Author: John Geddes M'IntoshPublisher:
ISBN:
Category : Oils and fats
Languages : en
Pages : 508
Book Description
Spirit varnishes and spirit varnish materials
Author: John Geddes M'IntoshPublisher:
ISBN:
Category : Oils and fats
Languages : en
Pages : 508
Book Description
Spirit varnishes and spirit varnish materials
Author: John Geddes M'IntoshPublisher:
ISBN:
Category : Oils and fats
Languages : en
Pages : 540
Book Description
Spirit Varnishes Technology Handbook (with Testing and Analysis)
Author: H. PandaPublisher: ASIA PACIFIC BUSINESS PRESS Inc.
ISBN: 817833139X
Category : Lacquer and lacquering
Languages : en
Pages : 530
Book Description
Varnish is a clear finish best suited for accenting wood grain. Technically, all resin and solvent mixes are varnishes. Most resin or gum varnishes consist of a natural, plant or insect derived substance dissolved in a solvent. The two main types of natural varnishes are spirit varnish (alcohol-based) and turpentine or petroleum based varnish. Spirit varnishes made with alcohol are conveniently prepared and on account of their rapid drying and leaving no disagreeable smell are in frequent use in the household for covering various articles of art. Resin is a class of non volatile (non-evaporating), solid or semisolid organic substances obtained directly from certain plants as exudations or prepared by polymerization of simple molecules. Some hard and soft resins used in varnishes are amber, copal, shellac, sandarac, mastic, resin of turpentine, dammar etc. Rosins are classified as pale yellow, yellow, reddish to yellow, brown or black rosin. If the injection water be not completely expelled the rosin is opaque. If the essential oils have not been completely eliminated the rosin is viscous and tacky. Spirit varnishes are more or less thin, more or less viscous, colourless or more or less coloured, opaque or transparent solutions, of one or more natural resins, e.g. shellac and shandarac etc., in one more appropriate volatile solvents which leave on evaporation a thin, more or less resistant film which both adorns and protects the object on which it is applied. Some of the fundamentals of the book are characteristics of spirit varnishes solvents, chemistry and distillation of rosin, sources and methods of obtaining turpentine, distillation of turpentine, turpentine testing and turpentine substitutes, chemistry and distillation of rosin, rosin spirit rosin oil, chemistry of terpenes and camphors, amber, asphaltum collodion and celluloid varnishes, India rubber, insulating, mastic and matte spirit varnishes, rosin spirit, sandarach, shellac spirit varnishes and enamels, testing and analysis of spirit varnishes, the determination of resins and solvents in spirit varnishes. This book gives detailed information on spirit varnishes, types and characteristics of spirit varnishes, sources of origin, principles of manufacturing processes, testing and analysis of spirit varnishes and many more. We hope this book will be very resourceful to all its readers, new entrepreneur, libraries, paint and varnish technologists existing industries etc. TAGS Spirit Varnishes Manufacturing, Varnish Manufacturing, Manufacture of Varnishes, How to Manufacture Varnishes, Varnish Manufacture, Wood Varnish Manufacture, Production of Varnish, Varnish Manufacture Plant, Varnish Manufacturing, Varnish Manufacturing Plant, Business Plan for Varnish Manufacturing, Varnish Manufacturing Business Plan, Manufacturing of Varnish, Varnish Production Business Plan, Production of Varnishes, Production Varnishing, Process for Producing Varnish, Varnishes Production Process, Varnishes Production, Varnishes Industry, Spirit Varnishes Solvents, Source, Preparation and Uses of Solvents, Methods of Obtaining Turpentine, Rosin Spirit Rosin Oil, Spirit Varnish Resins and Colouring Matters, Amber, Asphaltum Collodion And Celluloid Varnishes, Copal and Damar Spirit Varnishes, India Rubber, Insulating, Mastic and Matte Spirit Varnishes, Rosin Spirit, Sandarach, Shellac Spirit Varnishes and Enamels, Testing and Analysis of Spirit Varnishes, Determination of Resins and Solvents in Spirit Varnishes, Preparation of Solvents, Guide to Turpentine Test Methods, Varnishes Formulations Guide, Varnish Formulations, Formula of Spirit Varnish, Formulae of Spirit Varnish, Formulation of Spirit Varnish, Npcs, Niir, Process Technology Books, Business Consultancy, Business Consultant, Project Identification and Selection, Preparation of Project Profiles, Startup, Business