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Author: Alicia Lefanu Publisher: Routledge ISBN: Category : Education Languages : en Pages : 564
Book Description
"Strathallan (1816) is at once a conventional and subversive romance. Alicia LeFanu is informed by the work of earlier eighteenth-century society satirists such as Frances Brooke and Frances Burney, yet at the same time her interests coincide with those of her more immediate contemporaries Scott and Austen. The novel addresses several themes of adultery, obsession and inheritance. It follows the fortunes of Matilda Melbourne who displays virtue, delicacy, and an unwavering commitment to the sometimes ruthless demands of parental authority." "LeFanu's implicit referencing of Frances Sheridan's examination of similar obligations in Memoirs of Miss Sidney Bidulph (1761) places the novel in the context of serious ongoing debates on female education and marriage. Matilda's friend and confidant, Arbella Ferrars, subverts the expectations of such an idealized femininity and is the principle means through which the sardonic and often wickedly wry observations on provincial pretensions are expressed. For Arbella's disruptive brand of coquetry. LeFanu is indebted to Frances Brooke's History of Lady Julia Mandeville and History of Emily Montegue. Notwithstanding the particular merits of this work, its intertextual relation to both earlier fictions and prevalent trends presents an intriguing basis upon which to examine the extent of the women writer's strategic engagement with the literary market."--BOOK JACKET.
Author: Alicia Lefanu Publisher: Routledge ISBN: Category : Education Languages : en Pages : 564
Book Description
"Strathallan (1816) is at once a conventional and subversive romance. Alicia LeFanu is informed by the work of earlier eighteenth-century society satirists such as Frances Brooke and Frances Burney, yet at the same time her interests coincide with those of her more immediate contemporaries Scott and Austen. The novel addresses several themes of adultery, obsession and inheritance. It follows the fortunes of Matilda Melbourne who displays virtue, delicacy, and an unwavering commitment to the sometimes ruthless demands of parental authority." "LeFanu's implicit referencing of Frances Sheridan's examination of similar obligations in Memoirs of Miss Sidney Bidulph (1761) places the novel in the context of serious ongoing debates on female education and marriage. Matilda's friend and confidant, Arbella Ferrars, subverts the expectations of such an idealized femininity and is the principle means through which the sardonic and often wickedly wry observations on provincial pretensions are expressed. For Arbella's disruptive brand of coquetry. LeFanu is indebted to Frances Brooke's History of Lady Julia Mandeville and History of Emily Montegue. Notwithstanding the particular merits of this work, its intertextual relation to both earlier fictions and prevalent trends presents an intriguing basis upon which to examine the extent of the women writer's strategic engagement with the literary market."--BOOK JACKET.
Author: Anna M Fitzer Publisher: Routledge ISBN: 1317303466 Category : Literary Criticism Languages : en Pages : 557
Book Description
A novel, which addresses central themes of adultery, obsession and inheritance. It follows the fortunes of Matilda Melbourne who displays virtue, delicacy and an unwavering commitment to the sometimes ruthless demands of parental authority.
Author: Daniel Cook Publisher: Cambridge University Press ISBN: 1107054680 Category : Literary Criticism Languages : en Pages : 315
Book Description
This collection of essays offers insights into the ways in which eighteenth-century novels have been adapted and appropriated by later writers. It will be of interest to students of the rise of the novel, interdisciplinary approaches to literature, and the developing field of adaptation studies.
