Spectacle, Pageantry, and Early Tudor Policy PDF Download

Author: Sydney Anglo
Publisher:
ISBN:
Category : History
Languages : en
Pages : 424

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Book Description
This standard work, long out of print, discusses every English royal entry, festival, disguising, masque, and tournament, from the accession of Henry VII to the coronation celebrations of Elizabeth I. The study of court festivals, spectacle, and civic pageantry in Renaissance Europe has now developed into a major academic industry, so that the market for authoritative works on these themes extends far beyond the boundaries of conventional scholarly disciplines. Spectacle, Pageantry and Early Tudor Policy was a pioneering work and remains the only comprehensive and analytical treatment of its subject.

Author: Malcolm B. Yarnell III
Publisher: Oxford University Press
ISBN: 0199686254
Category : History
Languages : en
Pages : 341

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Book Description
This book assesses the understandings of the Christian doctrine of royal priesthood, long considered one of the three major Reformation teachings, as held by an array of royal, clerical, and popular theologians during the English Reformation.

Author: Richard Heath
Publisher: Pen and Sword History
ISBN: 1399084585
Category : History
Languages : en
Pages : 297

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Book Description
King Henry VIII and Emperor Charles V both ruled for almost forty years at a time when momentous changes in society, politics and religion were taking place in England and across Europe. Richard Heath takes a fresh look at these two individuals and the importance of their relationship in determining both their immediate policies and the future of their lands. Although always rivals for status, Henry and Charles, despite their very different temperaments, had much in common. Both had been brought up as devout Christians and in the chivalric tradition. Ties between their lands (by 1520 Charles was Holy Roman Emperor as well as ruling Spain, the Low Countries and much of Italy) were close. There were alliances against a common enemy, France, valuable trading links and a personal connection – Henry was married to Charles’ aunt, Catherine of Aragon. The book provides a clear account of their complex and ever-changing relationship, both personal and political. It reveals the goodwill that existed between them, particularly during Emperor Charles’ lengthy state visit to England in 1522. It also shows how this proved impossible to maintain once Henry decided to end his marriage to Catherine and his subsequent rejection of papal authority. On the occasions when they planned military action together their alliance collapsed in mutual recriminations. Yet they were officially at war for only a few months and their armies never faced each other. The duplicitous world of international diplomacy, with dynastic marriages, fine words and broken promises, provides the backdrop to this fascinating story. In their search for honor and dynastic security, so important to both monarchs, the decisions of one could rarely be ignored by the other.

Author: Michael A. Winkelman
Publisher: Routledge
ISBN: 0429559542
Category : Literary Criticism
Languages : en
Pages : 442

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Book Description
Originally published in 2005. While several recent studies have investigated the political dimensions of sixteenth-century English drama, until now there has not been a monograph that tells the story of how and why royal marital selection was examined. By linking court interludes, neoclassical university tragedies, and popular plays by late Elizabethan dramatists Christopher Marlowe, John Lyly, Thomas Kyd, and William Shakespeare to the inflammatory topic of Tudor marriage, Michael Winkelman demonstrates their cultural centrality. This new work interrogates the symbolic, allusive, and mimetic aspects of marital relationships in such plays. Winkelman argues that they were crucial battlegrounds for a series of consequential debates about the future of the monarchy, especially during the reigns of the oft-married King Henry VIII and his unmarried daughter, the Virgin Queen Elizabeth I. Marriage, as a critically important political metaphor as well as a pressing realpolitik quandary, was the subject of major debate in the drama and government of Tudor England. Royal conduct in the domestic sphere had a tremendous impact on the entire English social order, and in an age before widespread freedom of speech, court drama was often the only venue where the voicing of criticism was tolerated. The fascinating soap-opera story of Tudor marriage thus provides the author with a reference point for an interdisciplinary study of sixteenth-century theatre and politics. Drawing on evidence from playbooks and historical chronicles as well as contemporary work in gender studies, audience-response theory, and anthropology, this book explores how during a time of anxiety-inducing change, playwrights discussed controversies and propounded remedies; theatre played a pivotal role in shaping society.

Author: David M. Bergeron
Publisher: University of Georgia Press
ISBN: 0820338435
Category : Literary Criticism
Languages : en
Pages : 262

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Book Description
Pageantry in the Shakespearean Theater focuses on political, social, and aesthetic issues to reveal the enormous influence of civic celebration on Renaissance theater. Ranging across Shakespeare's canon and including the work of his fellow playwrights, this collection of twelve essays considers tournaments, royal entries, Lord Mayor's Shows, funeral processions progress entertainments, court masques, and more.

Author: J. L. Laynesmith
Publisher: Oxford University Press, USA
ISBN: 0199247374
Category : Great Britain
Languages : en
Pages : 313

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Book Description
The last medieval queens of England were Margaret of Anjou, Elizabeth Woodville, Anne Neville, and Elizabeth of York - four very different women whose lives and queenship were dominated by the Wars of the Roses. This book is not a traditional biography but a thematic study of the ideology and practice of queenship. It examines the motivations behind the choice of the first English-born queens, the multi-faceted rituals of coronation, childbirth, and funeral, the divided loyalties between family and king, and the significance of a position at the heart of the English power structure that could only be filled by a woman. It sheds new light on the queens' struggles to defend their children's rights to the throne, and argues that ideologically and politically a queen was integral to the proper exercise of mature kingship in this period.

