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Author: Sylvia Black Publisher: Sylvia Black ISBN: 035989321X Category : Poetry Languages : en Pages : 91
Book Description
The poems that I wrote in NYC in this book were “I Had a Dream”, “Spider, Spider”, “The Follies of a False Façade” “When Men Look Into My Eyes”, “The Plantation”, “Street Corner Blues, subtitled Motherless Chile’”, “You Say You Fed Up, I Say Shut Up!”, “Black Power”, “I Had A Dream”, and “The Plantation”. The rest of the poems in this book were written by me after I relocated to Buffalo, NY. CD and DVD in works in progress so you can listen to these poems on CD with a backdrop of negro spirituals being sung so sweetly and in 3 part harmony in the background. Or watch it on DVD, My youtube channel is sblack3001 you can message me there.
Author: Sylvia Black Publisher: Sylvia Black ISBN: 035989321X Category : Poetry Languages : en Pages : 91
Book Description
The poems that I wrote in NYC in this book were “I Had a Dream”, “Spider, Spider”, “The Follies of a False Façade” “When Men Look Into My Eyes”, “The Plantation”, “Street Corner Blues, subtitled Motherless Chile’”, “You Say You Fed Up, I Say Shut Up!”, “Black Power”, “I Had A Dream”, and “The Plantation”. The rest of the poems in this book were written by me after I relocated to Buffalo, NY. CD and DVD in works in progress so you can listen to these poems on CD with a backdrop of negro spirituals being sung so sweetly and in 3 part harmony in the background. Or watch it on DVD, My youtube channel is sblack3001 you can message me there.
Author: Sylvia Black Publisher: Sylvia Black ISBN: 1078775761 Category : Poetry Languages : en Pages : 61
Book Description
Love poems like ONE LONELY DAY, and WHENEVER YOU FEEL LONELY, You’re on My Mind. and erotic love poems like Sweet Cherry Kisses, “SUGAR AND SPICE”., FREAKY NASTY BOY (which is a R&B hip hop rap song, I NEEDS ME A HANDYMAN which is a blues love song also, I AM YOUR HANDYMAN?. Just Give Me The Dick is a blues song also, and other love poems like IF I CAN’T SELL IT I’MO SIT ON IT ‘CAUSE I AIN’T GIVIN’ IT AWAY., or THE WOMAN WITH 8 ASSES. I had a lot of fun writing these poems and I hope it will bring just as much excitement into your love life as it has in mine.
Author: Greg Alan Brownderville Publisher: Northwestern University Press ISBN: 0810152215 Category : Poetry Languages : en Pages : 138
Book Description
Irresistible in its color and momentum, Greg Alan Brownderville's debut collection explores the competing mysticisms of his boyhood: the Voudou of his native Arkansas Delta and the Pentecostalism embodied by his devil-hunting pastor, Brother Langston. On the one hand, "gust" sonically suggests "ghost," and wind is a metaphor for inspiration and the Holy Spirit. On the other hand, "gust" suggests urge and pleasure, especially of the gastronomic variety, thus evoking the body. Brownderville commands the complex eloquence of Southerners who love not only local color but also high-flown rhetoric. Instead of reinforcing stereotypes about rural folks' thought and speech, he challenges our assumptions by presenting real life as a festival of mixed diction. Church, as Brownderville enacts it, both quickens and forbids the erotic, whose lightning flashes and crashes everywhere in these poems. Highlights include a press conference with a bizarrely poetic rural sheriff, a Zimbabwean meter never before employed in English, a rock and roll song interrupted by a Walmart intercom, and poems about the exploitation of Italians in Arkansas cotton fields. At once evoking Yeats and Whitman, Gust recovers the dramatic mode often neglected in contemporary American poetry. Brownderville's uncanny lyricism storms through stories that are both moving and humorous.
