Author: Michal Chelbin
Publisher:
ISBN: 9781597110563
Category : Photography
Languages : en
Pages : 0
Book Description
Text by Leah Ollman.
Strangely Familiar
Author: Michal Chelbin
Publisher:
ISBN: 9781597110563
Category : Photography
Languages : en
Pages : 0
Book Description
Text by Leah Ollman.
Publisher:
ISBN: 9781597110563
Category : Photography
Languages : en
Pages : 0
Book Description
Text by Leah Ollman.
Strangely Familiar
Author: Iain Borden
Publisher: Routledge
ISBN: 1134761856
Category : Architecture
Languages : en
Pages : 104
Book Description
This series of provocative views presents the ways we use and inhabit places and the ways our lives are shaped by those places. Strangely Familiar is a book about the unexpected, about the vitality and the complexity of the everyday.
Publisher: Routledge
ISBN: 1134761856
Category : Architecture
Languages : en
Pages : 104
Book Description
This series of provocative views presents the ways we use and inhabit places and the ways our lives are shaped by those places. Strangely Familiar is a book about the unexpected, about the vitality and the complexity of the everyday.
Strangely Familiar
Author: Andrew Blauvelt
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 346
Book Description
In the past decade, designers have become increasingly engaged with the quotidian.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 346
Book Description
In the past decade, designers have become increasingly engaged with the quotidian.
Strangely Familiar
Author: Steve Heikens
Publisher: Booklocker.com
ISBN: 9780991272624
Category : Fiction
Languages : en
Pages : 356
Book Description
Emotional empathy becomes an empowering tool for investigating the disappearance of a rebellious teenage girl. In this intriguing thriller, Detective James Julius trusts reason and facts but, when he starts seeing images that others don't see, he fears he's losing his mind. With help from friends, a hacker, a gypsy and a rogue, his newfound empathy exposes the dark secrets behind her disappearance, and reveals that people become Strangely Familiar when they experience similar pain.
Publisher: Booklocker.com
ISBN: 9780991272624
Category : Fiction
Languages : en
Pages : 356
Book Description
Emotional empathy becomes an empowering tool for investigating the disappearance of a rebellious teenage girl. In this intriguing thriller, Detective James Julius trusts reason and facts but, when he starts seeing images that others don't see, he fears he's losing his mind. With help from friends, a hacker, a gypsy and a rogue, his newfound empathy exposes the dark secrets behind her disappearance, and reveals that people become Strangely Familiar when they experience similar pain.
Strangely Familiar
Making the Familiar Strange
Author: Ryan Gunderson
Publisher: Routledge
ISBN: 1000191125
Category : Philosophy
Languages : en
Pages : 143
Book Description
This book examines the meaning and implications of the sociological maxim, ‘make the familiar strange’. Addressing the methodological questions of why and how sociologists should make the familiar strange, what it means to ‘make the familiar strange’, and how this approach benefits sociological research and theory, it draws on four central concepts: reification, familiarity, strangeness, and defamiliarization. Through a typology of the notoriously ambiguous concept of reification, the author argues that the primary barrier to sociological knowledge is our experience of the social world as fixed and unchangeable. Thus emerges the importance of constituting the familiar as the strange through a process of social defamiliarization as well as making this process more methodical by reflecting on heuristics and patterns of thinking that render society strange. The first concerted effort to examine an important feature of the sociological imagination, this volume will appeal to sociologists of any specialty and theoretical persuasion.
Publisher: Routledge
ISBN: 1000191125
Category : Philosophy
Languages : en
Pages : 143
Book Description
This book examines the meaning and implications of the sociological maxim, ‘make the familiar strange’. Addressing the methodological questions of why and how sociologists should make the familiar strange, what it means to ‘make the familiar strange’, and how this approach benefits sociological research and theory, it draws on four central concepts: reification, familiarity, strangeness, and defamiliarization. Through a typology of the notoriously ambiguous concept of reification, the author argues that the primary barrier to sociological knowledge is our experience of the social world as fixed and unchangeable. Thus emerges the importance of constituting the familiar as the strange through a process of social defamiliarization as well as making this process more methodical by reflecting on heuristics and patterns of thinking that render society strange. The first concerted effort to examine an important feature of the sociological imagination, this volume will appeal to sociologists of any specialty and theoretical persuasion.
