Author:
Publisher:
ISBN:
Category : Indiana
Languages : en
Pages : 128
Book Description
The Hoosier Genealogist
Digest of Consular Regulations Relating to Vessels and Seamen. December 1, 1920
Author: United States. Department of State
Publisher:
ISBN:
Category : Consular jurisdiction
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Consular jurisdiction
Languages : en
Pages : 80
Book Description
A Natural History of the Senses
Author: Diane Ackerman
Publisher: Vintage
ISBN: 0307763315
Category : Science
Languages : en
Pages : 354
Book Description
Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. “Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in.” —The New York Times
Publisher: Vintage
ISBN: 0307763315
Category : Science
Languages : en
Pages : 354
Book Description
Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. “Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in.” —The New York Times
History of the Underground Railroad as it was Conducted by the Anti-slavery League
Author: William Monroe Cockrum
Publisher:
ISBN:
Category : Antislavery movements
Languages : en
Pages : 364
Book Description
History of the Underground railroad in Indiana.
Publisher:
ISBN:
Category : Antislavery movements
Languages : en
Pages : 364
Book Description
History of the Underground railroad in Indiana.
A Series of Plays in which it is Attempted to Delineate the Stronger Passions of the Mind: Each Passion Being the Subject of a Tragedy and a Comedy
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Ice Tunnel Closure Phenomena
Author: John F. Abel
Publisher:
ISBN:
Category : Civil engineering
Languages : en
Pages : 56
Book Description
The mechanics of closure, exhibited by ice tunnels, can be understood by considering the ice as a viscous solid. The viscous solid will flow, when subjected to a force, at a rate dependent on the magnitude of the force, the area of relief open for flow, and the apparent viscosity of the viscous solid. In the case of the ice tunnels, the force inducing the flow is the weight of the overburden; the area of relief open for flow is the tunnel opening; and apparent viscosity is the resistance to flow exhibited by the ice. The closure of a rectangular opening made in ice was measured. Maximum closure occurs at the center of unsupported roof, wall, or floor spans. The vertical closure rate decreases negligibly approximately 2% from the center of a room to approximately 6 ft from the wall. From the point about 6 ft from the wall to the wall, the closure rate decreases about 30%. Approximately 30% of vertical closure at the center of the span is due to flexure of the floor and roof. The remaining 70% is due to shortening of the wall height; the major portion of this wall closure occurs at the bottom of the wall. Over 80% of closure due to flexure of the floor and roof results from flexure of the floor. (Author).
Publisher:
ISBN:
Category : Civil engineering
Languages : en
Pages : 56
Book Description
The mechanics of closure, exhibited by ice tunnels, can be understood by considering the ice as a viscous solid. The viscous solid will flow, when subjected to a force, at a rate dependent on the magnitude of the force, the area of relief open for flow, and the apparent viscosity of the viscous solid. In the case of the ice tunnels, the force inducing the flow is the weight of the overburden; the area of relief open for flow is the tunnel opening; and apparent viscosity is the resistance to flow exhibited by the ice. The closure of a rectangular opening made in ice was measured. Maximum closure occurs at the center of unsupported roof, wall, or floor spans. The vertical closure rate decreases negligibly approximately 2% from the center of a room to approximately 6 ft from the wall. From the point about 6 ft from the wall to the wall, the closure rate decreases about 30%. Approximately 30% of vertical closure at the center of the span is due to flexure of the floor and roof. The remaining 70% is due to shortening of the wall height; the major portion of this wall closure occurs at the bottom of the wall. Over 80% of closure due to flexure of the floor and roof results from flexure of the floor. (Author).
