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Author: Jonathan Pitches Publisher: Bloomsbury Publishing ISBN: 1472587898 Category : Drama Languages : en Pages : 481
Book Description
Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance. This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies. This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before.
Author: Jonathan Pitches Publisher: Bloomsbury Publishing ISBN: 1472587898 Category : Drama Languages : en Pages : 481
Book Description
Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance. This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies. This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before.
Author: Maria Shevtsova Publisher: Cambridge University Press ISBN: 1107023394 Category : Drama Languages : en Pages : 305
Book Description
An interdisciplinary approach to Stanislavsky's theatre practice in sociocultural and political contexts and its legacy in the twenty-first century.
Author: Konstantin Stanislavski Publisher: Routledge ISBN: 1315474239 Category : Performing Arts Languages : en Pages : 963
Book Description
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Author: Irina Levin Publisher: Meriwether Publishing ISBN: 9781566080798 Category : Performing Arts Languages : en Pages : 0
Book Description
Everyone in theatre knows his name but only a few know Stanislavsky's last work. He died before writing any of his final discoveries for print. Only his colleagues and their pupils knew them. They are the ones, since 1938, who have been refining Stanislavsky's final ideas of modern theatre. Now, finally this book summarises these last concepts in an orderly text for teachers and students. In six comprehensive chapters the authors reveal Stanislavsky's method to help actors to transform themselves into believable and fascinating stage characters.
Author: Jonathan Pitches Publisher: Routledge ISBN: 1134332327 Category : Performing Arts Languages : en Pages : 413
Book Description
The Russian tradition is a major area of theatre studies Uses a range of historical and archival material, including previously unpublished material from the Michael Chekov archives International market - UK, America. Potential interest in Russia and France
Author: Richard Boleslavsky Publisher: Echo Point+ORM ISBN: 1648371280 Category : Performing Arts Languages : en Pages : 116
Book Description
The classic text on the craft of Method acting by the founder of The American Laboratory Theatre. After studying at the Moscow Art Theatre under Konstantin Stanislavski, Richard Boleslavsky became one of the most important acting teachers of his or any generation. Bringing Stanislavski’s system to America in the 1920s and 30s, he influenced many of the titans of American drama, from his own students—including Lee Strasburg and Stella Adler—to Marlon Brando, Paul Newman, and many others. In Acting: The First Six Lessons, Boleslavsky presents his acting theory and technique in a series of accessible and engaging dialogues. Widely considered a must-have for any serious actor, Boleslavsky’s work has long helped actors better understand their craft.
Author: Konstantin Stanislavski Publisher: Routledge ISBN: 1135203431 Category : Performing Arts Languages : en Pages : 488
Book Description
An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role. Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psychological, physical and practical vision of actor training. This new translation from renowned scholar Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming 'The System' as the cornerstone of actor training.
Author: Jonathan Pitches
Author: Jonathan Pitches
Author: Maria Shevtsova
Author: Konstantin Stanislavski
Author: Irina Levin
Author: Jonathan Pitches
Author: Richard Boleslavsky
Author: Sharon Marie Carnicke
Author: Konstantin Stanislavski
Author: Konstantin Stanislavsky
Author: Jean Benedetti