Author: Stanley MorisonPublisher: Cambridge University Press
ISBN: 9780521183161
Category :
Languages : en
Pages : 336
Book Description
Selected Essays on the History of Letter-forms in Manuscript and Print
Author: Stanley MorisonPublisher: Cambridge University Press
ISBN: 9780521183161
Category :
Languages : en
Pages : 336
Book Description
Selected Essays on the History of Letter-forms in Manuscript and Print 2 Volume Set
Author: Stanley MorisonPublisher: Cambridge University Press
ISBN: 9780521184687
Category : Language Arts & Disciplines
Languages : en
Pages : 581
Book Description
During his long career Stanley Morison held appointments as typographical adviser to Cambridge University Press, to the Monotype Corporation, and to The Times, where he was responsible both for its radical new design in 1932 and for the standard history of the paper. These two volumes bring together the majority of his most lasting essays. Many of them, pioneering in their day, are now classics in their field. The collection, first published in 1980, spans a period of forty years. It includes essays on letter-forms in manuscript and in print, beginning with those published in The Flueron in the 1920s, on typefaces in sixteenth-century Italy, on the development of Latin script, on the history of learned presses and on the typography of newspapers.
Handwriting in America
Author: Tamara Plakins ThorntonPublisher: Yale University Press
ISBN: 9780300074413
Category : History
Languages : en
Pages : 268
Book Description
In this engaging history, the author demonstrates handwriting in America from colonial times to the present. Exploring such subjects as penmanship, pedagogy, handwriting analysis, autograph collecting, and calligraphy revivals, Thornton investigates the shifting functions and meanings of handwriting. 57 illustrations.
The Kelmscott Press
Author: William S. PetersonPublisher: Univ of California Press
ISBN: 9780520061385
Category : Language Arts & Disciplines
Languages : en
Pages : 400
Book Description
From a quantitative point of view the achievement of the Kelmscott Press may not seem impressive: between 1891 and 1898 it produced fifty-two books and a set of specimen pages for another book. Yet each was remarkably beautiful. Designed by William Morris, printed on hand-presses, ornamented with initials and borders by Morris, and illustrated often by Edward Burne-Jones, these few Kelmscott Press books are famous everywhere today. Why they have so profoundly affected twentieth-century theories of book design and what cultural significance the founding of the Kelmscott Press played are some of the questions the author considers.
A Bibliography on Writing and Written Language
Author: Konrad EhlichPublisher: Walter de Gruyter
ISBN: 3110889358
Category : Language Arts & Disciplines
Languages : en
Pages : 2896
Book Description
The bibliography offers information on research about writing and written language over the past 50 years. No comprehensive bibliography on this subject has been published since Sattler's (1935) handbook. With a selection of some 27,500 titles it covers the most important literature in all scientific fields relating to writing. Emphasis has been placed on the interdisciplinary organization of the bibliography, creating many points of common interest for literacy experts, educationalists, psychologists, sociologists, linguists, cultural anthropologists, and historians. The bibliography is organized in such a way as to provide the specialist as well as the researcher in neighboring disciplines with access to the relevant literature on writing in a given field. While necessarily selective, it also offers information on more specialized bibliographies. In addition, an overview of norms and standards concerning 'script and writing' will prove very useful for non-professional readers. It is, therefore, also of interest to the generally interested public as a reference work for the humanities.
Blind Impressions
Author: Joseph A. DanePublisher: University of Pennsylvania Press
ISBN: 0812208692
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
"As bibliographers or book historians, we perform our work by changing the function of the objects we study. We rarely pick up an Aldine edition to read one of the classical texts it contains. . . . Print culture, under this notion, is not a medium for writing or thought but a historical object of study; our bibliographical field, our own concoction, becomes the true referent of the objects we define as its foundation."—From the Introduction What is a book in the study of print culture? For the scholar of material texts, it is not only a singular copy carrying the unique traces of printing and preservation efforts, or an edition, repeated and repeatable, or a vehicle for ideas to be abstracted from the physical copy. But when the bibliographer situates a book copy within the methods of book history, Joseph A. Dane contends, it is the known set of assumptions which govern the discipline that bibliographic arguments privilege, repeat, or challenge. "Book history," he writes, "is us." In Blind Impressions, Dane reexamines the field of material book history by questioning its most basic assumptions and definitions. How is print defined? What are the limits of printing history? What constitutes evidence? His concluding section takes form as a series of short studies in theme and variation, considering such matters as two-color printing, the composing stick used by hand-press printers, the bibliographical status of book fragments, and the function of scholarly illustration in the Digital Age. Meticulously detailed, deeply learned, and often contrarian, Blind Impressions is a bracing critique of the way scholars define and solve problems.
