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Author: Sarah H. Awad Publisher: Springer ISBN: 3319633309 Category : Psychology Languages : en Pages : 387
Book Description
This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.
Author: Mia Gröndahl Publisher: Amer Univ in Cairo Press ISBN: 9789774165764 Category : Art Languages : en Pages : 193
Book Description
The Egyptian Revolution that began on 25 January 2011 immediately gave rise to a wave of popular political and social expression in the form of graffiti and street art, phenomena that were almost unknown in the country under the old regime. Mia Gröndahl, the photographer of Gaza Graffiti: Messages of Love and Politics and Tahrir Square: The Heart of the Egyptian Revolution, has followed and documented the constantly and rapidly changing graffiti art of the new Egypt from its beginnings, and here in more than 400 full-color images celebrates the imagination, the skill, the humor, and the political will of the young artists and activists who have claimed the walls of Cairo and other Egyptian cities as their canvas. From the simplest hand-written messages, through stencils and martyr portraits, to the elaborate murals of Mohamed Mahmoud Street, the messages on the walls are presented in themed sections-Revolution & Freedom, Egyptian & Proud, Cross & Crescent, Martyrs & Heroes-punctuated by interviews with some of the individual artists whose work has broken fresh ground.
Author: Cedar Lewisohn Publisher: ABRAMS ISBN: Category : Graffiti Languages : en Pages : 168
Book Description
Street Art - art made in public spaces and including graffiti, stickers, poster art, stencil art and wheat-pasting, but not corporate-sponsored advertising or "public art" - has become one of the most popular and hotly discussed areas of art practice on the contemporary scene.
Author: Basma Hamdy Publisher: ISBN: 9783937946412 Category : Egypt Languages : en Pages : 0
Book Description
A powerful portrayal of the Egyptian Revolution, telling the story with striking images of art that turned Egypt's walls into a visual testimony of bravery and resistance. Even the army tanks that rolled onto Tahrir Square were immediately adorned with graffiti. This survey of current Egyptian street art looks at the most influential artists who have made their iconic marks on the streets. Spanning Cairo, Alexandria and Luxor, this is a document of the volatile and fast-shifting political situation there. Since the start of the Arab revolution the Middle East has seen an unparalleled explosion of graffiti. * With contributions by experts in the fields of typography, graphic design, sociology and Egyptology These images of the revolution taken by acclaimed photographers and activistsvplaces the graffiti of the revolution in a broader context, and examines the historical, socio-political and cultural backgrounds which have shaped the movement.
Author: Anne Rittman Publisher: ISBN: 9781876044961 Category : Art Languages : en Pages : 458
Book Description
"It had to happen. Carnaby Street was the centre of fashion in the 60s. The 70s belonged to Haight-Ashbury's flower children. Then in the 80s Melbourne gave birth to Brunswick Street - epicentre of an emerging arts movement. Three subcultures - grungers, bohemians and radical feminists collided and brought forth a dynamic that changed the face of the inner city. The meteoric rise of Brunswick Street was a cultural explosion of art, theatre, fashion, grunge, music, drugs, diverse sexuality, celebrity and politics."Maz Wilson. Brunswick Street, Art & Revolution is the story of a street that became a culture. Written by Anne Rittman and Maz Wilson, it consists of a series of interviews and colour photographs with and of the people who brought about that transformation. It teems with characters: baristas, hair-cutters, potters, comedians, painters, singers, poets, restaurateurs and more. It evokes iconic places: the Black Cat, Pigtale Pottery, The Flying Trapeze, T F Much Ballroom, Bakers, Circus Oz , Scully & Trombone and the list goes on. It bursts with visual impact: performances, artworks, architecture and the Waiters' Race for example. Here it is in its true form as a cultural, social and political history. It was a pioneering spirit which created its own centre of gravity. Early on the street had a frisson of excitement. Artists rubbing shoulders with criminals in a quarter acre block.
Author: Sarah H. Awad Publisher: Springer ISBN: 3319633309 Category : Psychology Languages : en Pages : 387
Book Description
This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.