Author: Jennifer Loach
Publisher: Yale University Press
ISBN: 0300143982
Category : History
Languages : en
Pages : 268

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Book Description
Edward VI was the son of Henry VIII and his second wife, Jane Seymour. He ruled for only six years (1547-1553) and died at the age of sixteen. But these were years of fundamental importance in the history of the English state, and in particular of the English church. This new biography reveals for the first time that, despite his youth, Edward had a significant personal impact. Jennifer Loach draws a fresh portrait of the boy king as a highly precocious, well educated, intellectually confident, and remarkably decisive youth, with clear views on the future of the English church. Loach also offers a new understanding of Edward’s health, arguing that the cause of his death was a severe infection of the lungs rather than tuberculosis, the commonly accepted diagnosis. The author views Edward not as a sickly child but as a healthy and vigorous boy, devoted to hunting and tournaments like any young aristocrat of the day. This book tells the story of the monarch and of his time. It supplies the dramatic context in which the short reign of Edward VI was played out—the momentous religious changes, factional fights, and popular risings. And it offers vivid details on Edward’s increasing absorption in politics, his consciousness of his role as supreme head of the English church, his determination to lay the foundation for a Protestant regime, and how his failure in this ambition brought England to the brink of civil war.

Author: Meg Twycross
Publisher: Routledge
ISBN: 135191930X
Category : Literary Criticism
Languages : en
Pages : 321

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Book Description
Drawing on broad research, this study explores the different social and theatrical masking activities in England during the Middle Ages and the early 16th century. The authors present a coherent explanation of the many functions of masking, emphasizing the important links among festive practice, specialized ceremonial, and drama. They elucidate the intellectual, moral and social contexts for masking, and they examine the purposes and rewards for participants in the activity. The authors' insight into the masking games and performances of England's medieval and early Tudor periods illuminates many aspects of the thinking and culture of the times: issues of identity and community; performance and role-play; conceptions of the psyche and of the individual's position in social and spiritual structures. Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices, demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for historians of culture, theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance, and with broader cultural and historical questions of social organization, identity and the self, the performance of power, and shifting spiritual understanding.

Author: Jim Ellis
Publisher: Northwestern University Press
ISBN: 0810145316
Category : Literary Criticism
Languages : en
Pages : 323

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Book Description
How an early modern understanding of place and movement are embedded in a performative theory of literature How is a garden like a poem? Early modern writers frequently compared the two, and as Jim Ellis shows, the metaphor gained strength with the arrival of a spectacular new art form—the Renaissance pleasure garden—which immersed visitors in a political allegory to be read by their bodies’ movements. The Poem, the Garden, and the World traces the Renaissance-era relationship of place and movement from garden to poetry to a confluence of both. Starting with the Earl of Leicester’s pleasure garden for Queen Elizabeth’s 1575 progress visit, Ellis explores the political function of the entertainment landscape that plunged visitors into a fully realized golden world—a mythical new form to represent the nation. Next, he turns to one of that garden’s visitors: Philip Sidney, who would later contend that literature’s golden worlds work to move us as we move through them, reorienting readers toward a belief in English empire. This idea would later be illustrated by Edmund Spenser’s Faerie Queen; as with the pleasure garden, both characters and readers are refashioned as they traverse the poem’s dreamlike space. Exploring the artistic creations of three of the era’s major figures, Ellis argues for a performative understanding of literature, in which readers are transformed as they navigate poetic worlds.

Author: Samantha Frénée-Hutchins
Publisher: Routledge
ISBN: 1317172965
Category : Literary Criticism
Languages : en
Pages : 242

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Book Description
This diachronic study of Boudica serves as a sourcebook of references to Boudica in the early modern period and gives an overview of the ways in which her story was processed and exploited by the different players of the times who wanted to give credence and support to their own belief systems. The author examines the different apparatus of state ideology which processed the social, religious and political representations of Boudica for public absorption and helped form the popular myth we have of Boudica today. By exploring images of the Briton warrior queen across two reigns which witnessed an act of political union and a move from English female rule (under Elizabeth I) to British/Scottish masculine rule (under James VI & I) the author conducts a critical cartography of the ways in which gender, colonialism and nationalism crystallised around this crucial historical figure. Concentrating on the original transmission and reception of the ancient texts the author analyses the historical works of Hector Boece, Raphael Holinshed and William Camden as well as the canonical literary figures of Edmund Spenser, William Shakespeare and John Fletcher. She also looks at aspects of other primary sources not covered in previous scholarship, such as Humphrey Llwyd’s Breuiary of Britayne (1573), Petruccio Ubaldini’s Le Vite delle donne illustri, del regno d’Inghilterra, e del regno di Scotia (1588) and Edmund Bolton’s Nero Caesar (1624). Furthermore, she incorporates archaeological research relating to Boudica.