A Familiar Strangeness
Author: Stuart Burrows
Publisher: University of Georgia Press
ISBN: 0820337412
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction. Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible.
Publisher: University of Georgia Press
ISBN: 0820337412
Category : Literary Criticism
Languages : en
Pages : 302
Book Description
Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction. Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible.
All Familiar Things Were Once Strange
Author: Short
Publisher:
ISBN: 9781949759419
Category : American poetry
Languages : en
Pages : 126
Book Description
"Maybe it's time you created your normal. Sophia Short's poetry collection isn't intended to be a guide or give instructions for your life--but you will find hope, encouragement, and a friend in the pages of this book. Remember that All Familiar Things Were Once Strange as you tackle what's next for you in this big game that we call life."--Amazon website.
Publisher:
ISBN: 9781949759419
Category : American poetry
Languages : en
Pages : 126
Book Description
"Maybe it's time you created your normal. Sophia Short's poetry collection isn't intended to be a guide or give instructions for your life--but you will find hope, encouragement, and a friend in the pages of this book. Remember that All Familiar Things Were Once Strange as you tackle what's next for you in this big game that we call life."--Amazon website.
Strange and Familiar
Author: Alona Pardo
Publisher: Prestel Publishing
ISBN: 9783791382326
Category : Great Britain
Languages : en
Pages : 0
Book Description
Twenty-three photographers from countries around the world offer their own perspectives on British society. British photographer Martin Parr has selected works, dating from the 1930s to today, that capture the social, cultural, and political identity of the UK through the camera lens. These images range from social documentary and street photography to portraiture and architectural photography and offer a reflection of how Britain is perceived by those outside its borders.
Publisher: Prestel Publishing
ISBN: 9783791382326
Category : Great Britain
Languages : en
Pages : 0
Book Description
Twenty-three photographers from countries around the world offer their own perspectives on British society. British photographer Martin Parr has selected works, dating from the 1930s to today, that capture the social, cultural, and political identity of the UK through the camera lens. These images range from social documentary and street photography to portraiture and architectural photography and offer a reflection of how Britain is perceived by those outside its borders.
The Familiar Made Strange
Author: Brooke L. Blower
Publisher: Cornell University Press
ISBN: 0801455456
Category : History
Languages : en
Pages : 224
Book Description
In The Familiar Made Strange, twelve distinguished historians offer original and playful readings of American icons and artifacts that cut across rather than stop at the nation’s borders to model new interpretive approaches to studying United States history. These leading practitioners of the "transnational turn" pause to consider such famous icons as John Singleton Copley’s painting Watson and the Shark, Alfred Eisenstaedt’s photograph V-J Day, 1945, Times Square, and Alfred Kinsey’s reports on sexual behavior, as well as more surprising but revealing artifacts like Josephine Baker’s banana skirt and William Howard Taft’s underpants. Together, they present a road map to the varying scales, angles and methods of transnational analysis that shed light on American politics, empire, gender, and the operation of power in everyday life.
Publisher: Cornell University Press
ISBN: 0801455456
Category : History
Languages : en
Pages : 224
Book Description
In The Familiar Made Strange, twelve distinguished historians offer original and playful readings of American icons and artifacts that cut across rather than stop at the nation’s borders to model new interpretive approaches to studying United States history. These leading practitioners of the "transnational turn" pause to consider such famous icons as John Singleton Copley’s painting Watson and the Shark, Alfred Eisenstaedt’s photograph V-J Day, 1945, Times Square, and Alfred Kinsey’s reports on sexual behavior, as well as more surprising but revealing artifacts like Josephine Baker’s banana skirt and William Howard Taft’s underpants. Together, they present a road map to the varying scales, angles and methods of transnational analysis that shed light on American politics, empire, gender, and the operation of power in everyday life.