Author: George Elliott Clarke Publisher: Wilfrid Laurier Univ. Press ISBN: 1554582342 Category : Poetry Languages : en Pages : 87
Book Description
Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet—these are but some of the voices of George Elliott Clarke. In a selection of Clarke’s best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentino’s introduction focuses on this polyphony, his influences—Derek Walcott, Amiri Baraka, and the canon of literary English from Shakespeare to Yeats—and his “voice throwing,” and shows how the intersections here produce a “troubling” of language. He sketches Clarke’s primary interest in the negotiation of cultural space through adherence to and revision of tradition and on the finding of a vernacular that begins in exile, especially exile in relation to African-Canadian communities. In the afterword, Clarke, in an interesting re-spin of Fiorentino’s introduction, writes with patented gusto about how his experiences have contributed to multiple sounds and forms in his work. Decrying any grandiose notions of theory, he presents himself as primarily a songwriter.
Author: Anthony Reed Publisher: Duke University Press ISBN: 147801279X Category : Music Languages : en Pages : 169
Book Description
In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958–1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed’s term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes’s collaboration with Charles Mingus, Amiri Baraka’s work with the New York Art Quartet, Jayne Cortez’s albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes.
Author: Avron Levine White Publisher: Routledge ISBN: 1317227794 Category : Music Languages : en Pages : 244
Book Description
This collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.
Author: Cherene Sherrard-Johnson Publisher: John Wiley & Sons ISBN: 1118494067 Category : Literary Criticism Languages : en Pages : 496
Book Description
A Companion to the Harlem Renaissance presents a comprehensive collection of original essays that address the literature and culture of the Harlem Renaissance from the end of World War I to the middle of the 1930s. Represents the most comprehensive coverage of themes and unique new perspectives on the Harlem Renaissance available Features original contributions from both emerging scholars of the Harlem Renaissance and established academic “stars” in the field Offers a variety of interdisciplinary features, such as the section on visual and expressive arts, that emphasize the collaborative nature of the era Includes “Spotlight Readings” featuring lesser known figures of the Harlem Renaissance and newly discovered or undervalued writings by canonical figures
Author: Radomir Vojtech Luza Publisher: Christian Faith Publishing, Inc. ISBN: 1642581127 Category : Poetry Languages : en Pages : 119
Book Description
In the underground urban landscape each of us finds ourselves in these uncertain days, bleakness, loneliness, and cavities of the soul are most prevalent. We feel like cages and boxes, steel and cardboard. We act like cobras and rats. Not because we want to, but because we think we have no choice. In the red-streak alarm America of today, sidewalks and street corners are the most potent and pregnant reminders of that emptiness. We forget what, where, and how we traversed and what each space looks like because we are taught from grade school to concentrate on the important matters in our lives. But how can you tell what is significant if you cannot comprehend what is not? How can existence flourish if one does not extend the same feelings and sensitivity to the darker and more ambivalent entities as to those lighter, more meaningful and clear? In the end, sidewalks and street corners are part of our daily lives. If they do anything, these poems capture the spirit of that cement, mortar, brick, and asphalt to offer a collection rich in voice and virtue and loud in ambiance and indigo. It is the dust, rust, dirt, and density of sidewalks and street corners that we often forget. This poetry, this very verse, then, is a sign of those staunch road blocks and hurdles in our everyday lives. But most importantly, it is also an answer or solution as to how to overcome or clear the very mental obstacles that are preventing us from achieving all that we can while waking to the brightest sun and falling asleep to the mildest moon.
Author: Nicholas Frankovich Publisher: Columbia University Press ISBN: 9780231112345 Category : Literary Criticism Languages : en Pages : 328
Book Description
Responding to the enormous interest in African-American literature, Columbia University Press is publishing a Granger's(R) index devoted exclusively to poetry by African-Americans. To compile the Index to African-American Poetry, a team of consultants indentified the best, most widely available anthologies and volumes of collected and selected works. The result: this new index includes more than 11,000 poems by 659 poets.
Author: Sylvia Black 
Author: Sylvia Black 
Author: Sylvia Black
Author: Greg Alan Brownderville
Author: George Elliott Clarke
Author: Anthony Reed
Author: Avron Levine White
Author: Cherene Sherrard-Johnson
Author: Radomir Vojtech Luza
Author: Nicholas Frankovich
Author: Miriam Thaggert