Spain under the Bourbons, 1700–1833 PDF Download

Author: W.N.Hargreaves- Mawdsley
Publisher: Springer
ISBN: 1349007986
Category : History
Languages : en
Pages : 332

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Author: William Norman Hargreaves-Mawdsley
Publisher:
ISBN: 9780872492899
Category : Spain
Languages : en
Pages : 0

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Author: William N. Hargreaves-Mawdsley
Publisher:
ISBN: 9780333106846
Category :
Languages : en
Pages : 0

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Author: W.N.Hargreaves- Mawdsley
Publisher: Springer
ISBN: 1349018031
Category : History
Languages : en
Pages : 190

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Author: Francisco A. Eissa-Barroso
Publisher: BRILL
ISBN: 9004308792
Category : History
Languages : en
Pages : 340

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In The Spanish Monarchy and the Creation of the Viceroyalty of New Granada (1717-1739), Francisco A. Eissa-Barroso analyzes the politics behind the most salient Bourbon reform introduced in Spanish America during the early eighteenth century.

Author: Donald J. Kagay
Publisher: Taylor & Francis
ISBN: 1040249906
Category : History
Languages : en
Pages : 284

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The focus of this collection of articles by Donald J. Kagay is the effect of the expansion of royal government on the societies of the medieval Crown of Aragon. He shows how the extensive episodes of warfare during the 13th and 14th centuries served as a catalyst for the extension of the king's law and government across the varied topography and political landscape of eastern Spain. In the long conflicts against Spanish Islam and neighbouring Christian states, the relationships of royal to customary law, of monarchical to aristocratic power, and of Christian to Jewish and Muslim populations, all became issues that marked the transition of the medieval Crown of Aragon to the early modern states of Catalonia, Aragon and Valencia, and finally to the modern Spanish nation.

Author: Alexander Gillespie
Publisher: Bloomsbury Publishing
ISBN: 1509912193
Category : Law
Languages : en
Pages : 872

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This is the fourth volume of a projected six-volume series charting the causes of war from 3000 BCE to the present day, written by a leading international lawyer, and using as its principal materials the documentary history of international law, largely in the form of treaties and the negotiations which led up to them. These volumes seek to show why millions of people, over thousands of years, slew each other. In departing from the various theories put forward by historians, anthropologists and psychologists, the author offers a different taxonomy of the causes of war, focusing on the broader settings of politics, religion, migrations and empire-building. These four contexts were dominant and often overlapping justifications during the first four thousand years of human civilisation, for which written records exist.

Author: Thomas Benjamin
Publisher: Cambridge University Press
ISBN: 1107782643
Category : History
Languages : en
Pages : 723

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From 1400 to 1900 the Atlantic Ocean served as a major highway, allowing people and goods to move easily between Europe, Africa, and the Americas. These interactions and exchanges transformed European, African, and American societies and led to the creation of new peoples, cultures, economies, and ideas throughout the Atlantic arena. The Atlantic World provides a comprehensive and lucid history of one of the most important and impactful cross-cultural encounters in human history. Empires, economies, and trade in the Atlantic world thrived due to the European drive to expand as well as the creative ways in which the peoples living along the Atlantic's borders adapted to that drive. This comprehensive, cohesively written textbook offers a balanced view of the activity in the Atlantic world. The 40 maps, 60 illustrations, and multiple excerpts from primary documents bring the history to life. Each chapter offers a reading list for those interested in a more in-depth look at the period.

Author: K. Meira Goldberg
Publisher:
ISBN: 019046691X
Category : Music
Languages : en
Pages : 316

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How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which flamenco imagery turns dances on a knife's edge delineating Christian and non-Christian, White and Black worlds. This figure's subversive teetering undermines Spain's symbolic linkage of religion with race, a prime weapon of conquest. Flamenco's Sonidos Negros live in this precarious balance, amid the purposeful confusion and ruckus cloaking embodied resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by enslavement and colonization.

Author: Albert Boime
Publisher: University of Chicago Press
ISBN: 0226063372
Category : Art
Languages : en
Pages : 771

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Book Description
Art for art's sake. Art created in pursuit of personal expression. In Art in an Age of Counterrevolution, Albert Boime rejects these popular modern notions and suggests that history—not internal drive or expressive urge—as the dynamic force that shapes art. This volume focuses on the astonishing range of art forms currently understood to fall within the broad category of Romanticism. Drawing on visual media and popular imagery of the time, this generously illustrated work examines the art of Romanticism as a reaction to the social and political events surrounding it. Boime reinterprets canonical works by such politicized artists as Goya, Delacroix, Géricault, Friedrich, and Turner, framing their work not by personality but by its sociohistorical context. Boime's capacious approach and scope allows him to incorporate a wide range of perspectives into his analysis of Romantic art, including Marxism, social history, gender identity, ecology, structuralism, and psychoanalytic theory, a reach that parallels the work of contemporary cultural historians and theorists such as Edward Said, Pierre Bourdieu, Eric Hobsbawm, Frederic Jameson, and T. J. Clark. Boime ultimately establishes that art serves the interests and aspirations of the cultural bourgeoisie. In grounding his arguments on their work and its scope and influence, he elucidates how all artists are inextricably linked to history. This book will be used widely in art history courses and exert enormous influence on cultural studies as well.