Author: Jeffrey Ian Ross Publisher: Routledge ISBN: 1317645863 Category : Social Science Languages : en Pages : 532
Book Description
The Routledge Handbook of Graffiti and Street Art integrates and reviews current scholarship in the field of graffiti and street art. Thirty-seven original contributions are organized around four sections: History, Types, and Writers/Artists of Graffiti and Street Art; Theoretical Explanations of Graffiti and Street Art/Causes of Graffiti and Street Art; Regional/Municipal Variations/Differences of Graffiti and Street Art; and, Effects of Graffiti and Street Art. Chapters are written by experts from different countries throughout the world and their expertise spans the fields of American Studies, Art Theory, Criminology, Criminal justice, Ethnography, Photography, Political Science, Psychology, Sociology, and Visual Communication. The Handbook will be of interest to researchers, instructors, advanced students, libraries, and art gallery and museum curators. This book is also accessible to practitioners and policy makers in the fields of criminal justice, law enforcement, art history, museum studies, tourism studies, and urban studies as well as members of the news media. The Handbook includes 70 images, a glossary, a chronology, and the electronic edition will be widely hyperlinked.
Author: Konstantinos Avramidis Publisher: Taylor & Francis ISBN: 1317125053 Category : Social Science Languages : en Pages : 299
Book Description
Graffiti and street art images are ubiquitous, and they enjoy a very special place in collective imaginary due to their ambiguous nature. Sometimes enigmatic in meaning, often stylistically crude and aesthetically aggressive, yet always visually arresting, they fill our field of vision with texts and images that no one can escape. As they take place on surfaces and travel through various channels, they provide viewers an entry point to the subtext of the cities we live in, while questioning how we read, write and represent them. This book is structured around these three distinct, albeit by definition interwoven, key frames. The contributors of this volume critically investigate underexplored urban contexts in which graffiti and street art appear, shed light on previously unexamined aspects of these practices, and introduce innovative methodologies regarding the treatment of these images. Throughout, the focus is on the relationship of graffiti and street art with urban space, and the various manifestations of these idiosyncratic meetings. In this book, the emphasis is shifted from what the physical texts say to what these practices and their produced images do in different contexts. All chapters are original and come from experts in various fields, such as Architecture, Urban Studies, Sociology, Criminology, Anthropology and Visual Cultures, as well as scholars that transcend traditional disciplinary frameworks. This exciting new collection is essential reading for advanced undergraduates as well as postgraduates and academics interested in the subject matter. It is also accessible to a non-academic audience, such as art practitioners and policymakers alike, or anyone keen on deepening their knowledge on how graffiti and street art affect the ways urban environments are experienced, understood and envisioned.
Author: Holly Eva Ryan Publisher: Taylor & Francis ISBN: 1317527291 Category : Science Languages : en Pages : 157
Book Description
Recent global events, including the ‘Arab Spring’ uprisings, Occupy movements and anti-austerity protests across Europe have renewed scholarly and public interest in collective action, protest strategies and activist subcultures. We know that social movements do not just contest and politicise culture, they create it too. However, scholars working within international politics and social movement studies have been relatively inattentive to the manifold political mediations of graffiti, muralism, street performance and other street art forms. Against this backdrop, this book explores the evolving political role of street art in Latin America during the twentieth and early twenty-first centuries. It examines the use, appropriation and reconfiguration of public spaces and political opportunities through street art forms, drawing on empirical work undertaken in Brazil, Bolivia and Argentina. Bringing together a range of insights from social movement studies, aesthetics and anthropology, the book highlights some of the difficulties in theorising and understanding the complex interplay between art and political practice. It seeks to explore 'what art can do' in protest, and in so doing, aims to provide a useful point of reference for students and scholars interested in political communication, culture and resistance. It will be of interest to students and scholars working in politics, international relations, political and cultural geography, Latin American studies, art, sociology and anthropology.
Author: Paula Serafini Publisher: Rowman & Littlefield ISBN: 1786601907 Category : Social Science Languages : en Pages : 274
Book Description
artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural production and activism in order to interrogate how the concepts of art, labour and activism intersect in practices for social change. What can we learn about contemporary art and politics by looking at the intersections between art, labour and activism? What theoretical tools can help us arrive at a deeper understanding of these intersections? In order to address these questions, this collection explores the role of art as activism, the use of social media and technology in creative production and organising, the politics of artmaking, the commodification of culture and the possibility of a creative commons, and the work of artist activists as educators. In addition to offering a variety of new perspectives from researchers and practitioners, it proposes new paths towards interdisciplinary research in this field that combine sociological, anthropological, philosophical and art theory perspectives. It will be of interest to students and scholars interested in creative labour, social movements and political arts practice.
Author: Sarah H. Awad
Author: Vladimir Pavlovich Tolstoĭ
Author: Mia Gröndahl
Author: Cedar Lewisohn
Author: Basma Hamdy
Author: Anne Rittman
Author: Sarah H. Awad
Author: Jeffrey Ian Ross
Author: Konstantinos Avramidis
Author: Holly Eva Ryan
Author: Paula Serafini