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Author: W. R. Maxwell Publisher: Pink Flamingo Media ISBN: 1959117572 Category : Fiction Languages : en Pages : 158
Book Description
Stepford Connecticut is the larger and more infamous cousin of Stepford New Hampshire. In the 1960s, a successful, real-life, phycological experiment was carried out on the female inhabitants of Stepford CT. This experiment was known as ‘The Stepford Project’ and it subjugated the women of the village in every aspect of their life, especially their sexuality. Stepford NH is the other side of the same coin. In Stepford NH, women are in control and have been for over 200-years.After the worldwide financial meltdown of 2008, Alvin Redding, a down on his luck Wall Street junior financial analysist, is lured to Stepford NH by the promise of a brokerage job. Like many displaced white-collar workers, he’ll take any job he can find. Little does he realize, Stepford NH, is not the sort of place where a free male is welcome.
Author: W. R. Maxwell Publisher: Pink Flamingo Media ISBN: 1959117572 Category : Fiction Languages : en Pages : 158
Book Description
Stepford Connecticut is the larger and more infamous cousin of Stepford New Hampshire. In the 1960s, a successful, real-life, phycological experiment was carried out on the female inhabitants of Stepford CT. This experiment was known as ‘The Stepford Project’ and it subjugated the women of the village in every aspect of their life, especially their sexuality. Stepford NH is the other side of the same coin. In Stepford NH, women are in control and have been for over 200-years.After the worldwide financial meltdown of 2008, Alvin Redding, a down on his luck Wall Street junior financial analysist, is lured to Stepford NH by the promise of a brokerage job. Like many displaced white-collar workers, he’ll take any job he can find. Little does he realize, Stepford NH, is not the sort of place where a free male is welcome.
Author: Deborah Christie Publisher: Fordham Univ Press ISBN: 0823234460 Category : Literary Criticism Languages : en Pages : 305
Book Description
What has the zombie metaphor meant in the past? Why does it continue to be, so prevalent in our culture? This collection seeks to provide an archaeology of the zombietracing its lineage from Haiti, mapping its various cultural transformations, and suggesting the post-humanist direction in which the zombie is ultimately heading.
Author: Marc Singer Publisher: Univ. Press of Mississippi ISBN: 1628468955 Category : Literary Criticism Languages : en Pages : 498
Book Description
One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility of alternative comics and graphic novels to the popular genres—superhero, science fiction, and fantasy—that dominate the American and British comics industries. Morrison's comics range from bestsellers featuring the most universally recognized superhero franchises (All-Star Superman, New X-Men, Batman) to more independent, creator-owned work (The Invisibles, The Filth, We3) that defies any generic classification. In Grant Morrison: Combining the Worlds of Contemporary Comics, author Marc Singer examines how Morrison uses this fusion of styles to intervene in the major political, aesthetic, and intellectual challenges of our time. Morrison's comics blur the boundaries between fantasy and realism, mixing autobiographical representation and cultural critique with heroic adventure. They offer self-reflexive appraisals of their own genres while they experiment with the formal elements of comics. Perhaps most ambitiously, they challenge contemporary theories of language and meaning, seeking to develop new modes of expression grounded in comics' capacity for visual narrative and the fantasy genres' ability to make figurative meanings literal.
Author: Despina Kakoudaki Publisher: Rutgers University Press ISBN: 0813572762 Category : Literary Criticism Languages : en Pages : 233
Book Description
Why do we find artificial people fascinating? Drawing from a rich fictional and cinematic tradition, Anatomy of a Robot explores the political and textual implications of our perennial projections of humanity onto figures such as robots, androids, cyborgs, and automata. In an engaging, sophisticated, and accessible presentation, Despina Kakoudaki argues that, in their narrative and cultural deployment, artificial people demarcate what it means to be human. They perform this function by offering us a non-human version of ourselves as a site of investigation. Artificial people teach us that being human, being a person or a self, is a constant process and often a matter of legal, philosophical, and political struggle. By analyzing a wide range of literary texts and films (including episodes from Twilight Zone, the fiction of Philip K. Dick, Kazuo Ishiguro’s novel Never Let Me Go, Metropolis, The Golem, Frankenstein, The Terminator, Iron Man, Blade Runner, and I, Robot), and going back to alchemy and to Aristotle’s Physics and De Anima, she tracks four foundational narrative elements in this centuries-old discourse— the fantasy of the artificial birth, the fantasy of the mechanical body, the tendency to represent artificial people as slaves, and the interpretation of artificiality as an existential trope. What unifies these investigations is the return of all four elements to the question of what constitutes the human. This focused approach to the topic of the artificial, constructed, or mechanical person allows us to reconsider the creation of artificial life. By focusing on their historical provenance and textual versatility, Kakoudaki elucidates artificial people’s main cultural function, which is the political and existential negotiation of what it means to be a person.
