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Author: Pedro Soares Neves Publisher: Createspace Independent Publishing Platform ISBN: 9781540732026 Category : Languages : en Pages : 78
Book Description
After the Lisbon Street Art & Urban Creativity International Conference and book publishing in 2014, Seminar and Volume 1 (numbers 1 and 2) of the Street Art & Urban Creativity Scientific Journal (in 2015), the quality, quantity and originality of contributions from distinctive disciplinary fields, confirm the pertinence and relevance of our collective ongoing work. For the 2016 open call we invited contributions from all disciplines to discuss the tensions and complementarities of Center, Periphery, Theory and Practice, as concepts and as concrete characteristics of the Street Art & Urban Creativity research topic. What makes it distinct to be in the center or in the periphery of the urban context, of the practice or theory? How the approach from the practitioners, the art critics, the bloggers, the followers, contact the academic research and scientific approach? This are examples of the kind of issues that we were looking for to be addressed. The 2016 edition, volume 2, is composed by 2 numbers, number 1 "Center, Periphery: Practice" and number 2 "Center, Periphery: Theory." The number 1, addresses Center and Periphery issues of practical nature, texts directly related with authors and pieces, including distinct cities, and supports of creation such as photo and video, here's also included a very useful and of practice nature article about research ethics.
Author: Pedro Soares Neves Publisher: Createspace Independent Publishing Platform ISBN: 9781540732026 Category : Languages : en Pages : 78
Book Description
After the Lisbon Street Art & Urban Creativity International Conference and book publishing in 2014, Seminar and Volume 1 (numbers 1 and 2) of the Street Art & Urban Creativity Scientific Journal (in 2015), the quality, quantity and originality of contributions from distinctive disciplinary fields, confirm the pertinence and relevance of our collective ongoing work. For the 2016 open call we invited contributions from all disciplines to discuss the tensions and complementarities of Center, Periphery, Theory and Practice, as concepts and as concrete characteristics of the Street Art & Urban Creativity research topic. What makes it distinct to be in the center or in the periphery of the urban context, of the practice or theory? How the approach from the practitioners, the art critics, the bloggers, the followers, contact the academic research and scientific approach? This are examples of the kind of issues that we were looking for to be addressed. The 2016 edition, volume 2, is composed by 2 numbers, number 1 "Center, Periphery: Practice" and number 2 "Center, Periphery: Theory." The number 1, addresses Center and Periphery issues of practical nature, texts directly related with authors and pieces, including distinct cities, and supports of creation such as photo and video, here's also included a very useful and of practice nature article about research ethics.
Author: Pedro Soares Neves Publisher: Vol.4 ISBN: 9781793262547 Category : Art Languages : en Pages : 144
Book Description
After Urban Creativity Lisbon activities (5,6 and 7 of July 2018) here is presented the 4th Volume of SAUC Journal, reaching other audiences and building an ongoing trajectory of recognition aimed to the highest standards, not only academic and or institutional, but above all production and practice-oriented. The 2018 activities thematic "about time" aimed the objective of problematizing the chronological constraints of street art, graffiti, and urban creativity in general. Reinforcing the idea of the atemporal, potentially interpreted as something indissociable of human nature, linking 30000 old archeological findings with today. This issue 1, "Changing times: Tactics" gathers contributes about the Displacement of the Street Art Aesthetic (OSGEMEOS in the white cube), looking at a City-wide Art Gallery or The Pixed City the Body-Landscape, Aesthetics of Change with Multiculturalism. Also Sustainable Graffiti Management Solutions for Public Areas and street art and Copyright hard areas of approach. And more soft approaches (based on human sciences) on and Against Street Signs: On Art Made out of Street Signs, Work and play, in Line or within Graffiti-Writing traditions and Street Art innovations. Visioning with the posturban paradigm and where street art and graffiti are not (going to be), the evolution of Halls of Fame, and as a statement: No Tags. No Masterpieces, but also the duality of Image versus writing: from post-graffiti and murals' assault to graffiti's scriptural riposte. Also Graffiti as a catalyst of individual creativity and more broad contents about Documenting graffiti culture. All brave Paths also documenting Graffiti on trains, photography and Subterráneos.With contributions from Germany, Iran, Brazil, Australia, UK, Spain, Italy, Ukraine, Austria, Portugal, and France.