Sir Philip Sidney and the Circulation of Manuscripts, 1558-1640
Author: H. R. WoudhuysenPublisher: Clarendon Press
ISBN: 0191591025
Category : Literary Criticism
Languages : en
Pages : 541
Book Description
This is the first modern study of the production and circulation of manuscripts during the English Renaissance. H.R. Woudhuysen examines the relationship between manuscript and print, looks at people who lived by their pens, and surveys authorial and scribal manuscripts, paying particular attention to the copying of verse, plays, and scholarly works by hand. It investigates the professional production of manuscripts for sale by scribes such as Ralph Crane and Richard Robinson. The second part of the book examines Sir Philip Sydney's works in the context of Woudhuysen's research, discussing all Sidney's important manuscripts, and seeking to assess his part in the circulation of his works and his role in the promotion of a scribal culture. A detailed examination of the manuscripts and early prints of his poems, his Arcadias, and of Astrophil and Stella shed new light on their composition, evolution, and dissemination, as well as on Sidney's friends and admirers.
Technique and Design in the History of Printing
Author: Frans A. JanssenPublisher: BRILL
ISBN: 9004475303
Category : History
Languages : en
Pages : 383
Book Description
Containing 26 selected and thoroughly rewritten essays and articles (all written by Janssen and published previously between 1976 and 2002 in yearbooks and periodicals) all dedicated to the history of printing and book production, this work draws systematically attention to the typogtaphical design of the book. The articles are mainly divided into two fields of attention: the analytical bibliography of the printed book (book production, studies of the technical aspects of type-setting and printing, type founding, printing presses, paper etc.) and the typographical design of books (its functions and its influence on how texts are read).
The Public Prints
Author: Charles E. ClarkPublisher: Oxford University Press
ISBN: 0195359615
Category : History
Languages : en
Pages : 345
Book Description
The Public Prints is the first comprehensive study of the role of the earliest American newspapers in the society and culture of the eighteenth century. In the hands of Charles E. Clark, American newspaper publishing becomes a branch of the English world of print in a story that begins in the bustling streets of late seventeenth-century London and moves to the provincial towns of England and across the Atlantic. While Clark's most detailed attention in America is to the three multi-newspaper towns of Boston, New York, and Philadelphia, evidence from Williamsburg, Charleston, and Barbados also contributes to generalizations about the craft and business of eighteenth-century publishing. Stressing continuing trans-Atlantic connections as well as English origins, Clark argues that the newspapers were a force both for "anglicization" in their attempts to replicate English culture in America and for "Americanization" in creating a fuller awareness of the British-American experience across colonial boundaries. He suggests, finally, that the newspapers' greatest cultural role in provincial America was the creation of a community bound by the celebration of common values and attachments through the shared ritual of reading.
The Columbia History of British Poetry
Author: Carl R. WoodringPublisher: Columbia University Press
ISBN: 9780585041551
Category : Literary Criticism
Languages : en
Pages : 764
Book Description
The Columbia Anthology of British Poetry brings together the most remarkable verse written in the British Isles over the course of the past twelve centuries, offering the greatest diversity of poetic voices in any anthology of its kind. From Shakespeare's memorable sonnets to Keats's haunting odes to T.S. Eliot's mediations on the conditions of modern life, the collection contains many of the best-loved treasures of British poetry. Longer and much-celebrated poems that rarely find their way into anthologies-including Pope's "Rape of the Lock" and Coleridge's "Rime of the Ancient Mariner"-claim a place in this collection. Queen Elizabeth I, Anne Killigrew, Aphra Behn, Elizabeth Barrett Browning, and Felicia Hemans are among dozens of women writers renowned in their own day and now restored to their rightful prominence. Scottish, Welsh, and Irish poets often excluded from anthologies of British poetry are here as well, including such extraordinary voices as Lady Grisell Baillie, Robert Burns, Hugh MacDiarmid, and Seamus Heaney. The finest contemporary poets are fully represented also, from Thom Gunn to Eavan Boland. The result is an amazingly rich and wide-ranging conversation among British poets that transcends the boundaries of time and place. Carl Woodring and James Shapiro, the team scholars who edited The Columbia History of British Poetry, have written incisive introductions to the careers of the poets, making this the most accessible and comprehensive anthology of British verse in print. Covering the new and the ancient, the classic and the rediscovered, this generous volume reimagines the horizons of British poetry.