Category : String quartets
Languages : en
Pages : 40
Book Description
String Quartet,op.3
Author: Alban BergString Quartet No. 77 in C Major, Opus 76, No. 3
Author: Franz Joseph HaydnPublisher: Alfred Music
ISBN: 9781457468384
Category : Music
Languages : en
Pages : 36
Book Description
Franz Joseph Haydn's String Quartet No 77 in C Major, Op. 76, No. 3 is composed for string quartet.
String Quartet, Op. 3
Author: A. - 2 BergThree String Quartets, Op. 150
Author: Ferdinand RiesPublisher: A-R Editions, Inc.
ISBN: 1987208307
Category : Music
Languages : en
Pages : 191
Book Description
Though often remembered primarily for his published recollections about his famous teacher Beethoven, Ferdinand Ries (1784–1838) was an accomplished composer in his own right. Among his many works are twenty-seven string quartets composed between the years of 1795 and 1834. His Three String Quartets, Op. 150, first published by Nikolaus Simrock in Bonn in 1828, evince his considerable imagination and skill. While these quartets borrow elements from the then-popular quatuor brillant style, Ries’s careful attention to motivic organization and polyphonic writing elevates these works to a higher level of artistic sophistication. While technically brilliant writing for the first violin remains at the forefront in Quartet no. 3, Quartets nos. 1 and 2 reveal more complex formal processes and better integration of their virtuosic first violin parts. In this volume, Quartets nos. 1 and 3 have been carefully edited based on the composer’s autographs, while Quartet no. 2, the autograph of which is now lost, is based on the original Simrock print.
The String Quartet, 1750–1797
Author: Mara ParkerPublisher: Routledge
ISBN: 1351540289
Category : Music
Languages : en
Pages : 330
Book Description
The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin-dominated homophony to a more equal conversation between the four voices. Yet this progression was neither as smooth nor as linear as previously thought, as Mara Parker illustrates in her examination of the string quartet during this period. Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.
String quartets, op. 17
Author: Joseph HaydnPublisher: Courier Corporation
ISBN: 0486413942
Category : Music
Languages : en
Pages : 131
Book Description
In the course of a 50-year period, Haydn composed some 80 string quartets, whose range and variety of structural invention rank second only to those of Beethoven. This fine new anthology consists of the six pieces known collectively as Op. 17: String Quartet in E Major, Op. 17, No. 1; String Quartet in F Major, Op. 17, No. 2; String Quartet in E-flat Major, Op. 17, No. 3, and three other pieces.