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Author: John Hannavy Publisher: Routledge ISBN: 1135873267 Category : Photography Languages : en Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: John Hannavy Publisher: Routledge ISBN: 1135873267 Category : Photography Languages : en Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: John Osborne Publisher: McGill-Queen's Press - MQUP ISBN: 0228013321 Category : Photography Languages : en Pages : 209
Book Description
Photography, one of the most influential inventions of the nineteenth century, has been shaped by Canadian innovators. Among them are two Quebec men who have flown beneath the radar in studies of the history of photography: the Smeaton brothers. Out of the Studio documents the life, oeuvre, and achievement of Charles Smeaton and his younger brother, John. Launched by the opening of their “photographic gallery” in 1861, they developed a reputation in Quebec for images of contemporaneous people, places, and events taken in challenging outdoor settings. Smeaton pictures of the aftermath of the Great Fire of Quebec in 1866 helped bring an understanding of the disaster to an international audience; images featuring the gold mining industry were displayed at the Exposition universelle in Paris the following year. When Charles travelled to Europe in 1866, he accomplished a feat previously thought impossible, taking the first successful photographs in the Roman catacombs. John moved to Montreal in 1869, where he worked for newspapers and developed techniques for the direct transfer of photographs into print without the necessity of intermediary engravings. Out of the Studio is the first comprehensive biographical study detailing the innovation and imagination of the Smeaton brothers and their legacy of images across two continents.
Author: H.V. Nelles Publisher: University of Toronto Press ISBN: 1442658975 Category : History Languages : en Pages : 417
Book Description
In 1908 Canada celebrated its 300th anniversary – the tercentenary of Champlain's founding of Quebec City. In two glorious weeks of parades, ceremonies, balls, and festivities, Canadians commemorated their history in a spectacle that would not be surpassed until the centennial of 1967. The climax of the 1908 celebration was an historical pageant in which 4000 sumptuously costumed citizens re-enacted classic events in Canada's history. Canada's leading painters were also there to capture these memorable scenes for posterity. The past was being celebrated, but with the present and the future in mind. In The Art of Nation-Building, H.V. Nelles uses contemporary literary techniques to convey the scope, colour, and intensity of the tercentenary from various perspectives. Drawing on the intimate diaries and letters of leading social and political figures, he leads us behind the scenes, disclosing the politics of memory, the theatrics of history, and the making of a modern monarchy. Nelles reveals what we actually do when we commemorate, how we use the past, and the multivocal character of mass celebration This richly illustrated, thought-provoking interpretation of public celebrations offers a novel perspective on Quebec and on the upcoming celebration of the millennium. Winner of two prestigious prizes: the Sir John A. Macdonald Prize (CHA) and the Prix Lionel-Groulx (IHAF).
Author: Andrea Kunard Publisher: McGill-Queen's Press - MQUP ISBN: 0773538615 Category : Art Languages : en Pages : 292
Book Description
Reflecting the rich interdisciplinarity of contemporary photography studies, The Cultural Work of Photography in Canada is essential reading for anyone interested in Canadian visual culture."--Pub. desc.
Author: Brian Young Publisher: McGill-Queen's Press - MQUP ISBN: 077359664X Category : History Languages : en Pages : 511
Book Description
History has often ignored the influence in modern Quebec of family dynasties, patriarchy, seigneurial land, and traditional institutions. Following the ascent of four generations from two families through eighteenth-century New France to the onset of the First World War, Patrician Families and the Making of Quebec compares the French Catholic Taschereaus and the Anglican and English-speaking McCords. Consulting private, institutional, and legal archives, Brian Young studies eight family patriarchs. Working as merchants or colonial administrators in the first generation, they became seigneurial proprietors, officeholders, and prelates. The heads of both families used marriage arrangements, land stewardship, and judgeships to position their heirs. Young shows how patriarchy was a central force in both domestic and public life, as well as the ways in which Taschereau and McCord family strategies extended into the marrow of Quebec society through moral authority, influence on national identities, and their positions within senior offices in religious, judicial, and university institutions. Through courthouses, cemeteries, belfries, and their own chapels and neoclassical estates, they created encompassing cultural landscapes. Later generations used museums, archives, historian collaborators, photography, and modern print to elevate family achievement to the status of heroic national narratives. Sagas of the monied and entrepreneurial, nationalist imperatives to protect a vulnerable people, and skepticism about the lasting power of great families and historical institutions have relegated the influence of the Taschereaus and McCords to obscurity. Patrician Families and the Making of Quebec resuscitates the central role these elite families played in English and French Quebec.
Author: John Hannavy
Author: John Hannavy
Author: British Museum. Department of Printed Books
Author: British Museum
Author: British museum. Dept. of printed books
Author: John Osborne
Author: British Library
Author: H.V. Nelles
Author: Andrea Kunard
Author: Brian Young
Author: