Spenser's Faerie Queene and the Cult of Elizabeth PDF Download

Author: Robin Headlam Wells
Publisher: Taylor & Francis
ISBN: 9780389203247
Category : Poetry
Languages : en
Pages : 178

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Author: Robin Headlam Wells
Publisher: Taylor & Francis
ISBN: 1003835848
Category : Literary Criticism
Languages : en
Pages : 198

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Book Description
First published in 1983, Spenser’s Faerie Queene and the Cult of Elizabeth presents The Faerie Queene as a central document in the cult of Elizabeth. It shows how Spenser combines the resources of medieval iconography and Renaissance rhetoric in celebrating the Queen as the predestined ruler of an elect nation. In its introductory discussion of Renaissance poetics, the book emphasises the contemporary belief in the moral function of praise. Particular attention is given to the popular identification of Elizabeth with the Virgin Mary. If Elizabeth’s gender created problems for a poet writing in the heroic mode, at the same time it made available to him a form of praise that no secular poet had been able to use before. While the book contains material of interest to the Renaissance specialist, its lucid style and the valuable background material it provides will appeal to undergraduates reading Spenser for the first time.

Author: Julia M. Walker
Publisher: Duke University Press
ISBN: 9780822320746
Category : Biography & Autobiography
Languages : en
Pages : 320

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Book Description
DISSING ELIZABETH is a collection of essays focusing on criticism of Elizabeth I by her contemporaries, and considering the wide range of forms the dissenters used for their critique.

Author: Edmund Spenser
Publisher:
ISBN:
Category :
Languages : en
Pages : 312

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Author: David Norbrook
Publisher: Oxford University Press, USA
ISBN: 9780199247189
Category : History
Languages : en
Pages : 362

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This title establishes the radical currents of thought shaping Renaissance poetry: civic humanism and apocalyptic Protestantism. The author shows how Elizabethan poets like Sidney and Spenser, often seen as conservative monarchists, responded powerfully if sometimes ambivalently to radical ideas.

Author: Stephen Hamrick
Publisher: Routledge
ISBN: 1351893327
Category : Literary Criticism
Languages : en
Pages : 354

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Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.

Author: John M. Steadman
Publisher: University of Missouri Press
ISBN: 9780826210173
Category : Literary Criticism
Languages : en
Pages : 234

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Steadman suggests that these poets, along with most other Renaissance poets, did not actually regard themselves as divinely inspired but, rather, resorted to a common fiction to create the appearance of having special insight into the truth.

Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410345602
Category : Literary Criticism
Languages : en
Pages : 37

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Author: Judith Owens
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773569979
Category : Poetry
Languages : en
Pages : 195

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Enabling Engagements contributes to current critical debates regarding early modern subjectivity and early modern cultural capital. In stressing the boldness of Edmund Spenser's poetics of patronage, Judith Owens shows that Elizabethans could and did exercise agency within a wide range of institutions. By consistently challenging assumptions of courtly hegemony in early modern society, Owens suggests a new appraisal of the processes of cultural commodification. Enabling Engagements challenges conventional assessments of Spenser as court-centred and of patronal relations in the early modern period as asymmetrical and prescriptive. Owens demonstrates that Spenser exercised a vigorous sense of agency within the close quarters of patronage and courtly culture, fashioning his laureate's role and envisioning nationhood in resistance to the centre. She shows that his independence from court-centred values and tropes informed his poetics from the start of his publishing career, not just as a result of increasing disillusionment with the court. Owens develops detailed readings of Spenser's poetry and his paratextual material in The Shepheardes Calender, the 1590 Faerie Queene, and Complaints, providing contexts that are both broader and more varied than those usually accorded Spenser's poetry. She extends the horizons of The Faerie Queene in particular to include not only court and sovereign but also London, the material conditions of early modern publishing, and Ireland. Bringing together concerns usually approached individually, she shows us a Spenser who is neither the careerist of much recent criticism nor the Elizabethan propagandist of long-standing custom.

Author: Margaret Christian
Publisher: Manchester University Press
ISBN: 152610783X
Category : Literary Criticism
Languages : en
Pages : 322

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Edmund Spenser famously conceded to his friend Walter Raleigh that his method in The Faerie Queene 'will seeme displeasaunt' to those who would 'rather have good discipline delivered plainly in way of precepts, or sermoned at large.' Spenser's allegory and Elizabethan biblical exegesis is the first book-length study to clarify Spenser's comparison by introducing readers to the biblical typologies of contemporary sermons and liturgies. The result demonstrates that 'precepts ... sermoned at large' from lecterns and pulpits were themselves often 'clowdily enwrapped in allegoricall devises'. In effect, routine churchgoing prepared Spenser's first readers to enjoy and interpret The Faerie Queene. A wealth of relevant quotations invites readers to adopt an Elizabethan mindset and encounter the poem afresh. The 'chronicle history' cantos, Florimell's adventures, the Souldan episode, Mercilla's judgment on Duessa and even the two stanzas that close the Mutabilitie fragment, all come into sharper focus when juxtaposed with contemporary religious rhetoric.