Author: Pedro Soares Neves Publisher: ISBN: Category : Languages : en Pages : 120
Book Description
We place here in discussion the maturity of the academic and pedagogical field that graffiti, urban and street art, urban creativity constitute. It's in fact identified a consistency of knowledge and structure of thought in the several disciplinary areas. As we are convinced that this trend will continue in multiple forms including experimental ones bridging theory and practice, here's the result of the invite for participation in this reflection.Here is also combined the conference outcomes. There were two main results to achieve during the dialogues of the 2020 online conference. One was to observe the maturity of the academic and pedagogical field that graffiti, urban and street art, well, urban creativity in general have. On the 2020 conference was in fact proven that the consistency of knowledge and structure of thought in the several disciplinary areas regarding the urban creativity topics, are giving way to multiple approaches to classes integrated in master courses, informing the teaching of art historians, the work of designers, and research of cognitive scientists and educators. It was evident that this trend will continue in multiple forms including experimental ones bridging theory and practice, sometimes inverting the role of researchers and authors, but always enlarging audiences, practitioners and studious.The second main result was to observe how the relation evolved between UX and Urban Creativity topics, and the result was fantastic. This observations originated one article that will be published on the UXUC Journal.Urban Creativity User Experience Online Conference 9, 10 and 11 July 2020, 31 presenters 99, participants per day average (full capacity).Closing panel with Henry Chalfant, Jim Prigoff, Susan Farell and John Fekner.With contributions from Australia, France, Italy, Greece, Belgium, Austria, USA, Netherlands, Sweden, Norway, England, Spain, Japan, China, Russia and Portugal.
Author: Pedro Soares Neves Publisher: Vol.4 ISBN: 9781794304659 Category : Art Languages : en Pages : 142
Book Description
After Urban Creativity Lisbon activities (5,6 and 7 of July 2018) here is presented the 4th Volume of SAUC Journal, reaching other audiences and building an ongoing trajectory of recognition aimed to the highest standards, not only academic and or institutional, but above all production and practice-oriented. Engaging with a big heterogeneity of disciplines, focused on graffiti, street art as subjects of theorization and practice, towards the definition of an academic and professional disciplinary field of Urban Creativity. The 2018 activities thematic "about time" aimed the objective of problematizing the chronological constraints of street art, graffiti, and urban creativity in general. Reinforcing the idea of the atemporal, potentially interpreted as something indissociable of human nature, linking 30000 old archeological findings with today. If in the conference we used 3 venues, Main Auditorium, Lagoa Henriques of Fine Arts Faculty Auditoriums, and the Auditorium of Cascais Cultural Center, were more that 80 participants had the opportunity to share perspectives from more that 20 disciplinary fields, and 35 countries. Here in the 2018 edition of SAUC, Volume 4, with near 40 contributions distributed in 2 journal issues. This issue 2, "Changing times: Resilience" gather contributions about Resilience and adaptability through institutionalization, formal aesthetic shift, Graffiti as a Palimpsest, Framing Poetical Expression, Poetic Objects in Public Space. Geographically framed approached as The "black-and-white mural" in Polytechneio in Athens, The Evolution of Street art and Graffiti in India, Shark Graffiti On Reunion Island Russia - Specifics of Periodization in Russian Street Art . Temporal overview looks upon: strategies for creating village identity symbols using street art tactics, The commodification of alternative cultural spaces, English Language Video Documentaries On Contemporary Graffiti And Street Art, A brief history of street art as a term up to 2000. And finaly an article review of Glaser, K., 2017. Street Art and New Media. And the invited contribution of OPNI Group - Grupo OPNI graffiti and urban violence in present-day Brazil.With contributions from Switzerland, Finland, Spain, Sweden, Greece, Poland, New Zealand, USA, Austria, UK, Russia, and Brazil.
Author: Pedro Neves Publisher: Createspace Independent Publishing Platform ISBN: 9781983805370 Category : Languages : en Pages : 124
Book Description
Texts from both scholarly and professional/practice-based approaches may be found in this publication. This volume of the SAUC Scientific Journal takes these debates conversations forward in presenting a series of papers tightly focused on the issues of intangible heritage and knowledge transfer, and the range of strategic responses to these challenges that could be adopted. We hope that this volume is both a timely resource and a reminder of the positive and productive debates and conversations held at the SAUC 2017 conference.
