Stravinsky, Balanchine, and Agon

Stravinsky, Balanchine, and Agon PDF Author: Jacob Fitzpatrick
Publisher:
ISBN:
Category :
Languages : en
Pages : 292

Book Description
Agon (1957) is a ballet with music composed by Igor Stravinsky and choreography by George Balanchine. If we understand Agon as an interdisciplinary work, one consideration is how to address music and dance in a way that allows us to form meaningful connections between the two. One such link between music and dance is the concept of movement. While there are many ways that we can discuss movement, one prominent form of movement analysis is called Laban Movement Analysis (LMA). The LMA branch of effort can form a connection between music and dance because it addresses not the bodily or spatial patterns of movement, but rather the qualitative ones. As a case study, this dissertation focuses on a single dance in Agon, the Saraband Step. Chapter 1 begins with Stravinsky's score and considers what it means to understand music as movement. Chapter 2 introduces LMA and shows how we can hear effort in music by using the four motion factors (weight, time, space, flow). Chapter 3 explores the mimetic hypothesis. It then uses this hypothesis to bridge our understanding of effort that we hear in music to effort that we see in dance. Chapter 4 is an analysis of Balanchine's choreography and shows how the choreography forms a narrative with movement and space. And finally, Chapter 5 introduces the notion of choreomusicality. It explains how effort can be a tool that invites us to discover choreomusical relationships between music and dance.

Stravinsky and Balanchine

Stravinsky and Balanchine PDF Author: Charles M. Joseph
Publisher:
ISBN: 9780300176971
Category : Music
Languages : en
Pages : 464

Book Description
Igor Stravinsky and George Balanchine, among the most influential artists of the twentieth century, together created the music and movement for many ballet masterpieces. This engrossing book is the first full-length study of one of the greatest artistic collaborations in history. Drawing on extensive new research, Charles M. Joseph discusses the Stravinsky-Balanchine ballets against a rich contextual backdrop. He explores the background and psychology of the two men, the dynamics of their interactions, their personal and professional similarities and differences, and the political and historical circumstances that conditioned their work. He describes the dancers, designers, and sponsors with whom they worked. He explains the two men's approach to the creative process and the genesis of each of the collaborative ballets, demolishing much received wisdom on the subject. And he analyzes selected sections of music and dance, providing examples of Stravinsky's working sketches and other helpful illustrative materials. Engagingly written, the book will be of great interest not only to music and dance historians but also to ballet lovers everywhere.

Dancing with Stravinsky

Dancing with Stravinsky PDF Author: Julia Phillips Randel
Publisher:
ISBN:
Category : Agon (Choreographic work : Balanchine)
Languages : en
Pages : 232

Book Description


Stravinsky and Balanchine

Stravinsky and Balanchine PDF Author: Robynn Jeananne Stilwell
Publisher:
ISBN:
Category :
Languages : en
Pages : 702

Book Description


Igor Stravinsky and Agon

Igor Stravinsky and Agon PDF Author: Carl Kristian Wiens
Publisher: Ann Arbor, Mich. : University Microfilms International
ISBN:
Category : Ballets
Languages : en
Pages : 582

Book Description


The Genesis of "Agon"

The Genesis of Author: Laurence E. Sherr
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 139

Book Description


Stravinsky, Balanchine and Agon

Stravinsky, Balanchine and Agon PDF Author: Irene Alm
Publisher:
ISBN:
Category : Agon (Choreographic work : Balanchine)
Languages : en
Pages : 232

Book Description


28 Artists & 2 Saints

28 Artists & 2 Saints PDF Author: Joan Acocella
Publisher: Vintage
ISBN: 0307389278
Category : Literary Collections
Languages : en
Pages : 562

Book Description
Here is a dazzling collection from Joan Acocella, one of our most admired cultural critics: thirty-one essays that consider the life and work of some of the most influential artists of our time (and two saints: Joan of Arc and Mary Magdalene). Acocella writes about Primo Levi, Holocaust survivor and chemist, who wrote the classic memoir, Survival in Auschwitz; M.F.K. Fisher who, numb with grief over her husband’s suicide, dictated the witty and classic How to Cook a Wolf; and many other subjects, including Dorothy Parker, Mikhail Baryshnikov, and Saul Bellow. Twenty-Eight Artists and Two Saints is indispensable reading on the making of art—and the courage, perseverance, and, sometimes, dumb luck that it requires.

101 Stories of the Great Ballets

101 Stories of the Great Ballets PDF Author: George Balanchine
Publisher: Anchor
ISBN: 0385033982
Category : Performing Arts
Languages : en
Pages : 562

Book Description
Authored by one of the ballet's most respected experts, this volume includes scene-by-scene retellings of the most popular classic and contemporary ballets, as performed by the world's leading dance companies. Certain to delight long-time fans as well as those just discovering the beauty and drama of ballet.

Balanchine's Apprentice

Balanchine's Apprentice PDF Author: John Clifford
Publisher: University Press of Florida
ISBN: 0813072018
Category : Biography & Autobiography
Languages : en
Pages : 289

Book Description
A talented young dancer and his brilliant teacher In this long-awaited memoir, dancer and choreographer John Clifford offers a highly personal look inside the day-to-day operations of the New York City Ballet and its creative mastermind, George Balanchine. Balanchine’s Apprentice is the story of Clifford—an exceptionally talented artist—and the guiding inspiration for his life’s work in dance. Growing up in Hollywood with parents in show business, Clifford acted in television productions such as The Danny Kaye Show, The Dinah Shore Show, and Death Valley Days. He recalls the beginning of his obsession with ballet: At age 11 he was cast as the Prince in a touring production of The Nutcracker. The director was none other than the legendary Balanchine, who would eventually invite Clifford to New York City and shape his career as both a mentor and artistic example. During his dazzling tenure with the New York City Ballet, Clifford danced the lead in 47 works, several created for him by Balanchine, Jerome Robbins, and others. He partnered famous ballerinas including Gelsey Kirkland and Allegra Kent. He choreographed eight ballets for the company, his first at age 20. He performed in Russia, Germany, France, and Canada. Afterward, he returned to the West Coast to found the Los Angeles Ballet, where he continued to innovate based on the Balanchine technique. In this book, Clifford provides firsthand insight into Balanchine’s relationships with his dancers, including Suzanne Farrell. Examining his own attachment to his charismatic teacher, Clifford explores questions of creative influence and integrity. His memoir is a portrait of a young dancer who learned and worked at lightning speed, who pursued the calls of art and genius on both coasts of America and around the world.