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Author: Michele Pierson Publisher: Columbia University Press ISBN: 0231500807 Category : Performing Arts Languages : en Pages : 243
Book Description
Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have been marveled at by millions, this is the first investigation of their broader cultural reception. Moving from an exploration of nineteenth-century popular science and magic to the Hollywood science fiction cinema of our time, Special Effects examines the history, advancements, and connoisseurship of special effects, asking what makes certain types of cinematic effects special, why this matters, and for whom. Michele Pierson shows how popular science magazines, genre filmzines, and computer lifestyle magazines have articulated an aesthetic criticism of this emerging art form and have helped shape how these hugely popular on-screen technological wonders have been viewed by moviegoers.
Author: Michele Pierson Publisher: Columbia University Press ISBN: 0231500807 Category : Performing Arts Languages : en Pages : 243
Book Description
Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have been marveled at by millions, this is the first investigation of their broader cultural reception. Moving from an exploration of nineteenth-century popular science and magic to the Hollywood science fiction cinema of our time, Special Effects examines the history, advancements, and connoisseurship of special effects, asking what makes certain types of cinematic effects special, why this matters, and for whom. Michele Pierson shows how popular science magazines, genre filmzines, and computer lifestyle magazines have articulated an aesthetic criticism of this emerging art form and have helped shape how these hugely popular on-screen technological wonders have been viewed by moviegoers.
Author: Jake Hamilton Publisher: Dk Pub ISBN: 9780789428134 Category : Juvenile Nonfiction Languages : en Pages : 63
Book Description
Presents a behind-the-scenes look at some of the magic of the movies including the puppetry techniques used in ET, the animation in Toy Story, and much more.
Author: Dan North Publisher: Bloomsbury Publishing ISBN: 1838718311 Category : Performing Arts Languages : en Pages : 485
Book Description
As blockbusters employ ever greater numbers of dazzling visual effects and digital illusions, this book explores the material roots and stylistic practices of special effects and their makers. Gathering leading voices in cinema and new media studies, this comprehensive anthology moves beyond questions of spectacle to examine special effects from the earliest years of cinema, via experimental film and the Golden Age of Hollywood, to our contemporary transmedia landscape. Wide-ranging and accessible, this book illuminates and interrogates the vast array of techniques film has used throughout its history to conjure spectacular images, mediate bodies, map worlds and make meanings. Foreword by Scott Bukatman, with an Afterword by Lev Manovich.
Author: Richard J. Radke Publisher: Cambridge University Press ISBN: 0521766877 Category : Business & Economics Languages : en Pages : 409
Book Description
This book explores the fundamental computer vision principles and state-of-the-art algorithms used to create cutting-edge visual effects for movies and television. It describes classical computer vision algorithms and recent developments, features more than 200 original images, and contains in-depth interviews with Hollywood visual effects artists that tie the mathematical concepts to real-world filmmaking.
Author: Charlie Keil Publisher: Rutgers University Press ISBN: 0813573572 Category : Performing Arts Languages : en Pages : 263
Book Description
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.
Author: Richard Rickitt Publisher: Watson-Guptill Publications ISBN: 0823077330 Category : Performing Arts Languages : en Pages : 318
Book Description
Traces the history and evolution of motion picture special effects from silent films' smoke and mirrors to computer-assisted effects, and dissects such components as optical illusions, models, animation, and makeup and sound effects.
Author: Mat Irvine Publisher: Aurum Press Limited ISBN: 9781845135560 Category : Performing Arts Languages : en Pages : 240
Book Description
The BBC Visual Effects Department closed its doors in 2003. For almost fifty years it had been responsible for some of television’s most iconic images – from exploding newsreaders on Monty Python’s Flying Circus to Blake’s 7’s majestic Liberator sailing through outer space; from the Queen Vic being engulfed in flames in Eastenders to severed heads dripping blood in The Borgias. Using interviews with the effects designers themselves, together with hundreds of concept drawings, production photographs and stills from completed programmes, this book tells the story of the VFX Department and celebrates the work of a group of craftsmen who lived by the mantra, ‘If it can be imagined, it can be made…’ Working largely before the age of cgi, the Department was responsible for every kind of visual effect, from physical effects such as rain and explosions, to miniatures and models, to sculpture and animatronics. Following a preliminary chapter on effects techniques, the book features in-depth accounts of fifty key shows, representing every genre from sci-fi and drama to comedies and documentaries. In each we see how the designers worked, from receiving the original script to creating the finished effects. There are numerous anecdotes about their tricks of the trade. Find out how the Martian’s eyes in Quatermass and the Pit were animated using inflated condoms, and how Mrs Slocombe’s infamous pussy was manipulated by remote control. Filled with fascinating insights, wonderful stories and numerous photographs and artworks which have never been published, this is an essential book for FX fans and anyone who loves television
Author: Michele Pierson
Author: Michele Pierson
Author: Bernard Wilkie
Author: Bernard Wilkie
Author: Jake Hamilton
Author: Dan North
Author: Richard J. Radke
Author: Charlie Keil
Author: Richard Rickitt
Author: Raymond Fielding
Author: Mat Irvine