Spectacles of Realism PDF Download

Author: Margaret Cohen
Publisher: U of Minnesota Press
ISBN: 9781452900568
Category : Electronic books
Languages : en
Pages : 382

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Author: Maurice Samuels
Publisher: Cornell University Press
ISBN: 1501729837
Category : Literary Criticism
Languages : en
Pages : 297

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Book Description
Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such entertainments, Samuels asserts, provided bourgeois audiences with an illusion of mastery over the past, allowing them to picture their new role as historical agents.Samuels demonstrates how the spectacular mode of historical representation pervaded historiography, drama, and the novel during the Romantic period. He then argues that the early Realist fiction of Balzac and Stendhal emerged as a critique of the spectacular historical imagination. By investigating how postrevolutionary France envisioned the past, Samuels illuminates a vital moment in the cultural history of modernity.

Author: Michiel van Ingen
Publisher: Routledge
ISBN: 1351621114
Category : Social Science
Languages : en
Pages : 276

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In assessing the current state of feminism and gender studies, whether on a theoretical or a practical level, it has become increasingly challenging to avoid the conclusion that these fields are in a state of disarray. Indeed, feminist and gender studies discussions are beset with persistent splits and disagreements. This reader suggests that returning to, and placing centre-stage, the role of philosophy, especially critical realist philosophy of science, is invaluable for efforts that seek to overcome or mitigate the uncertainty and acrimony that have resulted from this situation. In particular, it claims that the dialectical logic that runs through critical realist philosophy is ideally suited to advancing feminist and gender studies discussions about broad ontological and epistemological questions and considerations, intersectionality, and methodology, methods, and empirical research. By bringing together four new and eight existing writings this reader provides both a focal point for renewed discussions about the potential and actual contributions of critical realist philosophy to feminism and gender studies and a timely contribution to these discussions.

Author: Kornelije Kvas
Publisher: Rowman & Littlefield
ISBN: 179360911X
Category : Literary Criticism
Languages : en
Pages : 207

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This book is a valuable theoretical and critical contribution to the study of realism inworld literature. Proceeding from the mimetic theories of the era of antiquity, and proceeding to explore formalists, structuralists, theories of possible worlds, and theories of simulation, Kvas points to the fictionality of (mimetic) realism, to literature and art as the creation of new, fictional aesthetic worlds, even when—as in the case of realism—there is a programmatic and practical inclination of such art and literature toward the world of the historical and the social—the real in the original sense of the word. This study will enable readers to confront, in a new and dependable manner, the issues of literary realism and its digressions into magical realism.

Author: Swaralipi Nandi
Publisher: Zubaan
ISBN: 9383074132
Category : Social Science
Languages : en
Pages : 231

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This book places itself at the nexus of current issues of violence, masculinity and power in the postcolonial context and its representation in its films in challenging, normalising, or contesting these major concerns of our times. The essays address the interplay of critical and theoretical insights both from literature and social studies in analysing the films based on societal violence in postcolonial cultures: be it in the context of sophisticated terrorism, suicide bombings, the underworld, any organised crime, mob violence etc. The writers look at the the dynamics of the representation of these issues as cinematic plots and techniques. They draw attention to the affective value of the films in generating and foregrounding the questions of feelings invoked by the onscreen violence, and the impact of this emotive state on the issues of national and cosmopolitan identity formation. Together, the essays enrich both literary studies and social studies with a nuanced borrowing and intermixing of their primary texts and modes of interpretation. This new collection of essays, thus, brings together, in one volume, the interplay of critical and theoretical insights from Literature, Sociology and Media Studies. Published by Zubaan.

Author: Linda Williams
Publisher: Rutgers University Press
ISBN: 9780813521336
Category : Performing Arts
Languages : en
Pages : 308

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On visual perception in film and human subjectivity

Author: Raymond Tallis
Publisher: U of Nebraska Press
ISBN: 9780803294356
Category : Literary Criticism
Languages : en
Pages : 236

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Book Description
In Defence of Realism is a powerful indictment of the fog of bad philosophy and worse linguistics that has shrouded much contemporary literary theory and criticism. Raymond Tallis, one of the most important critics of post-Saussurean literary theory in the English-speaking world, examines the reasons often cited by critics and theorists for believing that realism in fiction is impossible and verisimilitude a mere literary ?effect.? He clearly demonstrates not only that the arguments of critics hostile to realism are invalid, but that even if they were sound, they would apply equally to anti-realist fiction, indeed to all intelligible discourse.

Author: James C. Bulman
Publisher: Routledge
ISBN: 113481917X
Category : Performing Arts
Languages : en
Pages : 230

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Book Description
Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.

Author: Amy Kaplan
Publisher: University of Chicago Press
ISBN: 0226424308
Category : Philosophy
Languages : en
Pages : 199

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Book Description
Kaplan redefines American realism as a genre more engaged with a society in flux than with one merely reflective of the status quo. She reads realistic narrative as a symbolic act of imagining and controlling the social upheavals of early modern capitalism, particularly class conflict and the development of mass culture. Brilliant analyses of works by Howells, Wharton, and Dreiser illuminate the narrative process by which realism constructs a social world of conflict and change. "[Kaplan] offers some enthralling readings of major novels by Howells, Wharton, and Dreiser. It is a book which should be read by anyone interested in the American novel."—Tony Tanner, Modern Language Review "Kaplan has made an important contribution to our understanding of American realism. This is a book that deserves wide attention."—June Howard, American Literature

Author: Inês Morais
Publisher: Springer
ISBN: 3030201279
Category : Philosophy
Languages : en
Pages : 146

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This compelling book defends realism concerning the aesthetic—in particular, concerning the aesthetic properties of works of art (including works of literature). Morais lucidly argues that art criticism, when referring to aesthetic properties, is referring not ultimately to the critic’s subjective reactions, but to genuine properties of the works. With a focus on contemporary discussion conducted in the analytic tradition, as well as on arguments by Hume and Kant, this book characterizes the debate in aesthetics and the philosophy of art concerning aesthetic realism, examining attacks on the objectivity of values, the ‘autonomy thesis’, and Hume’s sentimentalism. Considering and defusing scepticism concerning the significance of the ontological debate about aesthetic realism, Morais discusses two powerful attacks on aesthetic realism before defending the doctrine against them and providing a positive realist account of aesthetic properties.