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The Cinema of Russia and the Former Soviet Union

The Cinema of Russia and the Former Soviet Union PDF Author: Birgit Beumers
Publisher:
ISBN: 9781904764984
Category : Performing Arts
Languages : en
Pages : 312

Book Description
This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include Strike (1925), Earth (1930), Ivan's Childhood (1962), Mother and Son (1997) and Brother (1997).

The Cinema of Russia and the Former Soviet Union

The Cinema of Russia and the Former Soviet Union PDF Author: Birgit Beumers
Publisher:
ISBN: 9781904764984
Category : Performing Arts
Languages : en
Pages : 312

Book Description
This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include Strike (1925), Earth (1930), Ivan's Childhood (1962), Mother and Son (1997) and Brother (1997).

Early Soviet Cinema

Early Soviet Cinema PDF Author: David Gillespie
Publisher: Wallflower Press
ISBN: 9781903364048
Category : Performing Arts
Languages : en
Pages : 126

Book Description
This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.

Soviet Cinema in the Silent Era, 1918–1935

Soviet Cinema in the Silent Era, 1918–1935 PDF Author: Denise J. Youngblood
Publisher: University of Texas Press
ISBN: 0292776454
Category : Performing Arts
Languages : en
Pages : 353

Book Description
A summary of the history of Russian cinema after the Russian revolution

Cinema and Soviet Society from the Revolution to the Death of Stalin

Cinema and Soviet Society from the Revolution to the Death of Stalin PDF Author: Peter Kenez
Publisher:
ISBN: 9780755604616
Category : Electronic books
Languages : en
Pages : 252

Book Description
In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.

The Politics of the Soviet Cinema 1917-1929

The Politics of the Soviet Cinema 1917-1929 PDF Author: Richard Taylor
Publisher: Cambridge University Press
ISBN: 9780521088558
Category : History
Languages : en
Pages : 238

Book Description
The book provides an illuminating background of the political history of the Soviet cinema in the twenties.

Indian Films in Soviet Cinemas

Indian Films in Soviet Cinemas PDF Author: Sudha Rajagopalan
Publisher: Indiana University Press
ISBN: 0253220998
Category : History
Languages : en
Pages : 282

Book Description
Understanding the Soviet public's love of Indian popular film

Post New Wave Cinema in the Soviet Union and Eastern Europe

Post New Wave Cinema in the Soviet Union and Eastern Europe PDF Author: Daniel J. Goulding
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 344

Book Description


On the Wings of Hypothesis

On the Wings of Hypothesis PDF Author: Annette Michelson
Publisher: MIT Press
ISBN: 0262044498
Category : Art
Languages : en
Pages : 257

Book Description
Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, collected for the first time. This posthumous volume gathers Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, giving readers the opportunity to track her sustained investigations into their work. Michelson introduced American audiences to Soviet cinema in the early 1970s, extending the interpretive paradigm she had used for American filmmakers of the mid-twentieth century—in which she emphasized phenomenological readings of their work—to films and writings by Eisenstein and Vertov. Over four decades, Michelson returned again and again to what she calls, following Eisenstein, “intellectual cinema”—the deliberate attempt to create philosophically informed analogues for consciousness. The volume includes Michelson's major essays on Eisenstein's unrealized attempts to make movies of both Marx's Capital and Joyce's Ulysses, as well as her authoritative discussion of Vertov's 1929 masterpiece The Man with a Movie Camera. Together, the texts demonstrate Michelson's pervasive influence as a writer and thinker, and her role in the establishment of cinema studies as an academic field. This collection makes these canonical texts available for a new generation of film scholars.

Ukrainian Cinema

Ukrainian Cinema PDF Author: Joshua First
Publisher: Bloomsbury Publishing
ISBN: 0857726706
Category : History
Languages : en
Pages : 264

Book Description
Ukrainian Cinema: Belonging and Identity during the Soviet Thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. He argues that film-makers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. The first two chapters provide the background on how Soviet cinema since Stalin cultivated an exoticised and domesticated image of Ukrainians, along with how the film studio in Kiev attempted to rebuild its reputation during the early Sixties as a centre of the cultural thaw in the USSR. The next two chapters examine Sergei Paradjanov's highly influential Shadows of Forgotten Ancestors (1965) and its role in reorienting the Dovzhenko studio toward the auteurist (some would say elitist) agenda of Poetic Cinema. In the final three chapters, Ukrainian Cinema looks at the major works of film-makers Yurii Illienko, Leonid Osyka, and Leonid Bykov, among others, who attempted (and were compelled) to bridge the growing gap between a cinema of auteurs and concerns to generate profit for the Soviet film industry.

Stalinism and Soviet Cinema

Stalinism and Soviet Cinema PDF Author: Derek Spring
Publisher: Routledge
ISBN: 113612828X
Category : Social Science
Languages : en
Pages : 296

Book Description
Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.