Author: Jostein Gripsrud Publisher: Routledge ISBN: 0415564522 Category : Computers Languages : en Pages : 299
Book Description
Relocating Television aims to describe, analyse and interpret a highly complex process of change, delivering a critical account of the digitisation process as a multifaceted whole.
Author: Claudia Schwabe Publisher: Wayne State University Press ISBN: 0814341977 Category : Fiction Languages : en Pages : 310
Book Description
Analyzes the portrayal of German fairy-tale figures in contemporary North American media adaptations. Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories—they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America. The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow, dramatize, humanize, and infantilize these "uncanny" characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale "Snow White." Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Timeand the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality. Craving Supernatural Creaturesis a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.
Author: Glenna Matthews Publisher: Oxford University Press ISBN: 0190281650 Category : History Languages : en Pages :
Book Description
Housewives constitute a large section of the population, yet they have received very little attention, let alone respect. Glenna Matthews, who herself spent many years as "just a housewife" before becoming a scholar of American history, sets out to redress this imbalance. While the male world of work has always received the most respect, Matthews maintains that widespread reverence for the home prevailed in the nineteenth century. The early stages of industrialization made possible a strong tradition of cooking, baking, and sewing that gave women great satisfaction and a place in the world. Viewed as the center of republican virtue, the home also played an important religious role. Examining novels, letters, popular magazines, and cookbooks, Matthews seeks to depict what women had and what they have lost in modern times. She argues that the culture of professionalism in the late nineteenth century and the culture of consumption that came to fruition in the 1920s combined to kill off the "cult of domesticity." This important, challenging book sheds new light on a central aspect of human experience: the essential task of providing a society's nurture and daily maintenance.
Author: Laura Kipnis Publisher: Vintage ISBN: 0375719326 Category : Social Science Languages : en Pages : 226
Book Description
A polemic against love that is “engagingly acerbic ... extremely funny.... A deft indictment of the marital ideal, as well as a celebration of the dissent that constitutes adultery, delivered in pointed daggers of prose” (The New Yorker). Who would dream of being against love? No one. Love is, as everyone knows, a mysterious and all-controlling force, with vast power over our thoughts and life decisions. But is there something a bit worrisome about all this uniformity of opinion? Is this the one subject about which no disagreement will be entertained, about which one truth alone is permissible? Consider that the most powerful organized religions produce the occasional heretic; every ideology has its apostates; even sacred cows find their butchers. Except for love. Hence the necessity for a polemic against it. A polemic is designed to be the prose equivalent of a small explosive device placed under your E-Z-Boy lounger. It won’t injure you (well not severely); it’s just supposed to shake things up and rattle a few convictions.
Author: Kathleen Anne McHugh Publisher: Oxford University Press ISBN: 0195352726 Category : Literary Criticism Languages : en Pages : 246
Book Description
From the cult of domesticity to the Semiotics of the Kitchen, housekeeping has been central to both constructing and critiquing the role of women in American society. Frequently domesticity's style has been to make invisible the labor that produces it, allowing woman to be asserted or argued about in universal terms that downplay race, class, and material relations. American Domesticity considers this relationship in representations of domesticity and domestic labor over the last two centuries in didactic, cinematic, and feminist texts. While the domestic is usually conceived of as the antithesis of the public, economical, and political, Kathleen McHugh demonstrates how domestic discourse established the terms within which the most crucial national issues--the market economy, universal white male suffrage, slavery, the construction of racial difference, consumerism, spectatorship, desire, and even feminism--were conceived, assimilated, and understood. Beginning in the nineteenth century, the book investigates the historical roots of domestic labors invisibility in widely circulated didactic housekeeping manuals written by Lydia Child, Catherine Beecher, Mary Pattison, and Christine Frederick. It then considers how pedagogical discourses became entertainment discourses, their focus shifting from the silent era of film to the twilight of the classical period. The book concludes with an examination of the return of a pedagogical impulse within feminist film production concerning domesticity, comparing it to the concurrent rise of feminist film theory in the academy. Looking at this wide range of print and film texts, McHugh traces the outlines of a discourse of domesticity that claims to be private and universal but instead brokers difference within the public sphere.
Author: W. R. Maxwell
Author: W. R. Maxwell
Author: Deborah Christie
Author: Marc Singer
Author: Despina Kakoudaki
Author: Jostein Gripsrud
Author: 
Author: Claudia Schwabe
Author: Glenna Matthews
Author: Laura Kipnis
Author: Kathleen Anne McHugh