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Author: Edmund P. Cueva Publisher: Barkhuis ISBN: 9491431986 Category : Art Languages : en Pages : 380
Book Description
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries.
Author: Edmund P. Cueva Publisher: Barkhuis ISBN: 9491431986 Category : Art Languages : en Pages : 380
Book Description
Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries.
Author: Horace Publisher: Oxford University Press, USA ISBN: 9780198721659 Category : Poetry Languages : en Pages : 324
Book Description
The three books of Horace's Odes were published in 23 BC and gained him his reputation as the greatest Latin lyric poet. This book provides the Latin text (from the Oxford Classical Text series) of the third book together with a new translation by David West which attempts to be close to the Latin while catching the flavour of the original. There is also a commentary which explains the poems aimed at students of Latin literature and Roman history, whether or not they know Latin.
Author: Jonathan Swift Publisher: Ignatius Press ISBN: 1586173952 Category : Fiction Languages : en Pages : 453
Book Description
Gulliver's Travels by Jonathan Swift is one of the greatest satirical works ever written. Through the misadventures of Lemuel Gulliver, his hopelessly "modern" protagonist, Swift exposes many of the follies of the English Enlightenment, from its worship of science to its neglect of traditional philosophy and theology. In Swift's eighteenth century, as in our twenty-first, a war being fought between the "ancients"and the "moderns", between those rooted in the traditions of the West and those seeking to uproot tradition to make way for dangerous and ultimatcly destructive new ideas. Swift's satire on the threats posed by the Enlightenment and the embryonic spirit of secular fundamentalism makes Gulliver's Travels priceless reading for today's defenders of tradition. Yet Swift's subtlety has bemused many modern critics, with the lamentable of result that this classic of western civilization is often misread and misunderstood. This new critical edition, edited by Dutton kearney of Aquinas College in Nashville, contains detailed notes to the text, bringing it to life for today's reader, and a selection of tradition-oriented essays by some of the finest contemporay Swift scholars. The Ignatius Critical Editions Series represents a tradition-oriented approach to reading the Classics of world literature. While many modern critical editions have succumbed to the fads of modernism and post-modernism, this series concentrates on critical examinations informed by our Judco-Christian heritage as passed down through the ages---the same heritage that provided the crucible in which the great authors formed these classic works. Edited by acclaimed literary biographer Joseph Pearce, the lgnatius Critical Editions ensure that readings of the works are filtered through the richness of Western tradition, meeting the authors in their clement, instead of the currently popular method of deconstructing a classic to fit a modern mindsct---a lamentable flaw that often proliferates in other series of critical editions. The Series is ideal for anyone wishing to understand the great works of Western Civilization, enabling the modern reader to enjoy these classics in the company of some of the finest literature professors alive today.
Author: R. C. De Prospo Publisher: Rowman & Littlefield ISBN: 1611496004 Category : Literary Criticism Languages : en Pages : 401
Book Description
The Latest Early American Literature, according to readers for the University of Delaware Press, is “a collection of polemics and manifestoes.” In it R. C. De Prospo bids to follow in the footsteps of the two, rare, early Americanist dissenters whom Philip F. Gura once distinguished as “prophets without honor in the field”: William Spengemann and Michael Colacurcio. The book contends that a supposedly retired nationalist/modernist “telos” continues to reign in most of the latest scholarship, and even more influentially in all of the current literary histories and anthologies, no matter how expansive in gender, ethnic, racial, and “hemispheric” inclusiveness they profess to be. Old teloi, in particular that old American exceptionalist one, can be cunning. Updating and expanding upon essays written over the past thirty years, De Prospo proposes not only negatively to critique how the latest scholarly receptions of early American literature differ insignificantly from the earlier ones, but positively to propose how a transnationalist concession—that as a neocolonial culture America’s lags behind that of Europe—might advance post-modern historiography by radically repositioning the past as no longer the present’s diachronic predecessor but, to quote Lyotard’s semiotics, its synchronic “differend.” Closer to earth, De Prospo tries at the same time to remain mindful of the pedagogical imperative that ultimately to save the texts of early American literature will require making them legible to average non-specialist, never-to-become specialist undergraduate general education students. To facilitate this he introduces in the concluding section of The Latest Early American Literature what will probably be taken as its most radical intervention: the redefinition of Edgar Allan Poe as an early American writer.
Author: Edmund P. Cueva
Author: Edmund P. Cueva
Author: Horace
Author: Jonathan Swift
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Author: Lucas Malet
Author: R. C. De Prospo
Author: William Kirby
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Author: Sir Sidney Low
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