Staging Dublin PDF Download

Author: Christopher Lowell Berchild
Publisher:
ISBN:
Category : Dublin (Ireland)
Languages : en
Pages : 538

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Author:
Publisher: Bloomsbury Publishing
ISBN: 1474240569
Category : Performing Arts
Languages : en
Pages : 288

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This is the first full-length study to focus on the staging of Samuel Beckett's drama in Ireland and Northern Ireland. Beckett's relationship with his native land was a complex one, but the importance of his drama as a creative force both historically and in contemporary practice in Ireland and Northern Ireland cannot be underestimated. Drawing on previously unpublished archival materials and re-examining familiar narratives, this volume traces the history of Beckett's drama at Dublin's Abbey and Gate Theatres as well as bringing to light unexamined and little-known productions such as those performed in the Irish language, Druid Theatre Company's productions, and those of Dublin's Focus Theatre. Leading scholars in Beckett studies and in Irish drama, including Anna McMullan and Anthony Roche, and renowned interpreters of Beckett's dramatic work such as Barry McGovern, explore Beckett's drama within the context of Irish creative theatrical practice and heritage, and analyse its legacies. As with its companion volume, Staging Beckett in Great Britain, production analyses are underpinned by a consideration of the political, economic and cultural contexts. Readers are invited to experience Beckett's drama as resonating in new ways, through theatre practice, against the complex and connected histories of Ireland, north and south.

Author: Hiroko Mikami
Publisher: Peter Lang
ISBN: 9781904505235
Category : Drama
Languages : en
Pages : 212

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Book Description
Essays on Irish theatre in the second half of the twentieth century

Author: David O'Shaughnessy
Publisher: Cambridge University Press
ISBN: 1108498140
Category : Literary Criticism
Languages : en
Pages : 283

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Book Description
Reveals the contribution of Irish writers to the Georgian English stage; argues that theatre is an important strand of the Irish Enlightenment.

Author: John C. Greene
Publisher: Lehigh University Press
ISBN: 9780934223225
Category : Performing Arts
Languages : en
Pages : 492

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"The Dublin Stage, 1720-1745 is a comprehensive documentary history and calendar of Dublin Ireland's theatres from 1720, the year of Joseph Ashbury's death, to 1745, when Thomas Sheridan assumed the management of the united Smock Alley/Aungier Street companies and ushered in the "Golden Age" of early Dublin theatre. During the eighteenth century, Dublin was second only to London in the number of theatres it supported and in the number and quality of productions. Winner of Lehigh University Press's eighteenth-century studies prize, this work details for the first time evidence of nearly 1,400 stage performances in eight competing theatres and theatrical booths and hundreds of performers, many previously unnoticed. Programs are listed in a detailed calendar, which is organized by theatrical season and provides a day-by-day account of the plays, afterpieces, dances, music, and songs that were performed, as well as the many other forms of entertainment that were staged at the public theatres, such as rope-dancing, animal acts, and equilibres." "The actors who performed and their named roles are listed, as well as the recipients of benefits, the titles of all songs, dances, and other entr'acte entertainments. Each entry also incorporates all available contemporary commentary about each performance, financial information, and supplies locations of rare texts." "In the analytical introduction to the calendar, the authors discuss the physical characteristics and locations of the theatres; their acoustics and capacities; the Dublin theatre season; composition, administration, and management of the companies of performers; management styles and techniques; actors' contractual arrangements, conditions, and salaries; ticket prices; benefit and command performances; the composition of the repertory; costumes, scenery, wardrobe, and machinery, and much else. Special attention is paid to areas that have been neglected by previous histories, such as dance and dancers, and prologues and epilogues." "In addition to a general index, The Dublin Stage, 1720-1745 provides indexes of all mainpieces and afterpieces performed during the period in Dublin, cross-referenced with the venue and date of performance; an author/play index; and an alphabetical listing of all personnel associated with the Dublin stage at this time, as well as a selected bibliography." "Incorporating into their book the work of recent eighteenth-century theatre scholarship, the authors bring to light much that is new about a fascinating period of theatre history and greatly expand our knowledge about the plays and entertainments enjoyed by Dublin audiences, and about the identities of the stage personnel active in Dublin."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Stephen O'Neill
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 216

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This book is a comprehensive study of the representation of Ireland in the plays of Shakespeare and his contemporaries. Through a detailed analysis of a range of canonical and less familiar plays, such as The Misfortunes of Arthur, Captain Thomas Stukeley, Sir John Oldcastle and Dekker's The Honest Whore, this book reveals fascinating interconnections between Ireland as it was figured in Elizabethan and early Jacobean drama, and contemporaneous political and cultural anxieties about Ireland and Irish alterity. Exploring how the stage provided a fluid, though licensed, space where such anxieties were negotiated and confronted, this study questions views of the stage Irishman as a static colonialist stereotype. Instead, it demonstrates that dramatic representations of Ireland were dynamic, heterogeneous, and ideologically unstable. Opening up Renaissance drama to its multivalent Irish contexts, Staging Ireland will appeal to scholars and students of Shakespeare and early modern literature; drama and theatre as well as Irish studies.