Author: Julia M. Wright Publisher: Syracuse University Press ISBN: 0815652666 Category : Literary Criticism Languages : en Pages : 370
Book Description
Ireland is a country which has come to be defined in part by an ideology which conflates nationalism with the land. From the Irish Revival’s celebration of the Irish peasant farmer as the ideal Irishman to the fierce history of land claim battles between the Irish and their colonizers, notions of the land have become particularly bound up with conceptions of what Ireland is and what it is to be Irish. In this book, Wright considers this fraught relationship between land and national identity in Irish literature. In doing so, she presents a new vision of the Irish national landscape as one that is vitally connected to larger geographical spheres. By exploring issues of globalization, international radicalism, trade routes, and the export of natural resources, Wright is at the cutting edge of modern global scholarly trends and concerns. In considering texts from the Romantic era such as Leslie’s Killarney, Edgeworth’s "Limerick Gloves," and Moore’s Irish Melodies, Wright undercuts the nationalist myth of a "people of the soil" using the very texts which helped to construct this myth. Reigniting the field of Irish Romanticism, Wright presents original readings which call into question politically motivated mythologies while energizing nationalist conceptions that reflect transnational networks and mobility.
Author: Kathleen Hudson Publisher: University of Wales Press ISBN: 1786836114 Category : Literary Criticism Languages : en Pages : 290
Book Description
This edited collection examines Gothic works written by women authors in the late eighteenth and early nineteenth centuries, with a specific focus on the novels and chapbooks produced by less widely commercially and critically popular writers. Bringing these authors to the forefront of contemporary critical examinations of the Gothic, chapters in this collection examine how these works impacted the development of ‘women’s writing’ and Gothic writing during this time. Offering readers an original look at the literary landscape of the period and the roles of the creative women who defined it, the collection argues that such works reflected a female-centred literary subculture defined by creative exchange and innovation, one that still shapes perceptions of the Gothic mode today. This collection, then, presents an alternative understanding of the legacy of women Gothic authors, anchoring this understanding in complex historical and social contexts and providing a new world of Gothic literature for readers to explore.
Author: Christina Morin Publisher: Manchester University Press ISBN: 1526122316 Category : Literary Criticism Languages : en Pages : 139
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The gothic novel in Ireland, c. 1760–1829 offers a compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland. Countering traditional scholarly views of the ‘rise’ of ‘the gothic novel’ on the one hand, and, on the other, Irish Romantic literature, this study persuasively re-integrates a body of now overlooked works into the history of the literary gothic as it emerged across Ireland, Britain, and Europe between 1760 and 1829. Its twinned quantitative and qualitative analysis of neglected Irish texts produces a new formal, generic, and ideological map of gothic literary production in this period, persuasively positioning Irish works and authors at the centre of a new critical paradigm with which to understand both Irish Romantic and gothic literary production.
Author: Anna M Fitzer Publisher: Routledge ISBN: 0429620217 Category : Fiction Languages : en Pages : 253
Book Description
Frances Sheridan’s Eugenia and Adelaide is an astonishing first novel of parental tyranny, infidelity, kidnap, blackmail, and violence played out over two volumes against the backdrop of continental Europe. The friendship of Eugenia and Adelaide endures in spite of their separation at the beginning of the novel and remains central to a complex yet coherently drawn web of intriguing tales situated in palatial apartments and remote moss-covered castles. Drawing upon the tragic and comic possibilities of disguise familiar to her from Shakespearean and Restoration drama, and influenced by the romantic entanglements of early prose fiction, Sheridan adopts a sometimes satirical approach to extraordinary events at the same time that she demonstrates a sincere and convincing commitment to the ingenious art of storytelling. Sheridan completed the novel in 1739 when she was just fifteen-years old and Eugenia and Adelaide would prove instrumental to the establishing of Sheridan’s literary reputation as one of the most successful novelists and dramatists of the mid-eighteenth century. This is the first modern edition of Eugenia and Adelaide to be published since the original posthumous publication of 1791 and presents a unique opportunity to explore Sheridan’s contribution to our current understandings of the history of women’s writing, and of reading tastes and practices in the long eighteenth century.
Author: Alicia Lefanu
Author: Alicia Lefanu
Author: Anna M Fitzer
Author: Lefanu
Author: Daniel Cook
Author: Julia M. Wright
Author: Kathleen Hudson
Author: Alicia Lefanu
Author: Christina Morin
Author: Baroness Helen Selina Blackwood Dufferin and Clandeboye
Author: Anna M Fitzer