Riding Buffaloes and Broncos
Author: Allison Fuss Mellis
Publisher: University of Oklahoma Press
ISBN: 9780806135199
Category : Social Science
Languages : en
Pages : 300
Book Description
After his remarkable eight-second ride at the 1996 Indian National Finals Rodeo, an elated American Indian world champion bullrider from Pine Ridge, South Dakota, threw his cowboy hat in the air. Everyone in the almost exclusively Indian audience erupted in applause. Over the course of the twentieth century, rodeos have joined tribal fairs and powwows as events where American Indians gather to celebrate community and equestrian competition. In Riding Buffaloes and Broncos, Allison Fuss Mellis reveals how northern Plains Indians have used rodeo to strengthen tribal and intertribal ties and Native solidarity. In the late nineteenth century, Indian agents outlawed most traditional Native gatherings but allowed rodeo, which they viewed as a means to assimilate Indians into white culture. Mistakenly, they treated rodeo as nothing more than a demonstration of ranching skills. Yet through selective adaptation, northern Plains horsemen and audiences used rodeo to sidestep federally sanctioned acculturation. Rodeo now enabled Indians to reinforce their commitment to the very Native values--a reverence for horses, family, community, generosity, and competition--that federal agencies sought to destroy. Mellis has mined archival sources and interviewed American Indian rodeo participants and spectators throughout the northern Great Plains, Southwest, and Canada, including Crow, Northern Cheyenne, and Lakota reservations. The book features numerous photographs of Indian rodeos from the nineteenth and twentieth centuries and maps illustrating the all-Indian rodeo circuit in the United States and Canada.
Publisher: University of Oklahoma Press
ISBN: 9780806135199
Category : Social Science
Languages : en
Pages : 300
Book Description
After his remarkable eight-second ride at the 1996 Indian National Finals Rodeo, an elated American Indian world champion bullrider from Pine Ridge, South Dakota, threw his cowboy hat in the air. Everyone in the almost exclusively Indian audience erupted in applause. Over the course of the twentieth century, rodeos have joined tribal fairs and powwows as events where American Indians gather to celebrate community and equestrian competition. In Riding Buffaloes and Broncos, Allison Fuss Mellis reveals how northern Plains Indians have used rodeo to strengthen tribal and intertribal ties and Native solidarity. In the late nineteenth century, Indian agents outlawed most traditional Native gatherings but allowed rodeo, which they viewed as a means to assimilate Indians into white culture. Mistakenly, they treated rodeo as nothing more than a demonstration of ranching skills. Yet through selective adaptation, northern Plains horsemen and audiences used rodeo to sidestep federally sanctioned acculturation. Rodeo now enabled Indians to reinforce their commitment to the very Native values--a reverence for horses, family, community, generosity, and competition--that federal agencies sought to destroy. Mellis has mined archival sources and interviewed American Indian rodeo participants and spectators throughout the northern Great Plains, Southwest, and Canada, including Crow, Northern Cheyenne, and Lakota reservations. The book features numerous photographs of Indian rodeos from the nineteenth and twentieth centuries and maps illustrating the all-Indian rodeo circuit in the United States and Canada.
Fresh from the Farm 6pk
Dear Black Girls
Author: Shanice Nicole
Publisher:
ISBN: 9781999058838
Category :
Languages : en
Pages : 32
Book Description
Dear Black Girls is a letter to all Black girls. Every day poet and educator Shanice Nicole is reminded of how special Black girls are and of how lucky she is to be one. Illustrations by Kezna Dalz support the book's message that no two Black girls are the same but they are all special--that to be a Black girl is a true gift. In this celebratory poem, Kezna and Shanice remind young readers that despite differences, they all deserve to be loved just the way they are.
Publisher:
ISBN: 9781999058838
Category :
Languages : en
Pages : 32
Book Description
Dear Black Girls is a letter to all Black girls. Every day poet and educator Shanice Nicole is reminded of how special Black girls are and of how lucky she is to be one. Illustrations by Kezna Dalz support the book's message that no two Black girls are the same but they are all special--that to be a Black girl is a true gift. In this celebratory poem, Kezna and Shanice remind young readers that despite differences, they all deserve to be loved just the way they are.