Author: Igor Stravinsky Publisher: A-R Editions, Inc. ISBN: 9780895796431 Category : Ballets Languages : en Pages : 454
Book Description
This volume contains all of the known musical sources and sketches for Stravinsky¿s Pulcinella (1919-1920) representing over 250 facsimile pages from the combined holdings of the Paul Sacher Stiftung (Basel) and the British Library (London) with invited essays by Lynn Garafola, , Ulrich Mosch, Jeanne Chenault Porter and Richard Taruskin. This publication was enhanced by the research of the late Barry Brook and by an appendix of song texts in the Neapolitan dialect by Dale Monson.Numerous tables in this publication provide efficient access to the entries on each page of the facsimile: according to the source groups, sketches, sources and sketches in order of the sources and sources and sketches in order of the published edition.In her commentary Maureen Carr discusses: the genesis of the idea for Pulcinella, the sources chosen by Stravinsky and those that he discarded, the sketches, as well as analytical perspectives on Stravinsky¿s compositional process for this work. In addition to the musical sources and sketches, other documents in this volume, such as a preliminary outline of the work in the hand of the painter, Pablo Picasso (Musée Picasso) and a more detailed scenario written out by the choreographer, Leonide Massine (Basel), will help scholars to understand the nature of the collaboration among these luminaries [the composer Igor Stravinsky (1882-1971), the Spanish painter Pablo Picasso (1881¿1973), the Russian choreographer Léonide Massine (Miasin; 1895¿1979), and the Russian impresario Sergei Diaghilev (1872¿1929)] that resulted in this astonishing dramatic work for dance and song. Book URL: https://www.areditions.com/books/MC002.html
Author: Maureen A. Carr Publisher: Oxford University Press, USA ISBN: 0199742936 Category : Music Languages : en Pages : 361
Book Description
After the Rite: Stravinsky's Path to Neoclassicism (1914-1925) traces the evolution of Stravinsky's compositional style as he searched for his own voice in the explosive musical world of the early 20th century as he responded to harsh criticisms of his work.
Author: Wise Publications Publisher: Wise Publications ISBN: 1783232692 Category : Music Languages : en Pages : 48
Book Description
The Composer Portraits series offers unique and original monographs on individual composers. Text and music introductions written by experts are combined with carefully chosen selections of newly-engraved music to give a concise but informed overview of the life and work of each composer. This edition focuses on the life and works of the Russian pianist and composer Igor Stravinsky, with notes by Jon Paxman. Songlist: - Les Cinq Doigts - No.4 and No.8 - L'histoire du Soldat - III. Marche royale - Piano-Rag-Music - Pulcinella - Scherzino - Renard - Marche - The Firebird Suite - Berceuse and Finale - Waltz (from Three Easy Pieces)
Author: Eric Walter White Publisher: Univ of California Press ISBN: 9780520039858 Category : Biography & Autobiography Languages : en Pages : 664
Book Description
In the second edition of the definitive account of Igor Stravinsky's life and work, arranged in two separate sections, Eric Walter White revised the whole book, completing the biographical section by taking it up to Stravinsky's death in 1971. To the list of works, the author added some early pieces that have recently come to light, as well as the late compositions, including the Requiem Canticles and The Owl and the Pussycat. Four more of Stravinsky's own writings appear in the Appendices, and there are several important additions to the bibliography.