Author: Pedro Neves Publisher: ISBN: 9781522943501 Category : Languages : en Pages : 104
Book Description
Does Street Art & Urban Creativity contribute to settlement and establishment of places or non places? Do such artistic practices transform non places into places and/or vice-versa? Taking on a methodological research towards such questions this issue brings forward original research concerning these artistic practices in the contemporary background. Whether exploring street art & urban creativity in specific urban contexts or discussing its own rightful place, this issue sheds some light on such questions and contributes to the current scientific debate.
Author: Pedro Neves Publisher: Createspace Independent Publishing Platform ISBN: 9781983804403 Category : Languages : en Pages : 116
Book Description
Texts from both scholarly and professional/practice-based approaches may be found in this publication. This volume of the SAUC Scientific Journal takes these debates conversations forward in presenting a series of papers tightly focused on the issues of intangible heritage and knowledge transfer, and the range of strategic responses to these challenges that could be adopted. We hope that this volume is both a timely resource and a reminder of the positive and productive debates and conversations held at the SAUC 2017 conference.
Author: Pedro Soares Neves Publisher: ISBN: Category : Languages : en Pages : 116
Book Description
We place here in discussion the maturity of the academic and pedagogical field that graffiti, urban and street art, urban creativity constitute. It's in fact identified a consistency of knowledge and structure of thought in the several disciplinary areas. As we are convinced that this trend will continue in multiple forms including experimental ones bridging theory and practice, here's the result of the invite for participation in this reflection.Here is also combined the conference outcomes. There were two main results to achieve during the dialogues of the 2020 online conference. One was to observe the maturity of the academic and pedagogical field that graffiti, urban and street art, well, urban creativity in general have. On the 2020 conference was in fact proven that the consistency of knowledge and structure of thought in the several disciplinary areas regarding the urban creativity topics, are giving way to multiple approaches to classes integrated in master courses, informing the teaching of art historians, the work of designers, and research of cognitive scientists and educators. It was evident that this trend will continue in multiple forms including experimental ones bridging theory and practice, sometimes inverting the role of researchers and authors, but always enlarging audiences, practitioners and studious.The second main result was to observe how the relation evolved between UX and Urban Creativity topics, and the result was fantastic. This observations originated one article that will be published on the UXUC Journal.Urban Creativity User Experience Online Conference 9, 10 and 11 July 2020, 31 presenters 99, participants per day average (full capacity).Closing panel with Henry Chalfant, Jim Prigoff, Susan Farell and John Fekner.With contributions from Australia, France, Italy, Greece, Belgium, Austria, USA, Netherlands, Sweden, Norway, England, Spain, Japan, China, Russia and Portugal.
Author: Pedro Neves Publisher: ISBN: 9781522943389 Category : Languages : en Pages : 102
Book Description
Research concerning street art & urban creativity assumes quite different methodologies according to the scientific background of the researchers and the scientific area it is being developed. As there is still no consensus regarding a methodological approach towards such issues and in the aftermath of the first international conference regarding Street Art & Urban Creativity. This issue brings forward the insight of several researchers on their own methodological approaches towards this thematic.
Author: Pedro Soares Neves Publisher: Pedro Soares Neves ISBN: 9789892051383 Category : Languages : en Pages : 306
Book Description
This book more than merely being the Lisbon Street Art & Urban Creativity International Conference full proceedings is in itself a convergence node for research. In the last years, several thematic researches have invaded the most diverse disciplinary fields - as this book demonstrate starting off from four distinctive coordinates: On the scale of the City On the artist and other groups On the actions and works On the side effects This oeuvre gathers now the articles of the delegates according to the thirteen panels henceforth mapping out the urban topographies that constitute the richness of the authorial territories.
Author: Pedro Soares Neves
Author: Pedro Soares Neves
Author: Pedro Soares Neves
Author: Pedro Soares Neves
Author: Pedro Soares Neves
Author: Pedro Neves
Author: Pedro Neves
Author: Pedro Neves
Author: Pedro Soares Neves
Author: Pedro Neves
Author: Pedro Soares Neves