Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Staging Voice PDF full book. Access full book title Staging Voice by Michal Grover-Friedlander. Download full books in PDF and EPUB format.
Author: Michal Grover-Friedlander Publisher: Routledge ISBN: 100052907X Category : Performing Arts Languages : en Pages : 129
Book Description
Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera’s decisive attribute—voice—as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th-century artists—Erik Satie, Bertolt Brecht and Kurt Weill—as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author’s staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design, and cultural studies.
Author: Michal Grover-Friedlander Publisher: Routledge ISBN: 100052907X Category : Performing Arts Languages : en Pages : 129
Book Description
Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera’s decisive attribute—voice—as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th-century artists—Erik Satie, Bertolt Brecht and Kurt Weill—as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author’s staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design, and cultural studies.
Author: Valerie Lipscomb Publisher: Springer ISBN: 0230110053 Category : Performing Arts Languages : en Pages : 380
Book Description
This text explores how performers offer conscious-and unconscious-portrayals of the spectrum of age to their audiences. It considers a variety of media, including theatre, film, dance, advertising, and television, and offers critical foundations for research and course design, sound pedagogical approaches, and analyses.
Author: Norma Bowles Publisher: SIU Press ISBN: 0809332396 Category : Performing Arts Languages : en Pages : 329
Book Description
Fringe Benefits, an award-winning theatre company, collaborates with schools and communities to create plays that promote constructive dialogue about diversity and discrimination issues. Staging Social Justice is a groundbreaking collection of essays about Fringe Benefits’ script-devising methodology and their collaborations in the United States, Australia, Canada and the United Kingdom. The anthology also vividly describes the transformative impact of these creative initiatives on participants and audiences. By reflecting on their experiences working on these projects, the contributing writers—artists, activists and scholars—provide the readerwith tools and inspiration to create their own theatre for social change. “Contributors to this big-hearted collection share Fringe Benefits’ play devising process, and a compelling array of methods for measuring impact, approaches to aesthetics (with humor high on the list), coalition and community building, reflections on safe space, and acknowledgement of the diverse roles needed to apply theatre to social justice goals. The book beautifully bears witness to both how generative Fringe Benefits’ collaborations have been for participants and to the potential of engaged art in multidisciplinary ecosystems more broadly.”—Jan Cohen-Cruz, editor of Public: A Journal of Imagining America
Author: Sara Morrison Publisher: Routledge ISBN: 1317050738 Category : Performing Arts Languages : en Pages : 363
Book Description
Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.
Author: Laura S. Lieber Publisher: Oxford University Press ISBN: 019006546X Category : History Languages : en Pages : 425
Book Description
"In this volume, Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity (ca. 3rd-4th c. CE) is examined not only from within the context of religious traditions of biblical interpretation and conventions of prayer but also through the lenses of performance, entertainment, and spectacle. Recognizing that liturgical poets were as invested engaging their listeners as orators and actors were, this study analyses hymnody as a performative genre akin to oratory and theatre, the two primary modes of public performance from the wider societal context. Attention to liturgical poetry's "theatricality" draws our attention to a range of subjects, from how biblical stories were adapted to the liturgical stage, much in the way that the classical works of Greco-Roman antiquity were themselves popularized in this Late Antique period; to the adaptation of physical techniques and material structures to augment the ability of performers to engage their audiences. Specific techniques associated with both oratory and acting in antiquity will offer concrete means for elucidating the affinities of liturgical presentations and other modes of performance: indications of direct address, for example, and apostrophe, as well as the creation of character through speech (ethopoeia); and appeals to the audience's senses, including vivid descriptions (ekphrasis), a technique especially popular in antiquity. A serious consideration of performance also demands that we make the difficult leap to imagining the world beyond the page. While Late Antique hymnody has come down to the present primarily in textual form, the written word constitutes something quite remote from the actual experience these scripts reflect. We will thus attempt to consider more speculative but recognizably essential elements of these works' reception, including ways in which liturgical poetry could have borrowed from the gestures and body language of oratory, mime, and pantomime, and how poets may have used the physical spaces of performance and accelerated changes visible in the archaeological record"--
Author: Steve Capra Publisher: McFarland ISBN: 1476693242 Category : Performing Arts Languages : en Pages : 163
Book Description
Theaters worldwide have exhibited a bewildering array of form, style, tone and subject in the late 20th- and the early 21st centuries, and this range of work has been determined largely by its directors. This book documents this procession of theatre in interviews with 28 directors who've been most recognized and influential on the global stage. Their ideas are varied, even dissonant, indicating the protean nature of theatre and the rich weave of work that's made our theater so rewarding. Interviewees include Judith Malina, Ping Chong, Julie Taymor and Robert Icke, among others who have defined modern theater.
Author: Herbert Puchta Publisher: Cambridge University Press ISBN: 1107637759 Category : Foreign Language Study Languages : en Pages : 225
Book Description
Get on Stage! is a photocopiable resource book with 21 original sketches and plays for young learners and teens. The book is divided into four sections: Short humorous sketches, Medium-length sketches, Medium-length plays based on traditional stories and teen dramas. The DVD contains video recordings of three sample plays. The Audio CD contains audio recordings of a further 11 plays, and photocopiable worksheets to check students' comprehension and practise key vocabulary, lexical chunks and grammar. It also shows co-author Matt Devitt, professional actor and theatre director, rehearsing a play with a group of students.
Author: Ann C. Hall Publisher: Cambridge Scholars Publishing ISBN: 1527563170 Category : Literary Criticism Languages : en Pages : 215
Book Description
MAKING THE STAGE is a collection of essays that examines the role of theatre, drama, and performance in contemporary culture, a culture that is growing increasingly technological and isolated--seemingly at odds with the very nature of theatre, a collaborative and sometimes very primitive art form. Through the course of these essays, it is clear that theatre not only survives some of the challenges of the day but even defines discussions, particularly political ones which are prohibited by an increasingly manipulated media. The essays, from a diverse group of theatre scholars, examine the mechanics of theatre, from space to sound to the use of technology, the role of women in creating theatre, the relationship between theatre and literary art forms, the politics of theatre, science and theatre, and the role of performance art. Through them all, it is clear that theatre, drama, and performance continue to speak in significant ways.
Author: Michal Grover-Friedlander
Author: Michal Grover-Friedlander
Author: Valerie Lipscomb
Author: Norma Bowles
Author: Sara Morrison
Author: Laura S. Lieber
Author: Andy Head
Author: John M Clum
Author: Steve Capra
Author: Herbert Puchta
Author: Ann C. Hall