Author: Klara Moricz Publisher: Univ of California Press ISBN: 0520975529 Category : Music Languages : en Pages : 309
Book Description
The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
Author: Pieter van den Toorn Publisher: Simply Charly ISBN: 1943657335 Category : Biography & Autobiography Languages : en Pages : 172
Book Description
“This is a short book but a teeming one, boiling over with the insights that have accrued over forty years and more, ever since Pieter van den Toorn set the musicological world on its ear with his revelations about Stravinsky's creative methods, deduced from an unprecedentedly close and fruitful examination of the published scores. Since then he has been at the manuscripts as well, and has made even further-reaching observations about Stravinsky's epochal rhythmic innovations. All of this he now places at the disposal of musicians and general readers, laid out with a chronology of the composer's life and times—a great gift to us all and a fitting crown to a most distinguished scholarly career.” —Richard Taruskin, author of Stravinsky and the Russian Traditions Born and raised in St. Petersburg, Russia, Igor Stravinsky (1882-1971) divided his time between law studies and music until 1906, when, under the tutelage of composer Nikolai Rimsky-Korsakov, he dedicated himself exclusively to composition. Five years later, he achieved international fame with his ballet scores The Firebird, Petrushka, and The Rite of Spring, the last of which caused a riot at its Paris premiere in 1913. For the next 50 years, both Stravinsky’s music style and his life were characterized by dramatic changes, as he moved from his “Russian period” to neo-classicism to serialism, and from Russia to Switzerland to France to the United States. Yet no matter how much his style changed, his music was always distinctively his, and his compositions remain among the greatest produced in the twentieth century. In Simply Stravinsky, Professor Pieter van den Toorn takes a fresh look at the composer and his legacy, providing a compact, exciting, and accessible introduction to the twentieth century’s most celebrated composer and his timeless music. From Stravinsky’s apprenticeship in St. Petersburg to his life among the émigré community in Southern California, Prof. van den Toorn shows how the composer’s music was tied to his personality and how it came to influence artists from Aaron Copland to Philip Glass. Designed for classical music beginners, as well as those who want to know more about one of the great musical innovators, Simply Stravinsky is an insightful and highly readable portrait of the man who helped define modern music.
Author: Publisher: ISBN: 9781638875031 Category : Languages : en Pages : 0
Book Description
Igor Stravinsky's ballet Pulcinella was written for Les Ballets Russes after the great triumph of The Firebird and the great scandal of The Rite of Spring, but it marked a new compositional direction. Stravinsky would later remark, Pulcinella was my discovery of the past, the epiphany through which the whole of my late work became possible." The inspiration for Pulcinella, outside of the music of the past, was commedia dell'arte, Italian improvised theater and its stock characters. In the staged ballet, Stravinsky reinvented the music with movement, lively characters, and even singing roles. Pulcinella Suite is a pared-down version of the ballet (nearly half the movements are omitted in the suite) with instrumental passages replacing the singing roles. The one act ballet consists of 21 excerpts whereas the suite has only eight movements (Sinfonia, Serenata, Scherzino, Tarantella, Toccata, Gavotta, Vivo and Minuetto). Stravinsky's work with music of the past retains much of the charm of the original pieces, but with harmonic and rhythmic twists that are pure twentieth-century inventiveness, and pure Stravinsky. Pulcinella Suite premiered in December of 1922 in Boston with the Boston Symphony Orchestra and Pierre Monteux. Instrumentation: 2(2d. Picc).2.0.2: 2.1.1.0: Solo Str. (1.1.1.1.1) Str (3.3.2.2.2 in set)."
Author: Pieter C. van den Toorn Publisher: Univ of California Press ISBN: 9780520916449 Category : Biography & Autobiography Languages : en Pages : 256
Book Description
Advocates of "new musicology" claim that technical methods of music analysis are conservative, elitist, positivist, and emotionally arid. Pieter C. van den Toorn challenges those claims, asking why cultural, sociopolitical, or gender-studies approaches to music should be deemed more democratic or expressive of music's content or impact. Why should music analysis be thought incapable of serving larger aesthetic ends? Van den Toorn confronts Susan McClary, Leo Treitler, and Joseph Kerman in particular, arguing that hands-on music analysis can penetrate the complexity of music and speak to our experience of it. He criticizes new musicologists for retreating from issues of musical immediacy by focusing on cultural issues. In later chapters van den Toorn defends Schenkerian methods and demonstrates the usefulness of technical analysis in the appreciation of Beethoven, Debussy, Schoenberg, and Stravinsky.