Guidance, Business Guidance to Clients, Startup Project, Startup Ideas, Project for Startups, Startup Project Plan, Business Start-Up, Business Plan for Startup Business, Great Opportunity for Startup, Small Start-Up Business Project, Best Small and Cottage Scale Industries, Startup India, Stand Up India, Small Scale Industries, New Small Scale Ideas for Varnishes Manufacturing, Varnishes Manufacturing Business Ideas You Can Start on Your Own, Indian Varnishes Production, Small Scale Varnishes Production, Guide to Starting and Operating Small Business, Business Ideas for Varnishes Production, How to Start Varnishes Manufacturing Business, Starting Varnishes Production, Start Your Own Varnishes Production Business, Varnishes Production Business Plan, Business Plan for Varnishes Production, Small Scale Industries in India, Varnishes Production Based Small Business Ideas in India, Small Scale Industry You Can Start on Your Own, Business Plan for Small Scale Industries, Set Up Varnishes Production, Profitable Small Scale Manufacturing, How to Start Small Business in India, Free Manufacturing Business Plans, Small and Medium Scale Manufacturing, Profitable Small Business Industries Ideas, Business Ideas for Startup
The Manufacture of Varnishes and Kindred Industries Based on and Including the "Drying Oils and Varnishes" of Ach. Livache: Spirit varnishes and spirit varnish materials. 1911. x, 482 p. 2 fold. tables
Author: John Geddes McIntoshPublisher:
ISBN:
Category :
Languages : en
Pages : 522
Book Description
The Manufacture of Varnishes, Oil Crushing, Refining and Boiling and Kindred Industries
Author: Achille LivachePublisher:
ISBN:
Category : Oils and fats
Languages : en
Pages : 252
Book Description
Varnish materials and oil varnish making
Author: John Geddes M'IntoshPublisher:
ISBN:
Category : Oils and fats
Languages : en
Pages : 262
Book Description
The Manufacture of Varnishes and Kindred Industries
Author: John Geddes McIntoshThe Manufacture of Varnishes and Kindred Industries Based on and Including the "Drying Oils and Varnishes" of Ach. Livache: Varnish materials and oil varnish making. 1908. vi, [2], 209 p
Author: John Geddes McIntoshPublisher:
ISBN:
Category : Drying oils
Languages : en
Pages : 252
Book Description
The Manufacture of Varnishes
Author: Achille LivachePublisher:
ISBN: 9783337620585
Category :
Languages : en
Pages : 448
Book Description
Violin Varnish
Author: Joseph MichelmanPublisher: Read Books Ltd
ISBN: 144654687X
Category : Music
Languages : en
Pages : 211
Book Description
After more than eight years of extensive research on the varnish used by the Italian Violin Makers from 1550 to 1750 A. D., it has not been possible to corroborate the results in the chemical laboratory. This is due entirely to the unavailability of samples of the varnish for confirmatory analysis. Violins made by the Italian masters of this period are so valuable and so scarce that a small sample of the varnish has not been procurable for experimental purposes. Therefore, synthesis must precede analysis . . . . and with no assistance from the latter. This, then, will explain the sub-title of this book as: "A Plausible Re-creation of the Varnish Used by the Italian Makers Between the Years 1550 and 1750 A. D." However, the results of this investigation are so logical and so deeply supported by a vast amount of convincing evidence, that publication of the book is in order. First, possibly the findings will be confirmed, or otherwise, by investigators who may be more fortunate in having access to material from authentic violins made by the old masters. Confirmatory chemical tests will be suggested; it should be comparatively simple, especially through modern micro-analytical methods, to determine the presence of certain constituents in the varnish. The subject matter of this book will of necessity become technical, especially when the theoretical aspects are considered. It is realized that not everyone who will be interested in the rediscovery of the old Italian varnish will also be interested in the scientific deductions and conclusions. For this reason, a chapter will be included in which the preparation of the materials from which the varnish is made, the formulation of the varnish and its application will be reduced to the simplest terms. The old masters who lived several hundred years ago and who possessed none of the advantages of modern technology also used only the simplest technique in varnishing and finishing their violins.