Author: Lelia Ruckenstein
Publisher: Ballantine Books
ISBN: 0307484459
Category : History
Languages : en
Pages : 482

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Book Description
Here, in one complete volume, is the depth and breadth of the great island nation and its people represented in an easily browsed, friendly format. From the Abbey Theatre to the Dublin storyteller Zozimus; from the origin of the Troubles to the origin of the limerick; from the stunning beauty of Connemara to the shattering tragedy of Bloody Sunday; from the greatest writers of the English language to the “confrontational television” of Gay Byrne’s The Late Late Show–every aspect of Irish culture, geography, and history is collected and annotated in more than 900 entries from A to Z. Readers will encounter heroes and terrorists, poets and politicians, all of Ireland’s counties, ancient myths, and pivotal events–all expertly and succinctly described and explained. With entries written by some of the world’s leading authorities on Ireland, Everything Irish is perfect for everyone, from the inquiring reader to the serious student. You can spend a few minutes learning about the much-maligned Travelers and then move on to the equally contentious (in its time) medieval tithe. Visit the majestic Cliffs of Moher and then delve into an analysis of paramilitary groups like the Irish Republican Army and the Ulster Volunteer Force. Explore the ruins of a Romanesque castle or experience the piercing light of the winter solstice inside prehistoric Newgrange, a passage grave older than the pyramids. Across centuries and across counties, the rich landscape of Irish life and heritage springs to life in these pages. An indispensable source of fascinating information and captivating anecdote, this is one book that will never be far from the hands of those with curious minds or an adventurous spirit.

Author: Amina ElHalawani
Publisher: Taylor & Francis
ISBN: 1040002536
Category : Performing Arts
Languages : en
Pages : 168

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Book Description
The book explores how theatre, with its performative capacity, has the power to engage with and affect the politics of its day. It sets the stage for the reader to discover the revolutionary traditions of Egyptian and Irish theatre, very distinct in their histories and cultures, and understand their enduring relevance in today’s world. The volume takes Ireland as a case study of the interplay between cultural nationalism and politically engaged theatre and compares it to the role of the theatre in Egypt during its Golden era in the 1960s. Through a selection of Egyptian plays by Tawfiq al-Hakim, Mikhail Roman, Yusuf Idris, and Salah Abdul-Saboor, alongside Irish plays by Brian Friel, Frank McGuinness, Christina Reid, and Samuel Beckett, it maps the political aesthetics of unsteady times and seemingly disparate places to reflect on the dynamics of revolt as a staged act in and of itself. Further, the book examines how playwrights from both nations have engaged with theatre as a medium, focusing on how their contemplations, hesitations, frustrations, and protest have been translated onto the stage in their various plays, and comprehends the transformative role the theatre has always played in politics in shaping history across time and space. Bridging together discussions on transnational modernisms with nuanced cultural histories of protest, this critical work will be of great interest to scholars and researchers of literary studies, identity politics, cultural studies, theatre and performance studies, and political studies.

Author: Eamonn Jordan
Publisher: Springer
ISBN: 1137585889
Category : Performing Arts
Languages : en
Pages : 866

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Book Description
This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces, and Reflections — it casts its gaze back across the past sixty years or so to recall, analyse, and assess the recent legacy of theatre and performance on this island. While offering information, overviews and reflections of current thought across its chapters, this book will serve most handily as food for thought and a springboard for curiosity. Offering something different in its mix of themes and perspectives, so that previously unexamined surfaces might come to light individually and in conjunction with other essays, it is a wide-ranging and indispensable resource in Irish theatre studies.

Author: Kathleen Heininge
Publisher: Peter Lang
ISBN: 9781433105463
Category : Drama
Languages : en
Pages : 204

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Book Description
Generations of Irish playwrights have tried to assert the reputation of the stage Irish figure as other than comic, but each effort was in its turn assailed as buffoonery. Using post-colonial and performative theory, Buffoonery in Irish Drama demonstrates the ways the Irish struggled to create a sense of identity in a colonial structure, and it explores the distortion and appropriation of that new identity that elicit further calls to eradicate negative stereotypes. Demonstrating the pervasiveness of the reclamation efforts, Buffoonery in Irish Drama covers a wide range of well-known and obscure plays to show the trajectory of twentieth-century drama that brings us into a globalized twenty-first-century Ireland.