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Author: Paul Jankowski Publisher: Cornell University Press ISBN: 9780801439599 Category : Biography & Autobiography Languages : en Pages : 352
Book Description
"Jankowski recounts Stavisky's notorious schemes and untimely demise, the deadly riot that rocked Paris in its wake, the fall of successive governments including that of Edouard Daladier, and the spectacular trial of many of the swindler's accomplices. "Much against his will, Sacha Stavisky," the author observes, "ignited an explosion that briefly engulfed the entire system of government.""--BOOK JACKET.
Author: Paul Jankowski Publisher: Cornell University Press ISBN: 9780801439599 Category : Biography & Autobiography Languages : en Pages : 352
Book Description
"Jankowski recounts Stavisky's notorious schemes and untimely demise, the deadly riot that rocked Paris in its wake, the fall of successive governments including that of Edouard Daladier, and the spectacular trial of many of the swindler's accomplices. "Much against his will, Sacha Stavisky," the author observes, "ignited an explosion that briefly engulfed the entire system of government.""--BOOK JACKET.
Author: Roger Ebert Publisher: Andrews McMeel Publishing ISBN: 9780740771798 Category : Performing Arts Languages : en Pages : 948
Book Description
Presents a collection of the critic's most positive film reviews of the last four decades, arranged alphabetically from "About Last Night" to "Zodiac."
Author: Sean Kennedy Publisher: McGill-Queen's Press - MQUP ISBN: 0773560246 Category : History Languages : en Pages : 385
Book Description
Launched as a veterans' group, during the mid-1930s the Croix de Feu grew into a nationalist movement with half a million supporters. In Reconciling France against Democracy Sean Kennedy explores how the group, led by François de La Rocque, reshaped French politics and helped set the stage for the repressive Vichy regime.
Author: A. Sargeant Publisher: Springer ISBN: 1137466898 Category : Social Science Languages : en Pages : 105
Book Description
Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?
Author: David Thomson Publisher: Knopf ISBN: 0307270521 Category : Performing Arts Languages : en Pages : 1026
Book Description
In 1975, David Thomson published his Biographical Dictionary of Film, and few film books have enjoyed better press or such steady sales. Now, thirty-three years later, we have the companion volume, a second book of more than 1,000 pages in one voice—that of our most provocative contemporary film critic and historian. Juxtaposing the fanciful and the fabulous, the old favorites and the forgotten, this sweeping collection presents the films that Thomson offers in response to the question he gets asked most often—“What should I see?” This new book is a generous history of film and an enticing critical appraisal written with as much humor and passion as historical knowledge. Not content to choose his own top films (though they are here), Thomson has created a list that will surprise and delight you—and send you to your best movie rental service. But he also probes the question: after one hundred years of film, which ones are the best, and why? “Have You Seen . . . ?” suggests a true canon of cinema and one that’s almost completely accessible now, thanks to DVDs. This book is a must for anyone who loves the silver screen: the perfect confection to dip into at any point for a taste of controversy, little-known facts, and ideas about what to see. This is a volume you’ll want to return to again and again, like a dear but argumentative friend in the dark at the movies.
Author: C. S. Tashiro Publisher: University of Texas Press ISBN: 0292786921 Category : Performing Arts Languages : en Pages : 253
Book Description
Theories of film have traditionally dealt with either narrative or industrial issues, with the consequence that the physical content of the graphic frame has often been ignored or relegated to the sidelines. By contrast, C. S. Tashiro foregrounds the visual aspect of cinema in this book, drawing on his experiences as a designer and filmmaker, as well as on contemporary theory, to show how production design can support or contradict narrative structure, or exist in an entirely parallel realm of meaning. Tashiro looks at cinematic production design from a broadly interdisciplinary perspective, encompassing art and architecture theory, audience reception, narrative theory, and phenomenology, to arrive at a more encompassing definition of the process. He builds his argument around studies of several prominent history films, since design is central to historical representation, and explores the most pertinent issues raised by the topic, particularly commodity consumption. In his conclusion, he also offers possible solutions to some of the social problems raised by design.
Author: Piers Brendon Publisher: Vintage ISBN: 0307428370 Category : History Languages : en Pages : 850
Book Description
The 1930s were perhaps the seminal decade in twentieth-century history, a dark time of global depression that displaced millions, paralyzed the liberal democracies, gave rise to totalitarian regimes, and, ultimately, led to the Second World War. In this sweeping history, Piers Brendon brings the tragic, dismal days of the 1930s to life. From Stalinist pogroms to New Deal programs, Brendon re-creates the full scope of a slow international descent towards war. Offering perfect sketches of the players, riveting descriptions of major events and crises, and telling details from everyday life, he offers both a grand, rousing narrative and an intimate portrait of an era that make sense out of the fascinating, complicated, and profoundly influential years of the 1930s.
Author: Brian Jenkins Publisher: Routledge ISBN: 1317507258 Category : Political Science Languages : en Pages : 213
Book Description
France and Fascism: February 1934 and the Dynamics of Political Crisis is the first English-language book to examine the most significant political event in interwar France: the Paris riots of February 1934. On 6 February 1934, thousands of fascist rioters almost succeeded in bringing down the French democratic regime. The violence prompted the polarisation of French politics as hundreds of thousands of French citizens joined extreme right-wing paramilitary leagues or the left-wing Popular Front coalition. This ‘French civil war’, the first shots of which were fired in February 1934, would come to an end only at the Liberation of France ten years later. The book challenges the assumption that the riots did not pose a serious threat to French democracy by providing a more balanced historical contextualisation of the events. Each chapter follows a distinctive analytical framework, incorporating the latest research in the field on French interwar politics as well as important new investigations into political violence and the dynamics of political crisis. With a direct focus on the actual processes of the unfolding political crisis and the dynamics of the riots themselves, France and Fascism offers a comprehensive analysis which will be of interest to undergraduate and postgraduate students, as well as scholars, in the areas of French history and politics, and fascism and the far right.
Author: Emma Wilson Publisher: Manchester University Press ISBN: 1526141140 Category : Performing Arts Languages : en Pages : 225
Book Description
Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais' films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond. Yet it also offers a highly personal and detailed engagement with individual images and scenes in Resnais' films. A passionate and partial defence of Resnais' work, old and new, this volume stands apart in its attention to the more tangible and moving pleasures of his films, their pathos, rigour and visual beauty.
Author: Paul Jankowski
Author: Paul Jankowski
Author: James Monaco
Author: Roger Ebert
Author: Sean Kennedy
Author: A. Sargeant
Author: David Thomson
Author: C. S. Tashiro
Author: Piers Brendon
Author: Brian Jenkins
Author: Emma Wilson