Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Quartette, Vl 1 2 Va Vc KV 465
Author: Wolfgang Amadeus MozartString Quartet No. 19 in C K465 "dissonance
Author: Wolfgang A. MozartString Quartet No.19 in C Major, K.465
Author: Best-loved string quartets
Author: Wolfgang Amadeus MozartPublisher: Courier Corporation
ISBN: 0486474984
Category : Music
Languages : en
Pages : 83
Book Description
These three-movement Italian-style compositions require only wind parts to assume another form, hence their common description as the "Salzburg Symphonies." This authoritative, inexpensive edition of the ever-popular composer's works includes three additional quartets.
Romantic Violin Performing Practices
Author: David MilsomPublisher: Boydell & Brewer
ISBN: 1783275278
Category : Music
Languages : en
Pages : 337
Book Description
What are the key topics that define Romantic violin playing?
Graphic Music Analysis
Author: Eric WenPublisher: Rowman & Littlefield
ISBN: 1538104679
Category : Music
Languages : en
Pages : 390
Book Description
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Potpourri
Author: Maurice SiegelPublisher: Xlibris Corporation
ISBN: 1543429262
Category : Poetry
Languages : en
Pages : 624
Book Description
What is a word? I mean to that brain of ours, a sound distinctly different from tree branches in motion or those of leaves hanging down uncertain what to do next. We get simple instructions from tree noises except for getting out of the way should one of them collapse. Not much information was gathered after a life of staring up at trees in awe, not even a smile. The reason is obvious. We have to be told what a word is when struck on the ears for the first time, generally intended to identify some object that can bring danger or caring or usefulness. After that identification, its clear sailing. The word grows like the tree does, with additional information tacked on to get you to laugh or cry or shrug or wonder or turn away unconcerned. Unless the word is attached to other words, words lurking about that can be hooked up with ease. Something new will happen. The mind can become busy directing the body to cause something to come about. Something to come about comes in two sizes. The one size we know the best is an action to change what is around our body, directed by needs and wants. It is the second one coming about that has no outward change of body direction but does something special to the mind as to be carried around by that mind for a lifetime, if not longer. It is an amazing sense of ones feelings without motion to the body, rising out of words clustered together in certain ways that words can come together. This miracle of the human animal creates the feelings of a satisfaction never to be known to any other of the animals also fighting for survival. This sensation strikes deeply within oneself and is called by names we all recognize. There is poetry, prose, and plays to mention the few that bring me to a sense of emotion that otherwise would lie forever dormant in the rush through lifes practical requiring needs to keep oneself available for more gathering up of practical needs. My break with that cycle, as life permitted, is what is expressed, as best as I could, in this book as I wandered in and out of one act, plays, poems, and essays, all discoveries I had a chance to taste while the tasting was good.
A Concise Guide to Understanding Music
Author: Graham WadePublisher: Mel Bay Publications
ISBN: 1609742826
Category : Music
Languages : en
Pages : 193
Book Description
A Concise Guide to Understanding Music offers guidance on many aspects of musical form, the creative concepts of major composers over the centuries, and developments ranging from early notation to the present day. the book is profusely illustrated and also contains an extensive bibliography as well as detailed lists of compositions for the reader to listen to and enjoy. for those who wish to understand more about all kinds of music, this is the book to help you.
Making Light
Author: Raymond KnappPublisher: Duke University Press
ISBN: 0822372401
Category : Music
Languages : en
Pages : 226
Book Description
In Making Light Raymond Knapp traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. Knapp identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp—a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience—that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, Knapp outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, Knapp remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
The Music Sound
Author: Nicolae SfetcuPublisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.