Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : String quartets
Languages : en
Pages : 36
Book Description
String Quartet No. 19 (6) in C Major, K.465
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : String quartets
Languages : en
Pages : 36
Book Description
String Quartet No.19 in C Major, K.465
Author: String quartet no. 19 (6) in C major, K 465
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : String quartets
Languages : ro
Pages : 44
Book Description
Graphic Music Analysis
Author: Eric WenPublisher: Rowman & Littlefield
ISBN: 1538104679
Category : Music
Languages : en
Pages : 390
Book Description
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Quartette, Vl 1 2 Va Vc KV 465
Author: Wolfgang Amadeus MozartString Quartet No. 19 in C K465 "dissonance
Author: Wolfgang A. MozartComplete String Quartets
Author: Wolfgang Amadeus MozartPublisher: Courier Corporation
ISBN: 0486317129
Category : Music
Languages : en
Pages : 286
Book Description
This single volume study score contains all 23 of Mozart's string quartets: the little-known early quartets in an Italianate manner; the six quartets dedicated to Haydn; the D Major Quartet; and more.
Playing with Signs
Author: V. Kofi AgawuPublisher: Princeton University Press
ISBN: 0691273626
Category : Music
Languages : en
Pages : 249
Book Description
An award-winning account of the importance of semiotic play in Classic instrumental music, including that of Mozart, Haydn, and Beethoven Of all the repertories of Western Art music, none is as explicitly listener-oriented as that of the late eighteenth and early nineteenth centuries. Yet few attempts to analyze the so-called Classic Style have embraced the semiotic implications of this fact. In Playing with Signs, Kofi Agawu proposes a listener-oriented theory of Classic instrumental music that encompasses its two most fundamental communicative dimensions: expression and structure. Units of expression, defined in reference to topoi, are shown here to interact with, confront, and merge into units of structure, defined in terms of the rhetorical conventions of beginning, continuing, and ending. The book draws on examples from works by Mozart, Haydn, and Beethoven to show that the explicitly referential, even theatrical, surface of Classic music derives from a play with signs. Although addressed primarily to readers interested in musical analysis, the book opens fruitful avenues for further research into musical semiotics, aesthetics, and Classicism.
The National Union Catalog, Pre-1956 Imprints
Author: The Music Sound
Author: Nicolae SfetcuPublisher: Nicolae Sfetcu
ISBN:
Category : Music
Languages : en
Pages : 6042
Book Description
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.