The Amazing City PDF Download

Author:
Publisher: Odile Jacob
ISBN: 2738184960
Category :
Languages : en
Pages : 285

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 192

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Author: John Frederick Macdonald
Publisher:
ISBN:
Category : Paris (France)
Languages : en
Pages : 312

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Author: Georges Grégoire
Publisher:
ISBN:
Category : French language
Languages : en
Pages : 136

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Author: Heinrich Gottfried Ollendorff
Publisher:
ISBN:
Category :
Languages : en
Pages : 664

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Author: John Frederick Macdonald
Publisher: BoD – Books on Demand
ISBN: 3387087047
Category : Fiction
Languages : en
Pages : 326

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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Author: Gilles Quispel
Publisher: BRILL
ISBN: 9047441826
Category : Religion
Languages : en
Pages : 864

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This volume brings together a rich and varied collection of essays by Gilles Quispel (1916-2006), Professor of the History of the Early Church at Utrecht University from 1951 until his retirement in 1983. During his illustrious career, Professor Quispel was also visiting Professor at Harvard University in 1964/65, and visiting Professor at the Catholic University of Leuven from 1969 until 1974. The fifty essays collected in this volume testify to most of the prominent themes from Professor Quispel’s scholarly career: the writings of the Nag Hammadi library in general and the Gospel of Thomas in particular; Tatian’s Diatessaron and its influences; the Hermetica; Mani and Manichaeism; the Jewish origins of Gnosticism; and Gnosis and the future of Christianity. This volume also makes a number of his less known earlier publications (mainly presented under the heading ‘Catholica’) available to the international community. Until shortly before he died, Professor Quispel remained active in his study of the Gospel of Thomas. He had been one of the first to acquire the Coptic text of the Gospel of Thomas, of which he published the first translation in 1959 and his final translation in 2005. He was also active in researching the Diatessaron, and Valentinus ‘the Gnostic’. One of his most recent essays – published for the first time in this volume – is on ‘the Muslim Jesus.’

Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 1112

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Author: Canada. Legislature. Legislative Assembly
Publisher:
ISBN:
Category :
Languages : en
Pages : 628

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Author: Timothy D. Taylor
Publisher: Duke University Press
ISBN: 0822389975
Category : Music
Languages : en
Pages : 323

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In Beyond Exoticism, Timothy D. Taylor considers how western cultures’ understandings of racial, ethnic, and cultural differences have been incorporated into music from early operas to contemporary television advertisements, arguing that the commonly used term “exoticism” glosses over such differences in many studies of western music. Beyond Exoticism encompasses a range of musical genres and musicians, including Mozart, Beethoven, Jean-Philippe Rameau, Maurice Ravel, Charles Ives, Henry Cowell, Bally Sagoo, and Bill Laswell as well as opera, symphony, country music, and “world music.” Yet, more than anything else, it is an argument for expanding the purview of musicology to take into account not only composers’ lives and the formal properties of the music they produce but also the larger historical and cultural forces shaping both music and our understanding of it. Beginning with a focus on musical manifestations of colonialism and imperialism, Taylor discusses how the “discovery” of the New World and the development of an understanding of self as distinct from the other, of “here” as different from “there,” was implicated in the development of tonality, a musical system which effectively creates centers and margins. He describes how musical practices signifying nonwestern peoples entered the western European musical vocabulary and how Darwinian thought shaped the cultural conditions of early-twentieth-century music. In the era of globalization, new communication technologies and the explosion of marketing and consumption have accelerated the production and circulation of tropes of otherness. Considering western music produced under rubrics including multiculturalism, collaboration, hybridity, and world music, Taylor scrutinizes contemporary representations of difference. He argues that musical interpretations of the nonwestern other developed hundreds of years ago have not necessarily been discarded; rather they have been recycled and retooled.