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Author: Yone Noguchi Publisher: Graphic Arts Books ISBN: 1513287524 Category : Literary Criticism Languages : en Pages : 63
Book Description
The Spirit of Japanese Poetry (1914) is a collection of essays by Yone Noguchi. Although he is widely recognized as a leading poet in English and Japanese of the modernist period, Noguchi was also a dedicated literary critic who advocated for the cross-pollination of national poetries. His essays on the Noh drama and Hokku poems influenced Ezra Pound, William Butler Yeats, and countless other artists from the West. “Not only the English poetry, but any poetry of any country, is bound to become stale and stupid if it shuts itself up for too long a time; it must sooner or later be rejuvenated and enlivened with some new force.” For Noguchi, it is not only educational to immerse oneself in the art of other cultures, but vital for those cultures to flourish. As a Japanese poet who excelled with a modern, free verse style of English poetry, Noguchi advocated for his contemporaries to attempt a similar radical openness—to possibility, uncertainty, and change. In these brilliant, instructive essays, he provides his understanding of the spiritual, otherworldly nature of Japanese poetry, reflects on the function of silence in the traditional Noh drama, and praises the lyric essence of Hokku poems. With a beautifully designed cover and professionally typeset manuscript, this edition of Yone Noguchi’s The Spirit of Japanese Poetry is a classic of Japanese American literature reimagined for modern readers.
Author: Yone Noguchi Publisher: Graphic Arts Books ISBN: 1513287524 Category : Literary Criticism Languages : en Pages : 63
Book Description
The Spirit of Japanese Poetry (1914) is a collection of essays by Yone Noguchi. Although he is widely recognized as a leading poet in English and Japanese of the modernist period, Noguchi was also a dedicated literary critic who advocated for the cross-pollination of national poetries. His essays on the Noh drama and Hokku poems influenced Ezra Pound, William Butler Yeats, and countless other artists from the West. “Not only the English poetry, but any poetry of any country, is bound to become stale and stupid if it shuts itself up for too long a time; it must sooner or later be rejuvenated and enlivened with some new force.” For Noguchi, it is not only educational to immerse oneself in the art of other cultures, but vital for those cultures to flourish. As a Japanese poet who excelled with a modern, free verse style of English poetry, Noguchi advocated for his contemporaries to attempt a similar radical openness—to possibility, uncertainty, and change. In these brilliant, instructive essays, he provides his understanding of the spiritual, otherworldly nature of Japanese poetry, reflects on the function of silence in the traditional Noh drama, and praises the lyric essence of Hokku poems. With a beautifully designed cover and professionally typeset manuscript, this edition of Yone Noguchi’s The Spirit of Japanese Poetry is a classic of Japanese American literature reimagined for modern readers.
Author: Publisher: Tuttle Publishing ISBN: 146291649X Category : Poetry Languages : en Pages : 368
Book Description
"A wonderful introduction the Japanese tradition of jisei, this volume is crammed with exquisite, spontaneous verse and pithy, often hilarious, descriptions of the eccentric and committed monastics who wrote the poems." --Tricycle: The Buddhist Review Although the consciousness of death is, in most cultures, very much a part of life, this is perhaps nowhere more true than in Japan, where the approach of death has given rise to a centuries-old tradition of writing jisei, or the "death poem." Such a poem is often written in the very last moments of the poet's life. Hundreds of Japanese death poems, many with a commentary describing the circumstances of the poet's death, have been translated into English here, the vast majority of them for the first time. Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined--from the longing poems of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.
Author: Scott Mehl Publisher: Cornell University Press ISBN: 1501761188 Category : Poetry Languages : en Pages : 336
Book Description
In The Ends of Meter in Modern Japanese Poetry, Scott Mehl analyzes the complex response of Meiji-era Japanese poets and readers to the challenge introduced by European verse and the resulting crisis in Japanese poetry. Amidst fierce competition for literary prestige on the national and international stage, poets and critics at the time recognized that the character of Japanese poetic culture was undergoing a fundamental transformation, and the stakes were high: the future of modern Japanese verse. Mehl documents the creation of new Japanese poetic forms, tracing the first invention of Japanese free verse and its subsequent disappearance. He examines the impact of the acclaimed and reviled shintaishi, a new poetic form invented for translating European-language verse and eventually supplanted by the reintroduction of free verse as a Western import. The Ends of Meter in Modern Japanese Poetry draws on materials written in German, Spanish, English, and French, recreating the global poetry culture within which the most ambitious Meiji-era Japanese poets vied for position.
Author: Stephen Addiss Publisher: Shambhala Publications ISBN: 0834822342 Category : Poetry Languages : en Pages : 210
Book Description
A poetry collection honoring the haiku—complete with poet biographies, translator commentary, and Japanese artwork This celebration of what is perhaps the most influential of all poetic forms takes haiku back to its Japanese roots. Beginning with poems by the seventeenth and eighteenth-century masters Basho, Busson, and Issa, the anthology goes all the way up to the late twentieth century to provide a survey of haiku through the centuries, in all its minimalist glory. The translators have balanced faithfulness to the Japanese with an appreciation of the unique spirit of each poem to create English versions that evoke the joy and wonder of the originals with the same astonishing economy of language. An introduction by the translators and short biographies of the poets are included. Reproductions of woodblock prints and paintings accompany the poems.
Author: 室生犀星 Publisher: Cornell East Asia Series ISBN: 9781939161994 Category : POETRY Languages : en Pages : 383
Book Description
This bilingual book presents a generous selection of work by four distinguished twentieth-century poets who made significant contributions to the development of modern Japanese poetry. A general introduction provides the literary and historical context for their achievement, while each poet's work is prefaced with notes on his/her life and career.
Author: Stephen Addiss Publisher: Shambhala Publications ISBN: 1645471217 Category : Poetry Languages : en Pages : 353
Book Description
In the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon—with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration—but it can also compel us to go back to the beginning: to look at haiku’s development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form—like Basho, Buson, and Issa—and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader’s and viewer’s understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry’s evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.
Author: Matsuo Bashō Publisher: State University of New York Press ISBN: 0791484653 Category : Religion Languages : en Pages : 346
Book Description
2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world. David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.
Author: Matsuo Basho Publisher: Penguin UK ISBN: 0141907770 Category : Poetry Languages : en Pages : 81
Book Description
Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.
Author: Matsuo Basho Publisher: Penguin UK ISBN: 0141913657 Category : Poetry Languages : en Pages : 145
Book Description
'It was with awe That I beheld Fresh leaves, green leaves, Bright in the sun' When the Japanese haiku master Basho composed The Narrow Road to the Deep North, he was an ardent student of Zen Buddhism, setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He writes of the seasons changing, the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These writings not only chronicle Basho's travels, but they also capture his vision of eternity in the transient world around him. Translated with an Introduction by Nobuyuki Yuasa
Author: Yone Noguchi
Author: Yone Noguchi
Author: 
Author: Scott Mehl
Author: Yoné Noguchi
Author: Stephen Addiss
Author: 室生犀星
Author: Stephen Addiss
Author: Matsuo Bashō
Author: Matsuo Basho
Author: Matsuo Basho