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Author: Caroline O. Fowler Publisher: Harvey Miller ISBN: 9781909400399 Category : Drawing Languages : en Pages : 0
Book Description
A study of drawing and philosophy in artistic practice, important not only for art history but also for literature studies, intellectual history, religious history, history of the book,and history of science. 00Leon Battista Alberti wrote in 'De pictura' (1435) that painting is divine because, ?as they say of friendship, a painting lets the absent be present.? Absence and Presence in Early-Modern Drawing Pedagogy examines this relationship between absent and present objects and subjects in early-modern artistic pedagogy. This book studies the intersections among artistic treatises, natural philosophy and theology from 1400-1700, arguing that drawing pedagogy sought to teach the painting of histories that stimulated in the viewer the sensation of being present before the historical moment, the person, the still life. The manifestation of presence remained not only in the sensation of sight but also in all the sensory perceptions of touch, taste, smell and the sixth sense of sensing, the experience of existence. This book demonstrates the pedagogical means by which artists sought to teach the simulation of presence (and the sensorial perception of absence
Author: Caroline O. Fowler Publisher: Harvey Miller ISBN: 9781909400399 Category : Drawing Languages : en Pages : 0
Book Description
A study of drawing and philosophy in artistic practice, important not only for art history but also for literature studies, intellectual history, religious history, history of the book,and history of science. 00Leon Battista Alberti wrote in 'De pictura' (1435) that painting is divine because, ?as they say of friendship, a painting lets the absent be present.? Absence and Presence in Early-Modern Drawing Pedagogy examines this relationship between absent and present objects and subjects in early-modern artistic pedagogy. This book studies the intersections among artistic treatises, natural philosophy and theology from 1400-1700, arguing that drawing pedagogy sought to teach the painting of histories that stimulated in the viewer the sensation of being present before the historical moment, the person, the still life. The manifestation of presence remained not only in the sensation of sight but also in all the sensory perceptions of touch, taste, smell and the sixth sense of sensing, the experience of existence. This book demonstrates the pedagogical means by which artists sought to teach the simulation of presence (and the sensorial perception of absence
Author: Betsy Geraghty Fryberger Publisher: University of California Press ISBN: 9780520238824 Category : Art Languages : en Pages : 239
Book Description
"For centuries, artists have represented the glories of wondrous gardens. Like a vivid bouquet of flowers, The Changing Garden gathers together a variety of lovely prints, drawings, photographs, and paintings depicting picturesque garden views, formal designs, and natural features. This book is essential for anyone seeking a visual history and interesting perspectives of grand gardens--from the Villa d'Este and Versailles to contemporary experiences of city parks."--Marilyn Symmes, editor and author, Fountains: Splash and Spectacle, Water and Design from the Renaissance to the Present "The Changing Garden is the first book that asks us to stop and appreciate many of the 'documents' of the history of European and American gardens. It addresses the development of the representation of gardens, and the story it tells proves to be a fascinating chapter in the history of art, particularly for the history of prints and engravings."--Guy Walton, author of Louis XIV's Versailles
Author: Tomasz Grusiecki Publisher: Manchester University Press ISBN: 1526164353 Category : Design Languages : en Pages : 340
Book Description
Transcultural things examines four sets of artefacts from the Polish-Lithuanian Commonwealth: maps pointing to Poland–Lithuania’s roots in the supposedly ‘Oriental’ land of Sarmatia, portrayals of fashions that purport to trace Polish culture back to a distant and revered past, Ottomanesque costumes worn by Polish ambassadors and carpets labelled as Polish despite their foreign provenance. These examples of invented tradition borrowed from abroad played a significant role in narrating and visualising the cultural landscape of Polish-Lithuanian elites. But while modern scholarship defines these objects as exemplars of national heritage, early modern beholders treated them with more flexibility, seeing no contradiction in framing material things as local cultural forms while simultaneously acknowledging their foreign derivation. The book reveals how artefacts began to signify as vernacular idioms in the first place, often through obscuring their non-local origin and tainting subsequent discussions of the imagined purity of national culture as a result.
Author: Susan Dixon Publisher: Lulu.com ISBN: 0988999935 Category : Art Languages : en Pages : 94
Book Description
The essays in this volume complement the recent exhibition of Printmakers of the Baroque: 17th-Century Explorations of Space and Light at La Salle University Art Museum during winter 2013-2014. Co-curated by La Salle Associate Professor of Art History Dr. Susan Dixon, the exhibition also provided a foundation for a Baroque art history course taught in spring 2014. This catalogue includes essays and labels written by undergraduate students enrolled in the course, along with reproductions of all 40 artworks included in the exhibition.
Author: Gitta Bertram Publisher: BRILL ISBN: 9004464522 Category : Art Languages : en Pages : 635
Book Description
An investigation of the complex image-text relationships between frontispieces and illustrated title pages with the following texts in European books published between 1500 and 1800.
Author: Catherine Hess Publisher: Getty Publications ISBN: 0892362553 Category : Art Languages : en Pages : 274
Book Description
The Getty Museum’s collection of postclassical European glass represents a well-defined chapter within the history of the medium. These objects—which range in date from the late Middle Ages to the late seventeenth century—originated in important Italian, German, Bohemian, Netherlandish, Silesian, and Austrian centers of production. The sixty-eight pieces presented in this catalogue include vessels made to resemble rock crystal or chalcedony; glass blown into unusually large or remarkably refined shapes; and glass decorated with ornament that is intricately applied, elegantly enameled, or gilded. Each object is described in detail, including provenance, bibliography, and relevant comparative examples. An introductory essay traces the history of European glass from classical times to the present.
Author: Caroline O. Fowler
Author: Caroline O. Fowler
Author: Jolanta Talbierska
Author: Betsy Geraghty Fryberger
Author: Tomasz Grusiecki
Author: Susan Dixon
Author: Library of Congress
Author: Library of Congress
Author: Library of Congress
Author: Gitta Bertram
Author: Catherine Hess